Die drei Tage des Condor

Saw this movie in theaters way back when (yes I am old). It was so long ago that I had forgotten most of the movie. Thoroughly enjoyed watching it again during the virus lockdown. As much fun for first time viewers of today as it is for old timers like me.

This film was very effective in maintaining the tension not only of the Condor's life and death mission to discover the reasons for the massacre of his colleagues but also the relationship between him and Kathy. The cast is uniformly good though Redford obviously carries the film. Von Sydow is again great as the strictly professional assassin. The entire film had an aura of authenticity that had me entirely engrossed. Recommended, 8/10.

I'm sure that Robert Redford thought he had the greatest job in the world in Three Days Of The Condor. He's a reader for the Central Intelligence Agency. His job along with several other associates is to read various books, fiction and non-fiction, in a comfortable old Upper East Side of New York brownstone and glean ideas for the agency.

Except that one fine day an innocuous report gets turned in from his brownstone that panics someone in a high place. A hit team is sent out and Redford by dint of going out for lunch orders through a back entrance misses a massacre. After he calls it in and then escapes another murder attempt in which a friend in the agency is killed, he doesn't know who to trust.

Three Days Of The Condor is a finely tuned spy thriller which will keep you guessing right up to the end. You will be inside Robert Redford's head totally, you won't know what to believe either. Eventually the only one he does trust is a woman whom he forces at gunpoint to help him escape. The woman is Faye Dunaway who goes Stockholm and enlists in helping Redford try and sort things out.

Redford proves to be quite resourceful even winning the admiration of Max Von Sydow, the contract killer hired to get him. After all he's not a field agent, but as Von Sydow points out, 'he does read'.

Sydney Pollack kept things going at a Hitchcock like level of tension with great performances from his cast. That would also include Cliff Robertson as the CIA station chief whose motives are mixed to say the least.

If your taste tends to espionage thrillers, don't miss Three Days Of The Condor.

Three Days of the Condor (1975)

This is looking more and more like a period piece, dated and curious like one of those great Cold War films looks today (Failsafe or Seven Days in May). And yet it also feels like the beginnings of spy/counterspy films that are going on today, way beyond the pizazz of the early Bond films of the 1960s, and presaging the dozens since, including recent ones like the Bourne films or Syriana. It plays straight up as a suspense film, one where an almost innocent man is caught up in something huge and perplexing and awful, and we all identify with the individual against the powers of evil. Robert Redford plays the role of Joe Turner well, with the usual Redford stiffness, but believably--he reads books, after all--and sympathetically.

Putting yourself back to 1975 you have to remember that everyone was talking about, and reacting to, Watergate, and a U.S. president who had to resign from office because of it. Watergate, more than anything, started the current public roar (blossoming on the internet) about government conspiracy. Three Days of the Condor makes the government, and the CIA in particular, an almost unassailable and invisible force of spying and mistrust. Turner, by circumstance at first and then by admirable determination, fights back. He's clever as much as he is worried. He falls in love. He feels isolated but never gives up. He has close calls, and lucky escapes, and unlikely friends. He thinks of other people first.

In other words, he's a hero against the machine, and if the movie is sometimes slow, it creates a nice pace for the end, which is beautifully thought out. Director Sydney Pollack is hampered by a screenplay that alternates between awkward (Faye Dunaway's scenes) and brilliant (Redford's anti-spy character has a conversation with a hit man played by Max Von Sydow that shines), but he patches it together with an editing job that was nominated for an Oscar. And the cinematography by Owen Roizman is really nice (he shot a dozen great films from the French Connection to the Exorcist to Network). Condor is not just an entertainment, which is a saving grace, but it does also, slowly and beautifully, entertain.

The movie is well executed and has a great cast apart from the dodgy kissing scene which was very funny. The plot has enough to keep you entertained throughout. Max von sydow excels as does Robert Redford. The twin towers being in this movie was unmissable and always makes me think of what a iconic symbol they were.