Jack el destripador de Londres

This Spanish Giallo contains suspense , thrills , chills , intrigue and plot twists . In this peculiar version of the famous story of the London serial killer set in contemporary time , here Jack the Ripper not only likes to kill prostitutes but also other beautiful women . Naschy movie with usual elements of the ¨Gialli¨ sub-genre : suspenseful intrigue , twisted killings executed by a brutal killer , violence , sadism , physical abuse , sensationalist murder pieces and nudism . Dealing with a series of murders are happening in London , these killings seem connected to a hunk gammy named Bruno Dorlani (Paul Naschy or Jacinto Molina). The frustrated and bitter ex-acrobat Bruno tries to exculpate himself by sending a letter to the police superintendent via his friend (Patricia Loran) , resulting in fateful consecuences . Meanwhile , the police commissioner , Inspector Henry Campbell (Renzo Marignano) and his agents are investigating the heinous crimes , helped by a handsome schoolteacher of noble birth called Winston Darby Christian (Andrés Resino) married to a beautiful wife (Orchidea De Santis) , all of them being drawn into a twisted criminal plot and hot on Bruno's heels as prime suspect , as they can bring down the killer to the justice .

This is the typical European co-production , a giallo style which copies usual ingredients with a number of suspect people , red herrings and grisly murders against unfortunate victims , being committed by an unknown assassin who executes macabre killings on the body his victims by slashing , cutting or hacking . This is a whodunit in which there are various suspicious people who , as usual , happen to be the protagonists , as the main question of the movie results to be to find out the following : who is the murderer ? .There're various candidates, it may be a wise , well-considered teacher (Andrés Resino) or his vindictive spouse (Orchidea De Santis) or a lame former trapeze artist (Paul Naschy or Jacinto Molina) whose wife is among the victims or even the commissioner Inspector Campbell (Renzo Marignano) himself . Lurid and gut-wrenching criminal drama made during the Francoist period in which abounded co-productions especially in horror and Spaghetti Western genres . As in Terror genre excelled Jacinto Molina who created his particular style where most of his raids would be perpetrated by the emblem of his own company in Spain , this actor, screenwriter and director Jacinto Molina - Paul Naschy , at times , collaborated with writer/filmmaker José Luis Madrid ; the result of whose collaboration are 'Jack the Ripper of London / Sette Cadaveri per Scotland Yard' (1971) and crimes of 'Petiot' (1972). Here Paul Naschy is an ex-circus artist who helps his friend a police inspector to discover who is the ominous murderer , resulting in himself to be the prime suspect . Filmmaker José Luis Madrid designs an average thriller , including some regularly staged murders plenty of startling visual content with blood similar to tomato and adding gore scenes , as well as brief nakedness, though in Spain it was submitted to limited censorship.

It contains atomspheric cinematography by cameraman Diego Úbeda , showing Swinging London locations from the Seventies , as well as some Madrid places , though a perfect remastering being extremely necessary because of the film copy is worn-out . Along with thrillling and intriguing musical score by Italian composer Piero Piccioni , an expert on Giallo soundtracks . The motion picture was regularly directed by José Luis Madrid. He was a craftsman who directed all kinds of genres. As he made Españoladas such as : ¨Lucecita¨ or ¨Strip-tease a la Inglesa¨ ; Spaghetti/Paella Westerns such as ¨The Ballad of Johnny Ringo¨ , ¨Seven Jackals¨, ¨The revenge of Clark Harrison¨ , ¨A Tomb for an outlaw¨; Eurospy movies such as : ¨Chineses and minishorts¨, ¨Ok Yetvtushenko¨ ; Crime movie such as ¨The Hyena¨ , and for the famous Spanish Werewolf , Paul Naschy , directed 2 movies : ¨Jack Ripper of London¨ and ¨Crimes of Petiot¨ and political/historical films such as : ¨Memorias del General Escobar¨ and ¨Command Txiquia¨ concerning the assassination of President Carrero Blanco . He also worked for the powerful German producer Arthur Brauner from Constantine Films with whom José Luis Madrid made a lot of uncredited films . Most of them were Krimis , a subgenre very popular in Germany . Throughout his long career he also showed a sense of opportunism with sensationalistic productions , such as : ¨The motorway Vampire¨ , about a vampire killer and ¨Last Tango in Madrid¨, there badly imitating ¨Bertolucci's Last tango in Paris¨. Rating : 5.5/10 . Average but passable Giallo .

The giallo was an Italian invention; however, there were several Spanish movies that are accepted entries in the genre. Seven Murders for Scotland Yard is a pretty typical example of this sub-genre of the sub-genre. It stars Iberian horror icon Paul Naschy in the lead role. In it he plays medical student turned acrobat who is the chief suspect in a series of prostitute murders in London. The killings recall the work of Jack the Ripper.

This is a pretty routine murder-mystery. It's hampered a bit by its low budget. It lacks the sense of style that most of its Italian counterparts had, so it comes across as somewhat more rough-edged. The murders themselves have pretty crude gore effects, while there is a distinct lack of nudity. The latter is clearly as a result of the Spanish origins, seeing as this was made in Franco's Spain and film nudity was a bit of a no-no – Spaniards like Jesus Franco had to make films in France and West Germany in order to ramp up the sex. The mystery itself isn't bad as such but the small cast means that there really aren't a lot of suspects to begin with. Still, it's certainly an entertaining enough flick, just don't go into it expecting too much.

Following a rash of brutal murders, a Scotland Yard inspector attempting to solve the case finds that the evidence pointing to the legendary Jack the Ripper implicates a former trapeze artist as the main suspect and forces him to find the real killer to clear his name.

This one was quite the enjoyable Giallo effort. One of the film's better aspects is the fact that this one manages to tie into the historical connections and works itself into the modern setting. Despite knowing early on that the clues point to the mythical killer through the style of knifings and the connection with the blades found at the crime scenes, the inherent inability to see past that and focus on the one character for the vast majority of the running time with a series of improbable tactics to try to place him at the foot of the killings as there's no real reason why he should be placed squarely in the blame for the incidents which all ties together into the workings of the genre. That also extends rather nicely into the film's stalking scenes which are quite fun and enjoyably in the giallo vein, from the opening shock murder of the prostitute thinking she's with a client only to pull a knife unexpectedly, a later stalking of a woman in her flat who is completely unaware of the killer approaching her room and then taking her out makes for a chilling sequence and the great attacks in the school gym and a woman alone in her apartment all come off much creepier than they should which really enhances the stalking action in here. The manner in which he gets implicated, being found the morning after a night with a dead prostitute and her blood on him which forces a daring escape into the night that keeps him having to dodge the police after him, and along with a solid brawl with a gang of youths attempting to bring him to justice also giving this one some solid action alongside the stalking. That leads into the film's other great aspect in the finale which is the highly enjoyable brawl in the killers' lair as there's plenty of hand-to-hand brawling that makes for a truly enjoyable time and gives this a strong finish. Still, even with these great elements there's some minor troubling factors. The biggest issue with this one is the rather stilted and one-note investigation that carries on throughout here which renders a vast majority of what's going on really bland to get through. The insistence on the circus performer as the killer is inherently ludicrous as the physical feats performed renders his career-threatening injury the perfect scapegoat to place him beyond the scope of investigation as a simple search realizes that quite easily. It's so weak in fact that there's even the mention of this in the final showdown when they make mention of the fact that the case is rather mysterious in how it lead to the killer and they just gloss over it. The other flaw is the rather troubling lack of sleaze and violence here, as the attacks leading into the revelation about them being prostitutes leaves this with little to no nudity and utterly cheap-looking gore effects that ruin any illusion of realism by showing a knife actively carving up animal meat due to the consistency and color that's far beyond what human skin looks like. These do drag it down, but otherwise it was quite fun.

Rated Unrated/R: Violence, Language, Brief Nudity and mild sex scenes.

This had been shown on late-night Italian TV some years back and, later, I recall it being mentioned favorably online; hence, given its theme of an updated version of Jack The Ripper and the fact that it starred Euro-Cult icon Paul Naschy, I decided to check it out this time around. However, it turned out to be quite a mess: not so surprising when considering that the only other J.L. Madrid film I've watched was the similarly dispiriting THE HORRIBLE SEXY VAMPIRE (1970)!; as in that film, the women here are mainly on screen in order to disrobe and get butchered.

The plot provides three possible suspects of the serial killings: a crippled and bitter ex-trapeze artist (Naschy) whose wife is among the victims, a handsome schoolteacher of noble birth but who's actually impotent and, surprisingly, a police commissioner who just happens to be the latter's boyhood chum and is also secretly in love with his wife (Orchidea De Santis, whom I saw in the flesh and on screen – in Luciano Salce's equally obscure but infinitely superior political satire, COUP D'ETAT [1969] – at the 61st Venice Film Festival)!

The Swinging London locations are just about the only authentic element here: both the gore and the occasional action scene look extremely phony; another clear measure of the film's lack of budget is that Naschy's accident (which continues to haunt him) is hilariously depicted simply by having the actor throw himself in front of the camera and utter a couple of none-too-convincing groans!

Someone is jabbing the life out of hookers in London and Scotland Yard are up to finding out who is responsible. It seems that Jack the Ripper has come back from the dead, but the police actually suspect hard drinking, limping, fat tiny Spaniard Paul Naschy for the murders.

Paul plays Pedro, a retired trapeze artist with a bum leg whose hooker wife is murdered early on by our douchebag killer, who also frames Pedro, who can't seem to go anywhere without dead hookers turning up.

A certain inspector is out to catch the killer, and has some suave mate whose wife he might be in love with. It's all like EastEnders only with murders and translated through a Spanish eye. It doesn't have the style of an Italian giallo (hence the accusations of it being drab and flat) but it does have a good pace and plenty of sauce.

It also has plenty of cheeseball moments, from when a hooker has a speech about how all men are bastards or the various moments when members of the British public try and avoid the camera that has no doubt appeared undeclared right in front of them! This film also has a fairly high body count so I'm a bit unclear on how it can be boring. Cheap looking, yes, but entertaining throughout.

Also, I went to London a few days ago, all jazzed to see Piccadilly Circus the way it appears in this film, and they've replaced it with a giant TV screen! What a let down.