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Ein Axtmörder stört eine trauernde Familie bei einer Gedenkfeier in ihrem Schloss.Ein Axtmörder stört eine trauernde Familie bei einer Gedenkfeier in ihrem Schloss.Ein Axtmörder stört eine trauernde Familie bei einer Gedenkfeier in ihrem Schloss.
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Francis Ford Coppola's debut horror flick is sometimes hailed as a kind of forgotten masterpiece, which is downright preposterous. Bored with his work as an assistant director on THE YOUNG RACERS he wrote a screenplay, and asked Corman for $22,000 to let him film it on the same sets used for THE YOUNG RACERS. He shot the film in two weeks and the shooting of the two films at the same sets simultaneously only worsened the quality of the film. I must admit, made with this 99 cent budget, it's a comparatively well crafted horror mystery with some good scenes but overall pretty dull with a story that makes little sense.
The members of the Haloran family gather at their ancestral Irish castle to attend the annual commemoration of the death of Kathleen, the daughter of the family who drowned in the lake on their estate six years earlier. One of the sons in the family, John Haloran, dies of a heart-attack while listening to Elvis on the radio. His gold-digging wife Louise then dumps the body in the pond and pretends he has returned to New York, because she only gets part of the family inheritance when her husband is alive. When staying at the castle she begins an elaborate ruse to convince Lady Haloran that her drowned daughter Kathleen is still alive, but soon, she is killed by an axe-murderer, who proceeds to kill of the rest of the family one by one. What follows is: who's the psycho? Much inspired by Hitchcock's PSYCHO, it bears little relation plotwise, let alone in suspense. Coppola puts more emphasis on graphic violence than suspense and the story doesn't make much sense. With some good scenes it kept me watching till the end, but that's about it.
Not a complete waste of time though, as Coppola met his future wife Eleonor Neil on the set.
Camera Obscura --- 6/10
The members of the Haloran family gather at their ancestral Irish castle to attend the annual commemoration of the death of Kathleen, the daughter of the family who drowned in the lake on their estate six years earlier. One of the sons in the family, John Haloran, dies of a heart-attack while listening to Elvis on the radio. His gold-digging wife Louise then dumps the body in the pond and pretends he has returned to New York, because she only gets part of the family inheritance when her husband is alive. When staying at the castle she begins an elaborate ruse to convince Lady Haloran that her drowned daughter Kathleen is still alive, but soon, she is killed by an axe-murderer, who proceeds to kill of the rest of the family one by one. What follows is: who's the psycho? Much inspired by Hitchcock's PSYCHO, it bears little relation plotwise, let alone in suspense. Coppola puts more emphasis on graphic violence than suspense and the story doesn't make much sense. With some good scenes it kept me watching till the end, but that's about it.
Not a complete waste of time though, as Coppola met his future wife Eleonor Neil on the set.
Camera Obscura --- 6/10
A woman's husband dies of a heart attack shortly before they are to visit his family. She dumps his body into a lake and tells the family that he was called away on business, while she schemes to ensure she collects his inheritance. Her scheming is cut short, however, by the appearance of an ax-wielding killer out for blood.
Of note today as being Francis Ford Coppola's feature film debut, or at least his first credited one. Because it's from a director as accomplished as Coppola, there seems to be more thought put into analyzing Dementia 13 than is necessary. It is exactly what it appears to be: an early slasher film made on a shoestring budget and produced by the master of the cheapie, Roger Corman. It's not a bad movie. It's a little slow at times and the script doesn't always make sense, but it's a perfectly serviceable movie of its type. It has some style that one could point to as a sign of Coppola's yet-to-emerge talent. It also provided the line about "an American girl raised on promises" that was cribbed by Tom Petty for his song "American Girl," which I thought was a neat bit of trivia.
Of note today as being Francis Ford Coppola's feature film debut, or at least his first credited one. Because it's from a director as accomplished as Coppola, there seems to be more thought put into analyzing Dementia 13 than is necessary. It is exactly what it appears to be: an early slasher film made on a shoestring budget and produced by the master of the cheapie, Roger Corman. It's not a bad movie. It's a little slow at times and the script doesn't always make sense, but it's a perfectly serviceable movie of its type. It has some style that one could point to as a sign of Coppola's yet-to-emerge talent. It also provided the line about "an American girl raised on promises" that was cribbed by Tom Petty for his song "American Girl," which I thought was a neat bit of trivia.
******SPOILERS****** Early 1960's collaboration of director Francis Ford Coppala and film producer Roger Corman of a horror story set in and around Ireland's Haloran Castle. The movie has really two stories that intersect each other halfway into the movie which sets off a series of brutal ax murders which for the time, the early 1960's, are as graphic as anything seen in films back in those days.
John Haloran, Peter Reed, dies of a sudden heart attack, which seemed self-induced, rowing a boat with his wife Louise, Luana Anders, on board one night. Getting nothing from John's estate if he dies before she does which was stated in John's will Louise frantically tries to hide John's body by throwing him overboard into the lake. Louise ties an anchor to his waist to keep John from floating to the surface and being discovered.
Back home Louise writes a letter attributing it to John stating that he's gone on an urgent business trip to New York and may not be back for some time. Louise then plans to talk John's emotionally unstable mother Lady Haloran, Eithne Dunne, into re-writing the will and include her in it with or without the survival of her husband. The next day John's older brother Richard, William Campball, is set to see his fiancée Kane, Mary Mitchel, who's arriving from the USA to meet Richard's family in Ireland. When Kane is picked up by Richard's younger brother William, Brent Patton, at the airport William tells Kane that tomorrow is the seventh anniversary of their 13 year-old sister Kathleen's, Barbara Downing, tragic death and the family is having it's annual ceremony to commemorate it.
Louise knowing how much Lady Haloran misses her beloved daughter Kathleen tries to manipulate her by trying to prove to her that she's somehow in touch with the dead Kathleen through communications with her from the "other side". This is to get her to like Louise, who Lady Haloran despises, and get her to change the will that she wrote up that left Louise out in the cold if her husband dies in terms of his inheritance. Trying to convince Lady Haloran that she's really in communication with her daughter Louise tries to stage an event by taking some toys from Kathleen's room and planting them at the bottom of the pound where she drowned seven years ago.Louise plans at the right moment to have the toys rise to the surface in Lady Haloran presence to prove, to Lady Haloran, that she's telling her the truth.
What Louise doesn't know, by reviving suppressed memories of Kathleen's death, is that she set off and put into motion the person who was responsible for it to commit a number of bloody ax murders with Louise being his first victim.
Despite a shoe string budget and a unknown cast "Dementia 13" is a pretty effective Horror/Mystery movie.The murderer is more or less reviled almost at the beginning of the film but in such a way to make you not realize it. In a good attempt of misdirection by Francis Ford Coppala the audience is made to look somewhere or at someone else in the movie which keeps you guessing who the killer is until the very end. Coppala's use of striking black and white photography as well as the effective use of sounds and shadows greatly adds to the suspense as well as creepiness of the movie.
John Haloran, Peter Reed, dies of a sudden heart attack, which seemed self-induced, rowing a boat with his wife Louise, Luana Anders, on board one night. Getting nothing from John's estate if he dies before she does which was stated in John's will Louise frantically tries to hide John's body by throwing him overboard into the lake. Louise ties an anchor to his waist to keep John from floating to the surface and being discovered.
Back home Louise writes a letter attributing it to John stating that he's gone on an urgent business trip to New York and may not be back for some time. Louise then plans to talk John's emotionally unstable mother Lady Haloran, Eithne Dunne, into re-writing the will and include her in it with or without the survival of her husband. The next day John's older brother Richard, William Campball, is set to see his fiancée Kane, Mary Mitchel, who's arriving from the USA to meet Richard's family in Ireland. When Kane is picked up by Richard's younger brother William, Brent Patton, at the airport William tells Kane that tomorrow is the seventh anniversary of their 13 year-old sister Kathleen's, Barbara Downing, tragic death and the family is having it's annual ceremony to commemorate it.
Louise knowing how much Lady Haloran misses her beloved daughter Kathleen tries to manipulate her by trying to prove to her that she's somehow in touch with the dead Kathleen through communications with her from the "other side". This is to get her to like Louise, who Lady Haloran despises, and get her to change the will that she wrote up that left Louise out in the cold if her husband dies in terms of his inheritance. Trying to convince Lady Haloran that she's really in communication with her daughter Louise tries to stage an event by taking some toys from Kathleen's room and planting them at the bottom of the pound where she drowned seven years ago.Louise plans at the right moment to have the toys rise to the surface in Lady Haloran presence to prove, to Lady Haloran, that she's telling her the truth.
What Louise doesn't know, by reviving suppressed memories of Kathleen's death, is that she set off and put into motion the person who was responsible for it to commit a number of bloody ax murders with Louise being his first victim.
Despite a shoe string budget and a unknown cast "Dementia 13" is a pretty effective Horror/Mystery movie.The murderer is more or less reviled almost at the beginning of the film but in such a way to make you not realize it. In a good attempt of misdirection by Francis Ford Coppala the audience is made to look somewhere or at someone else in the movie which keeps you guessing who the killer is until the very end. Coppala's use of striking black and white photography as well as the effective use of sounds and shadows greatly adds to the suspense as well as creepiness of the movie.
When Alfred Hitchcock's Marion Crane (of "Psycho") stepped into the shower and met her fate, it kicked off a slew of stark, grisly chillers about nutcases, often wielding butcher knives or axes. This entry has the distinction of being one of Coppola's earliest directorial efforts and it is clearly influenced by Hitchcock, though without his budget or seasoned mastery. Anders plays a rather nagging wife who is visiting her husband's ancestral castle with him just in time to "celebrate" the anniversary of his kid sister's funeral. He, his two brothers and his mother gather annually to pay tribute to the little girl who was drowned on the premises years before. One brother (Campbell) is an angry sculptor with an American fiancee (Mitchel.) The other (Patton) is a gentle, sort of shy type. The mother (Dunne) can't get past the death of her daughter and faints on cue each year at the ceremony. Not long into the film, one death sets off a chain of events that unleashes a couple of other ones to where no one at the castle is safe and the audience is often not certain who the mad killer is (though veteran fans of horror/suspense shouldn't have that much trouble figuring it out.) The film is far from perfect, but given the unbelievable budgetary and filming restraints, it does manage to conjure up some creeps and story interest. The only part that really drags is the section involving an overly inquisitive doctor (Magee.) Otherwise, there is creativity in the filming of the deaths and a nice sense of atmosphere throughout (even if almost none of these Irish characters has anything resembling an accent!) There are slicker fright films out there, but this one wins points for accomplishing pretty much with precious little to work with.
In Ireland, the greedy American Louise (Luana Anders) is disappointed with the will of her mother-in-law Lady Haloran (Ethne Dunne) on the eve of Kathleen's seventh memorial ceremony. While rowing a small boat during the night in the pond of the Haloran Castle with Louise, John Haloran (Peter Read) has a fatal heart attack. Louise is aware that she will not receive the share of the inheritance if the death of John is discovered, so she dumps his body in the pond. Then she forges a farewell letter from John to his mother telling that he needs to go back to New York, and she separates some clothes in John's suitcase to simulate his travel. Louise succeeds to convince Lady Haloran and her sons Richard (William Campbell) and Billy (Bart Patton) about John's urgent business trip. Later she talks to Billy about the spooky old castle and Billy tells that the place is haunted by his sister Kathleen, who drowned in the pond many years ago driving his mother to the edge. On the next morning, Richard's American fiancée Kane (Mary Mitchel) arrives for the family's reunion and the Machiavellian Louise approaches to Lady Haloran showing sympathy for her feelings for Kathleen. During the night, Louise goes to Kathleen's bedroom and gets some toys; then she dives in the pond to prepare a prank to lure Lady Haloran. When she returns, she is attacked by a man with a machete and dies; when she is not found in the castle, the family believes she has traveled without saying goodbye. Later, Lady Haloran's doctor Justin Caleb (Patrick Magee) decides to investigate the small lake and the mystery about the Haloran Castle, disclosing a hidden secret in the dysfunctional family.
It is curious to see "Dementia 13" in 2009, and the greatest attraction is the name of the director and writer Francis Coppola (without the Ford) in one of his earliest works. Produced by Roger Corman, the King of the B-Movies (especially in the 60's), this black-and-white feature has an abrupt beginning without any previous development of characters or situation. Then the flawed and predictable story of dementia and family curse visibly follows the style of Alfred Hitchcock. I found in IMDb that the original title would be "Dementia"; however, it was added a "13" since there is a 1955 movie with the same title. My vote is five.
Title (Brazil): "Demência 13" ("Dementia 13")
It is curious to see "Dementia 13" in 2009, and the greatest attraction is the name of the director and writer Francis Coppola (without the Ford) in one of his earliest works. Produced by Roger Corman, the King of the B-Movies (especially in the 60's), this black-and-white feature has an abrupt beginning without any previous development of characters or situation. Then the flawed and predictable story of dementia and family curse visibly follows the style of Alfred Hitchcock. I found in IMDb that the original title would be "Dementia"; however, it was added a "13" since there is a 1955 movie with the same title. My vote is five.
Title (Brazil): "Demência 13" ("Dementia 13")
WUSSTEST DU SCHON:
- WissenswertesFrancis Ford Coppola was assisting Roger Corman on the set of Schnelle Autos und Affären (1963) in Ireland. Corman allowed Coppola to use the same set, crew, and actors Luana Anders, William Campbell, and Patrick Magee for this film if he could shoot around the shooting schedule of Corman's film.
- PatzerWhen Louise goes into the pond after stripping to bra and panties, her panties are tan or light brown, yet in the underwater sequence they are black.
- Zitate
Louise Haloran: It's nice to see her enjoying herself for a change. The mood around this place isn't good for her.
Richard Haloran: Well, she may be right.
Louise Haloran: Especially an American girl. You can tell she's been raised on promises.
- Alternative VersionenThe original UK cinema version was cut by the BBFC to edit some of the gore from the murder scenes, including the decapitation, and various shots of dead bodies. The cuts were restored in all later UK prints.
- VerbindungenEdited into Elvira's Horror Classics (2004)
- SoundtracksHe's Caught
(uncredited)
Written by Arthur "Buddy" Fowler
Performed by Buddy and the Fads
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Details
Box Office
- Budget
- 40.000 $ (geschätzt)
- Laufzeit1 Stunde 15 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.66 : 1
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