IMDb-BEWERTUNG
7,0/10
1448
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA chronicle of the life of William Friese-Greene, a British inventor and early pioneer in cinema.A chronicle of the life of William Friese-Greene, a British inventor and early pioneer in cinema.A chronicle of the life of William Friese-Greene, a British inventor and early pioneer in cinema.
- Nominiert für 2 BAFTA Awards
- 1 Gewinn & 2 Nominierungen insgesamt
Renée Asherson
- Miss Tagg
- (as Renee Asherson)
Handlung
WUSSTEST DU SCHON:
- WissenswertesOne of the extras in this movie is a teenage Ronald Kray (later the infamous London gangster).
- PatzerIn 1915 when Green's three eldest sons join the army, the landlord's agent mentions that the Spanish influenza is going around. In actuality the Spanish influenza did not begin until 1918.
- Zitate
William Fox-Talbot: The original thinker - the innovator - mustn't mind seeming a little foolish to his contemporaries. He must always look to his star... In the end, he may still fail. That's unimportant. If he is true to himself, he won't be too unhappy or embittered, even in failure, and will still speak for what is good.
- Crazy CreditsClosing credits superimposed over the tablet bearing the following: WILLIAM FRIESE-GREENE 1855 - 1921 A PIONEER OF THE CINEMA
- VerbindungenEdited into Kraft Television Theatre: The Magic Box (1956)
Ausgewählte Rezension
I'm sure it didn't hurt in the resolve of the British film industry to honor one of its pioneers and one who some claim to have been the actual inventor of motion pictures, William Friese-Greene, to have one of his grandchildren, Richard Greene as a film star in his own right. The Magic Box is a fine tribute to someone generally forgotten if known at all to American audiences especially.
Robert Donat brings his Mr. Chips character and weaves it into the character of William Friese-Greene. The story is told in flashback and in reverse order, first by his second wife Margaret Johnston from their first meeting in 1897 through their marriages and then later by Donat himself as he remembers his first wife Maria Schell. But in both remembrances, the thing that stands out is his driving obsession to capture movement on some medium. As Donat eloquently puts it, 'movement is life'.
It costs him dear, he does not get the credit he feels due him, it goes to that upstart Thomas Edison from the USA. Actually fellow Britishers George Alfred Smith and Charles Urban and Frenchmen Auguste and Louis Lumiere and Emile Reynaud all could claim pioneering contributions to the motion picture as well. Friese-Greene was a fine portrait photographer, but spent all his money on his experiments, even selling the patent he took out on his early motion picture camera.
Donat, Johnston and Schell are supported by a massive cast of the best British players doing small parts in tribute and belated recognition to the guy who now is considered if not THE inventor of motion pictures, the founder of British cinema. From Laurence Olivier in the role of an astonished policeman who is the first to see Robert Donat's breakthrough, to Bernard Miles as Donat's stuffy cousin who's worried about having the bite put on him, to young John Howard Davies as the youngest of Friese-Greene's sons, you'll recognize lots of familiar faces.
Still the film belongs to Donat as the obsessed, but touching Friese- Greene who helped give the world a universal medium of entertainment. Donat never gave a bad performance on the screen and Friese-Greene ranks among his best.
Robert Donat brings his Mr. Chips character and weaves it into the character of William Friese-Greene. The story is told in flashback and in reverse order, first by his second wife Margaret Johnston from their first meeting in 1897 through their marriages and then later by Donat himself as he remembers his first wife Maria Schell. But in both remembrances, the thing that stands out is his driving obsession to capture movement on some medium. As Donat eloquently puts it, 'movement is life'.
It costs him dear, he does not get the credit he feels due him, it goes to that upstart Thomas Edison from the USA. Actually fellow Britishers George Alfred Smith and Charles Urban and Frenchmen Auguste and Louis Lumiere and Emile Reynaud all could claim pioneering contributions to the motion picture as well. Friese-Greene was a fine portrait photographer, but spent all his money on his experiments, even selling the patent he took out on his early motion picture camera.
Donat, Johnston and Schell are supported by a massive cast of the best British players doing small parts in tribute and belated recognition to the guy who now is considered if not THE inventor of motion pictures, the founder of British cinema. From Laurence Olivier in the role of an astonished policeman who is the first to see Robert Donat's breakthrough, to Bernard Miles as Donat's stuffy cousin who's worried about having the bite put on him, to young John Howard Davies as the youngest of Friese-Greene's sons, you'll recognize lots of familiar faces.
Still the film belongs to Donat as the obsessed, but touching Friese- Greene who helped give the world a universal medium of entertainment. Donat never gave a bad performance on the screen and Friese-Greene ranks among his best.
- bkoganbing
- 4. Jan. 2009
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- The Magic Box
- Drehorte
- Produktionsfirma
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- Laufzeit1 Stunde 58 Minuten
- Seitenverhältnis
- 1.37 : 1
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Oberste Lücke
By what name was Der wunderbare Flimmerkasten (1951) officially released in Canada in English?
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