IMDb-BEWERTUNG
6,5/10
1353
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuProwl car cops on night duty romance a reluctant young woman who works for the department while in danger from a vengeful racketeer.Prowl car cops on night duty romance a reluctant young woman who works for the department while in danger from a vengeful racketeer.Prowl car cops on night duty romance a reluctant young woman who works for the department while in danger from a vengeful racketeer.
John Butler
- Drunk
- (Gelöschte Szenen)
Dudley Dickerson
- Garbage Man
- (Gelöschte Szenen)
Cliff Bailey
- Sergeant Bailey
- (Nicht genannt)
Tony Barr
- Harry Yost
- (Nicht genannt)
Robert Bice
- Detective
- (Nicht genannt)
Symona Boniface
- Minor Role
- (Nicht genannt)
Chet Brandenburg
- Pedestrian
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesWhile the city is never identified, the police badges and numbered streets are similar to those used or located in New York City. However, the dispatcher says "KMA 367" over the radio. This FCC call sign was and is registered to the Los Angeles Police Department, and is valid through the year 2025.
- PatzerWhen the officers rent the flat, Kate gets up from the couch to answer the door, and she is wearing black heels. When she lays on the couch again, she is wearing lighter-colored flat shoes.
- Zitate
Rocky Barnes: Miss Mallory... Do you mind if I call you Kate?
Katharine Mallory: You might as well. I've a feeling you'll get around to it in a minute anyway.
- VerbindungenReferences The Black Cat (1941)
- SoundtracksPLEASE DON'T KISS ME
Written by Allan Roberts and Doris Fisher
Performed by Gale Robbins (shown in part only)
Ausgewählte Rezension
I found this movie to be very enjoyable to watch. There was no masterful overriding story, but it moved along at a good pace, was quite genial and had no faults. It might be called an early "procedural" in today's lingo: lots of radio squad car scenes, beaming messages in cop talk back and forth, well photographed auto chase scenes and shootouts. The directing, script, acting and cinema-photography were superior. In the movie the cops were all righteous and the criminals all incorrigibly bad.
Three things stood out for me, favorably: (1) I was always a big Gale Storm fan, stemming from my childhood watching of "My Little Margie" re-runs on TV (Gale was the co-star of the TV show, and part of the romantic triangle in this movie). (2) The repartee was often witty and jocular and never off-putting. For example, on an early date, Officer Rocky Barnes (played by Mark Stevens) is having his first dance with Gale Storm, and, holding her tightly he says, "I've been waiting a long time for this." She replies, "I can believe it. I feel a rib cracking." He responds, "Oh, control yourself, Barnes. This lady's got to last." (3) The relationship between the two police partners (Stevens and Edmond O'Brien) was friendly and jocular. It was nice to observe their respect for each other. Both were quite competent. O'Brien was the more serious, cynical and hard on criminals. Stevens was more relaxed and sensitive to criminals' feelings.
Three things stood out for me, favorably: (1) I was always a big Gale Storm fan, stemming from my childhood watching of "My Little Margie" re-runs on TV (Gale was the co-star of the TV show, and part of the romantic triangle in this movie). (2) The repartee was often witty and jocular and never off-putting. For example, on an early date, Officer Rocky Barnes (played by Mark Stevens) is having his first dance with Gale Storm, and, holding her tightly he says, "I've been waiting a long time for this." She replies, "I can believe it. I feel a rib cracking." He responds, "Oh, control yourself, Barnes. This lady's got to last." (3) The relationship between the two police partners (Stevens and Edmond O'Brien) was friendly and jocular. It was nice to observe their respect for each other. Both were quite competent. O'Brien was the more serious, cynical and hard on criminals. Stevens was more relaxed and sensitive to criminals' feelings.
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- Between Midnight and Dawn
- Drehorte
- Pacific Electric Building, Los Angeles, Kalifornien, USA(During the police pursuit of Garris after he escapes custody, Garris's car is shown turning into the Main Street trolley car entrance of this building and exiting into the car yard on the other side of the building)
- Produktionsfirma
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- Laufzeit1 Stunde 29 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1
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Oberste Lücke
By what name was Zwischen Mitternacht und Morgen (1950) officially released in India in English?
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