Der Meisterdieb von Paris

This is a slow-paced but solid film about a police inspector, played by the calm and unruffled Eric Portman (the spider) and his quarry, a master thief and safe cracker (the fly), who is played by Guy Rolfe. Rolfe was excellent in another film which he made this same year, PORTRAIT FROM LIFE (1949, see my review). He is just as good in this one as well, though playing a very different type of character, and one far less sympathetic. Robert Hamer directed this, one of only 14 films which he directed. He retired from the screen at age 49 and died at age 52, hence the small number of his films. He is best remembered for directing KIND HEARTS AND CORONETS (1949), this very same year, with Alec Guinness. The love interest in this story is played by the Romanian actress Nadia Gray, who has both men in her thrall but has a wild passion for Rolfe which at first he does not return. This was only her second film, the first being a French film in this same year which has never been reviewed on IMDb and may be lost, or at least lost to memory. Portman finally catches the elusive Rolfe and send him to prison, but then a wartime situation arises which requires a crucial document to be stolen from the safe of The German Legation in Switzerland. Portman recruits Rolfe for this task and the thief thus uses his safe-cracking and building-climbing skills to get the document and fight the Germans. It is a good film, well made, but somewhat slow. It would not have seemed so in 1949, perhaps, but things have speeded up now.

Robert Hamer was the great director of an episode of "Dead of night" and the famous "Kind heart and coronets". The problem is that "the spider and the fly" is real slow, not because of the script enough rich of strange situations and dialogues, but because of a total lack of actors direction, the three main actors are desperatly unexpressive. They are shot from far, and there's a puzzling scene in which two characters are turning back the camera, then the camera shoots too many long time the door when the character has already gone out. Eric Portman and Nadia Gray look really empty, and Guy Rolfe who has a terrific frightening face is too much shot from far, he would have needed close shots. What a pity because Guy Rolfe's character of some kind of Arsène Lupin is really interesting and the end is gripping.

The movie is located in France, mainly Paris, but also Versailles and in the end in Switzerland, I rekon some of the locations are real places in Paris or Versailles but there might be some studio scenes for the Café Michel we often see (serving the inevitable absinthe). Robert Hamer also directed Alec Guiness in 1955 in France in "To Paris with love", in colour on the Champs Elysées. There might be some other good surprises in Robert Hamer's filmography of only 14 movies.

Robert Hamer's next film after 'Kind Hearts and Coronets' was this super-stylish precursor to the same director's 'Father Brown' five years later; which feels like an adaptation of a novel but was actually an original screenplay. Continuing his fascination with criminality and deception while studying the bond that develops between a gentleman thief and a detective against a French backdrop, in his tragically sparce career before he drank himself to death aged just 52 he also made two other films with French settings, one of them even called 'To Paris with Love'. It also anticipates 'The Dirty Dozen' and numerous other war films in it's proposition that criminals constitute a valuable resource in wartime.

In answer to an earlier correspondent, Guy Rolfe's career never really took off because health problems made him difficult to work with; although he fortunately enjoyed a late career resurgence in the 'Puppetmaster' series.

Eric Portman is a French police inspector who is used to committing the professional bank robber Guy Rolfe, he has done that a number of times and knows him well, so when in 1916 in the middle of the war a special burglar job is needed in the German legation in Berne, Switzerland, Eric recommends Rolfe, who gets the job. The complication is that they both love the same woman, a certain Madeleine (Nadia Gray), a fact which involves some unforeseen circumstances.

The story is very thought-provoking, there is a toch of tragedy to it as well, Portman and Rolfe are both at their best, and they team very well together.

Eric Portman plays a police officer desperate to get Guy Rolfe behind bars in "The Spider and the Fly" from 1949.

Eric Portman is Fernand Maubert, a French police officer around World War II. He is being heavily criticized because he is unable to catch a very efficient robber, Philippe Lodocq (Guy Rolfe) who always seems to have an alibi when there's a robbery.

If things weren't bad enough, both men are in love with the same woman (Nadia Gray). She is madly in love with Philippe, who at first uses her; later, however, he realizes that he does love her.

Happily for Maubert, he is able finally to catch Philippe and throw him in prison for six years. War breaks out, and Maubert, working with the government, is summoned and given an assignment. Maubert knows just the man to carry it out.

I don't know if I gave this an 8 because I've seen so mediocre films lately, or if this was really good. I think this was really good, particularly because of the performances of Portman and the elegant, handsome Guy Rolfe. I only knew him from the film "King of the Khyber Rifles" but was too busy looking at Tyrone Power to notice him.

The lesson of the film is that, for the good of a country, opposing forces can work together. Given the situation in the U. S. today, I found it timely.

There's are two twists at the end, both of which add to the film.

Recommended, especially if you're not familiar with Guy Rolfe.