Johanna von Orleans

Good editing always improves the rough vision of the accumulated daily takes. Chopping the heart out of a completed film, however, should simply be a hanging offense.

The original 1948 Joan of Arc at 145 minutes is magnificent. The 100-minute version that's been foisted off on the USA buying public is below mediocre. Key scenes were deleted wholesale with no regard to continuity or development.

The only enjoyment from the severely and amateurishly edited version is to see Ingrid Bergman do what she does best. But only if you have seen the original version can this chopped and cropped semi-copy have any marginal value.

Check the specifications on any version you are tempted to buy. If the running time is 100 minutes, don't bother. Some European versions are longer at 125 and 133 minutes. Hopefully, someone will offer this masterpiece in a full 145 minute DVD version

"Joan of Arc" is a film with a much larger budget and more prestigious cast than you'd expect from a movie released by RKO. After all, RKO was clearly a second-tier studio whose output was far lower budgeted than most films from MGM, Twentieth Centure-Fox and Warner Brothers. But here, the studio released a prestige film...with vivid color, a LOT of familiar actors and a plot involving one of the great women of the late Middle Ages. Unfortunately, the public did NOT respond well to this and the film actually lost money. How?

Ingrid Bergman plays the title character and the story consists of her life from her middle teens to her execution at age 19. This is a SERIOUS problem, as when the film began she was about 15-16...and looked like the 33 years she actually was.

The other main problem with the film is that the filmmakers were too reverential towards the character...with dirge-like music and a pace slower than a snail! Telling it faster and with perhaps more behind the scenes intrigues would have helped. Regardless, I just kept wanting the film to speed up...particularly at the end when you KNOW what's going to happen and it takes too long to get there. Well made and nice looking...but also a film that might bore you as well.

By the way, although it didn't impact my viewing, the film was a pet project of Ingrid Bergman but she also was responsible for helping to tank the film. Negative publicity about her affair with a married man became public at about the time the film was released. This very unsaint-like behavior surely must have negatively impacted the box office numbers.

Joan of Arc is perhaps Bergman's finest "high acting" performances. (Her greatest performance is still her "minimalist" performance in "Casablanca"). This is a better than good movie, but not great. With the cast, it should have been GREAT! It is, however, well worth seeing; Bergman is in fine form.

After what seems like gargantuan efforts to obtain the DVD and the necessary equipment I have finally managed to see the uncut version of Joan of Arc.

I am thrilled with this new DVD and will add nothing further to the positive comments that have already been made. However I should like to pay particular tribute to the wonderful music of Hugo Friedhofer. Of course, for years I loved his score for 'The best years of your life' but in terms of writing for an earlier period I never regarded this composer is quite the same league as, say, William Walton, whose Shakespeare/ Olivier scores were so memorable. But I have been forced to revise my opinion.

It was Max Reger who commented to the English composer Vaughan Williams: 'you have a veritable obsession with the flattened seventh' Well so, it seems does Mr Friedhofer! I suppose one either likes or loathes pastiche and modal writing. I adore it, and think that in Joan of Arc we get the best of both worlds. The music has a direct and powerful emotional appeal. It could scarcely fail to have. Yet given the fact that Friedhofer uses C20th conventions, harmonies, instruments and musicians, his 'nods' in the direction of C15th French church music are tastefully enough done for us to feel that such scenes as the coronation are, if not exactly in any sense 'authentic' then still marvellously effective.

I should dearly love to know whether anyone has arranged the score into a suite of pieces and recorded it. That would be a rare treat. Perhaps some other readers can advise?

I am lucky enough to have a video of the uncut version of this film, in which the trial is shown in full. This is the part of the film in which we see Ingrid's best acting. It's so immensely moving! Ingrid believed in Joan and it shows. She had just come from a triumphant Broadway run in Joan of Lorraine, the play on which this movie is based. The movie is a more straightforward telling of Joan's story [the play is a play within a play] and I would say it's accurate, though some details have to be left out, due to lack of time. Sadly, Ingrid's popularity in the USA had waned when this film was released. What a tragedy! I am amazed that a so-called enlightened and free nation could turn against this honest woman, because of her love for an Italian film director and the birth [out of wedlock] of their beautiful son. I think Ingrid would have won another Oscar with "Joan of Arc", had it not been for the "scandal". It's definitely the best film version of this remarkable saint's story and a fulfilment of Ingrid's lifetime wish. Long live Ingrid Bergman - and her favourite saint! Mary Hutchings [Founder, Ingrid Bergman International, Yahoo clubs]