IMDb-BEWERTUNG
6,5/10
2542
IHRE BEWERTUNG
Ein Meistermagier ermordet seinen habgierigen Arbeitgeber, der die Rechte an jedem seiner Zaubertricks besitzt, und sieht sich gezwungen, erneut zu töten.Ein Meistermagier ermordet seinen habgierigen Arbeitgeber, der die Rechte an jedem seiner Zaubertricks besitzt, und sieht sich gezwungen, erneut zu töten.Ein Meistermagier ermordet seinen habgierigen Arbeitgeber, der die Rechte an jedem seiner Zaubertricks besitzt, und sieht sich gezwungen, erneut zu töten.
Corey Allen
- Gus
- (Nicht genannt)
Conrad Brooks
- Bonfire Extra
- (Nicht genannt)
Roy Damron
- Rally Spectator
- (Nicht genannt)
George Eldredge
- Theatre Manager
- (Nicht genannt)
Al Haskell
- Carriage Driver
- (Nicht genannt)
Pete Kellett
- Stagehand
- (Nicht genannt)
Jack Kenney
- Stagehand
- (Nicht genannt)
Charles Perry
- Stagehand
- (Nicht genannt)
Murray Pollack
- Theatre Patron
- (Nicht genannt)
Empfohlene Bewertungen
The only ingredient missing in this VINCENT PRICE tale of horror is Technicolor which might have provided even more interest in this murderous tale of a magician who kills in order to protect his inventive magic act.
First to go is a partner with whom he has a violent argument and is given the buzz saw treatment. Then, JOHN EMERY, a rival magician who is foolish enough to steal from Price and threatens to reveal what he knows about the death of Price's partner. Emery has a grand time matching his scene stealing tricks with Price.
Skillfully directed by John Brahm, a section of the film dealing with the bonfire is reminiscent of a similar moment from Brahm's HANGOVER SQUARE when Laird Cregar delivers the body of a woman to be consumed by fire.
Acting is uniformly excellent and the script moves at a fast pace under Brahm's direction. Once again, Vincent Price delivers a first-rate performance in a shuddery role. The suspenseful moments lead to an edge of your seat climax involving a crematorium device.
First to go is a partner with whom he has a violent argument and is given the buzz saw treatment. Then, JOHN EMERY, a rival magician who is foolish enough to steal from Price and threatens to reveal what he knows about the death of Price's partner. Emery has a grand time matching his scene stealing tricks with Price.
Skillfully directed by John Brahm, a section of the film dealing with the bonfire is reminiscent of a similar moment from Brahm's HANGOVER SQUARE when Laird Cregar delivers the body of a woman to be consumed by fire.
Acting is uniformly excellent and the script moves at a fast pace under Brahm's direction. Once again, Vincent Price delivers a first-rate performance in a shuddery role. The suspenseful moments lead to an edge of your seat climax involving a crematorium device.
This is essentially a variation on House Of Wax ,in both the plot and the type of role played by the star of both movies ,Vincent Price.In both pictures he plays a talented artist who is sent toppling over the edge into insanity when his creations are usurped by other,less talented and less scrupulous people .In this movie he plays a designer of illusions for stage magicians who aspires to set out on a performing career himself only to be frustrated when another illusionist ,the Great Rinaldo (John Emery)insists that he honour his contract and give him first choice of any illusions he designs.Price is already ill disposed towards Rinaldi as his former wife is now a paramour of Rinaldi. He deploys his talents as an illusionist and as a brilliant mimic to avenge himself upon Rinaldi and others who thwart his plans for recognition as a performer and a designer.
Price is pretty much the whole show here and gives a well judged star turn as a wronged man whose predicament earns audience sympathy.The rest of the cast are competent if colourless and the weight of the whole venture falls on Price who carries the burden with ease .
Good solid B Movie melodrama , this is a crime movie rather than a horror picture and is enjoyable providing you don't expect a masterpiece .Shot in black and white it is low on gore and is best seen as melodrama and enjoyed for the presence of its star giving an idiosyncratic performance
Price is pretty much the whole show here and gives a well judged star turn as a wronged man whose predicament earns audience sympathy.The rest of the cast are competent if colourless and the weight of the whole venture falls on Price who carries the burden with ease .
Good solid B Movie melodrama , this is a crime movie rather than a horror picture and is enjoyable providing you don't expect a masterpiece .Shot in black and white it is low on gore and is best seen as melodrama and enjoyed for the presence of its star giving an idiosyncratic performance
The Mad Magician (1954)
*** (out of 4)
Vincent Price followed his success in HOUSE OF WAX with this horror thriller. He plays Don Gallico, a masterful creator of magic tricks who is double crossed by his boss and kills him. He eventually takes the dead man's identity but when the police start to investigate he must commit one murder after another trying to cover his tracks. THE MAD MAGICIAN was originally released in 3D and there are a lot of objects flying towards the screen and even when you view the film flat it's still easy to see that the effects are in good nature and appear to be fun. The movie itself is quite fun from start to finish and a lot of credit has to go to the wonderful Vincent Price. He was such a wonderful actor and his great performance made him a perfect fit for the genre. His soft-spoken nature he just makes you really love his character and made you feel sorry for him once the boss rips him off. Even after he starts murdering people you can't help but wish there's some way for him to get out of it. These added feelings for the character would be missing with so many other actors but Price's perfect performance really adds so much to the film. Mary Murphy is good as his assistant and Eva Gabor is simply snake-worthy as Price's ex-wife. Director John Brahm (THE LODGER) has had experience with the genre so he's able to build up a wonderful atmosphere and keep the film moving at a very fast pace. The biggest flaw with the picture is that it's pretty much HOUSE OF WAX but with a magician. The two film's are very close to one another as it's clear Columbia was trying to capture the success of that Warner film and didn't really come up with a fresh plot. With that said, Price certainly makes this film quite memorable and it ranks as one of the better horror pictures from this period.
*** (out of 4)
Vincent Price followed his success in HOUSE OF WAX with this horror thriller. He plays Don Gallico, a masterful creator of magic tricks who is double crossed by his boss and kills him. He eventually takes the dead man's identity but when the police start to investigate he must commit one murder after another trying to cover his tracks. THE MAD MAGICIAN was originally released in 3D and there are a lot of objects flying towards the screen and even when you view the film flat it's still easy to see that the effects are in good nature and appear to be fun. The movie itself is quite fun from start to finish and a lot of credit has to go to the wonderful Vincent Price. He was such a wonderful actor and his great performance made him a perfect fit for the genre. His soft-spoken nature he just makes you really love his character and made you feel sorry for him once the boss rips him off. Even after he starts murdering people you can't help but wish there's some way for him to get out of it. These added feelings for the character would be missing with so many other actors but Price's perfect performance really adds so much to the film. Mary Murphy is good as his assistant and Eva Gabor is simply snake-worthy as Price's ex-wife. Director John Brahm (THE LODGER) has had experience with the genre so he's able to build up a wonderful atmosphere and keep the film moving at a very fast pace. The biggest flaw with the picture is that it's pretty much HOUSE OF WAX but with a magician. The two film's are very close to one another as it's clear Columbia was trying to capture the success of that Warner film and didn't really come up with a fresh plot. With that said, Price certainly makes this film quite memorable and it ranks as one of the better horror pictures from this period.
There were and are not many gods that walk among us mortals - Vincent Price was for sure one of those titans. The Mad Magician is just one movie more that proofs that those horror classics of Vincent Price's legacy will stay forever young (no matter the nostalgic looks and flavor) and are a feast for generations of horror addicts still to come, and old-school hounds like me.
Basically the exact same movie as "House of Wax" - Vincent Price's first genuine horror hit released the previous year - but seriously who cares, because "The Mad Magician" offers just as many sheer thrills, delightful period set-pieces, joyous 3-D effects, sublime acting performances and macabre horror gimmicks as its predecessor! "Never change a winning team" is exactly what writer Crane Wilbur must have thought when he penned down Price's character Don Gallico, another tormented soul besieged by fate and out for vengeance against those who wronged him. Don Gallico is about to perform his very first own illusionist show as Gallico the Great and plans to exhibit the greatest magic trick in history; entitled "The Girl and the Buzz Saw". Gallico's promising solo career is abruptly ruined before it even begins when his previous employer Ross Ormond appears on stage and shoves a contract under his nose, stating that all of Gallico's inventions are the rightful property of the company. The sleazy and relentless Ormond, who by the way also ransacked Gallico's once beloved wife, takes off with the buzz saw trick and programs it in the show of Gallico's rival The Great Rinaldi. Inevitably Gallico snaps and sadistically butchers Ormond, but also being a master of creating disguises recreates his victim's image and even starts leading a double life. "The Mad Magician" is an amusing and thoroughly unpretentious 50's horror movie in Grand Guignol style, with a whole lot of improbably plot twists (the landlady turns out a brilliant crime novelist?) and a handful of fantastically grotesque gross-out moments (although they obviously remain suggestive for most part). The 3-D delights near the beginning of the film, like a yo-yo player and a goofy trick with water fountains, merely just serve as time-filler and contemporary 50's hype, but it's still fun to watch even now and without the means to properly behold them. "The Mad Magician" is also interesting from a periodical setting point of view, as the events take place around the time fingerprints were starting to get used as evidence material and the character of Alice Prentiss is an obvious reference towards famous crime authors of that era. Needless to state that Vincent Price remains the absolute most essential element of triumph in this film, as well as from nearly every other horror movie this legendary man ever starred in. Like no other actor could ever accomplish, Price depicts the tormented protagonist who gradually descends further and further into mental madness in such an indescribably mesmerizing way. You pity Don Gallico, yet at the same time you fear him enormously. You support his vile acts of retaliation and yet simultaneously you realize his murderous rampage must end in death. Vincent Price simply was a genius actor and, in my humble opinion, the embodiment of the horror genre.
WUSSTEST DU SCHON:
- WissenswertesThe first movie to be broadcast on television in 3-D.
- PatzerGallico places Ormond's body at the very top of the stack of crates being used for the bonfire. In subsequent long shots, the body appears to be about halfway up. When the bonfire is lit, the body is back on top.
- Zitate
Alice Prentiss: I'm convinced of it, so convinced that I'm going to Lieutenant Bruce right now!
Frank Prentiss: Alice, I forbid it.
Alice Prentiss: My dear, don't be ridiculous.
- VerbindungenFeatured in Weirdo with Wadman: The Mad Magician (1964)
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Details
- Laufzeit1 Stunde 12 Minuten
- Farbe
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By what name was Der wahnsinnige Zauberkünstler (1954) officially released in India in English?
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