IMDb-BEWERTUNG
5,7/10
1659
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuInsurance agent-physician collects on policies of men murdered by a disfigured resident of the home for the blind where he acts as doctor-on-call.Insurance agent-physician collects on policies of men murdered by a disfigured resident of the home for the blind where he acts as doctor-on-call.Insurance agent-physician collects on policies of men murdered by a disfigured resident of the home for the blind where he acts as doctor-on-call.
Wilfred Walter
- Jake
- (as Wilfrid Walter)
O.B. Clarence
- Prof. John Dearborn
- (Synchronisation)
- (Nicht genannt)
May Hallatt
- Police Constable Griggs
- (Nicht genannt)
Bryan Herbert
- Police Sgt. Walsh
- (Nicht genannt)
Arthur E. Owen
- Dumb Lou
- (Nicht genannt)
Charles Penrose
- Morrison - Undercover Detective
- (Nicht genannt)
Gerald Pring
- Henry Stuart
- (Nicht genannt)
Philip Stewart
- Scotland Yard Detective
- (Nicht genannt)
George Street
- Scotland Yard Commissioner
- (Nicht genannt)
Julie Suedo
- Orloff's Secretary
- (Nicht genannt)
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In London, five bodies have washed ashore on the Thames. Scotland Yard is baffled.
Simultaneously, Dr. Feodor Orloff (Bela Lugosi) is closing a sale on his latest life insurance policy. Orloff, a pillar of the community, also operates a home for the "destitute blind", overseen by the kindly Mr. Dearborn. We learn rather quickly that Orloff might not be as "compassionate" as he appears to be.
When the Yard comes calling, Orloff is all too happy to help. It seems that his customers are "coincidentally" the poor souls that have been found so waterlogged, lately! Can the police connect the dots before more deaths occur?
THE HUMAN MONSTER is the perfect Lugosi vehicle. It's a very dark crime drama, with mystery and a heavy dose of horror. Bela really plays up the sheer sadism of his part, coming off as utterly devoid of mercy or human feeling. Greed drives him, and any means is justified in securing what Orloff wants.
Special mention is due for Orloff's hulking, blind henchman, Jake (Wilfred Walter), who dominates every scene he's in. Orloff's creepy, zombie-like secretary (Julie Suedo) is also worth mentioning, as she stares impassively ahead, never saying a word.
Co-stars Hugh Williams as the intrepid D.I. Larry Holt, and Greta Gynt as the inquisitive Diana Stuart...
Simultaneously, Dr. Feodor Orloff (Bela Lugosi) is closing a sale on his latest life insurance policy. Orloff, a pillar of the community, also operates a home for the "destitute blind", overseen by the kindly Mr. Dearborn. We learn rather quickly that Orloff might not be as "compassionate" as he appears to be.
When the Yard comes calling, Orloff is all too happy to help. It seems that his customers are "coincidentally" the poor souls that have been found so waterlogged, lately! Can the police connect the dots before more deaths occur?
THE HUMAN MONSTER is the perfect Lugosi vehicle. It's a very dark crime drama, with mystery and a heavy dose of horror. Bela really plays up the sheer sadism of his part, coming off as utterly devoid of mercy or human feeling. Greed drives him, and any means is justified in securing what Orloff wants.
Special mention is due for Orloff's hulking, blind henchman, Jake (Wilfred Walter), who dominates every scene he's in. Orloff's creepy, zombie-like secretary (Julie Suedo) is also worth mentioning, as she stares impassively ahead, never saying a word.
Co-stars Hugh Williams as the intrepid D.I. Larry Holt, and Greta Gynt as the inquisitive Diana Stuart...
Dr. Orloff has been endowing funds to the Dearborn Institute for the Blind, but is using the institute as a home for his sinister activities. Orloff has been ordering the murders of a series of men who have named Orloff as their insurance beneficiary, as collateral for a monetary loan. Scotland Yard Inspector Holt, also teaming up with Lt. O'Reilly (from Chicago) and Diana Stuart, daughter of the latest murder victim, try to uncover the connection of Orloff, the Dearborn Institute, and the murdered men. I enjoyed this movie more than I expected I would. Lugosi gives a very good performance, and the movie has a good aura of mystery about it which only enhance the audience's attention, despite the film's modest small budget. Rating, 7.
Instead of repeating all the details others have, I'll just say the film really gave me the creeps the first time I saw it. Sometimes when you see an old movie like this from the 20s or 30s, it's tempting to think nothing in it can shock you, because movies are not as "sophisticated" as the things you see today. I saw it on television many years back, way before home video, and was delighted to find it in a grocery store's previously viewed tape bin. It hasn't lost any of it's punch. To see how cruelly Lugosi dealt with his very helpless victims chilled me to the bone. The Uday of his time. It has a Hitchcock-type of human horror that is more effective than any rubber suited monster. Not too badly paced, and is still one I get out when in the mood for something dark.
In my opinion, outside of "Dracula" and "White Zombie," this is Lugosi at his best. Dr. Orloff (Lugosi) is a philanthropist who donates his medical expertise to a work-house for blind men. On the side he runs an insurance scam by loaning money to desperate individuals and holds their life insurance policy as collateral, then he has them killed so he can collect on the policies. But that's just the plot. There is so much more happening.
Lugosi is brilliant as the cold-hearted Dr. Orloff as he plays cat and mouse with the police and the daughter of one of his victims. He is able to move effortlessly from kind hearted doctor to calculating and greed driven murderer. The plot moves forward at a brisk pace with little down time and the build up to the climax was unexpected and absolutely chilling. Lugosi truly made me believe he was evil in this film and I quickly was involved with the plot. The supporting cast did exactly as they should; got out of the way and let Lugosi run with the film. See it. Buy it. Watch it.
Lugosi is brilliant as the cold-hearted Dr. Orloff as he plays cat and mouse with the police and the daughter of one of his victims. He is able to move effortlessly from kind hearted doctor to calculating and greed driven murderer. The plot moves forward at a brisk pace with little down time and the build up to the climax was unexpected and absolutely chilling. Lugosi truly made me believe he was evil in this film and I quickly was involved with the plot. The supporting cast did exactly as they should; got out of the way and let Lugosi run with the film. See it. Buy it. Watch it.
The Dark Eyes of London (1939)
*** (out of 4)
Det. Larry Holt (Hugh Williams) is investigated the bizarre "suicides" of several people who seem to have drowned themselves in the Thames. Most people think suicide but the detective believes something more sinister is going on and everything points to a home for blind people being run by Dr. Orloff (Bela Lugosi). Also known as THE HUMAN MONSTER, this British thriller will probably disappoint some expecting a straight horror film but if you go into it as a murder-mystery with horror elements then you should find yourself entertained. It's easy to see why Lugosi would want to go overseas and make this film and especially when you consider the type of mysteries that were being made in America. This here certainly separates itself from others because of its extremely dark atmosphere and rather bleak storyline. The Edgar Wallace story is a pretty strong one and it makes for an entertaining movie. The atmosphere is certainly extremely rich as the setting at the blind home is just the perfect location to match the mood of the picture. Another major plus is that the murders are a tad bit more sinister and graphic than what we'd typically see. This includes the brute of a killer with his deformed look and sinister moans. There's a scene where he's attacking the lead female character, which is quite thrilling even today as the use of shadows are perfectly executed and this was several years before the whole film noir movement. Williams gives a nice performance in the film as he gets a majority of the screen time and manages to carry the picture well. Greta Gynt is good as the girlfriend and Wilfred Walter is extremely effective as the monster. Then there's Lugosi who is certainly extremely good here. He perfectly captures the "good" character but when he switches it's also handled well by the actor. The entire "twist" in the story is pretty obvious today but I'm going to guess that those in 1939 were more caught off by it. With that said, if Lugosi had been able to use different voices and get past that thick accent (dubbing is used here) then it's clear he could have done so much more. THE DARK EYES OF London has some flaws including a few pacing issues and some ill-advised comedy but there's still plenty to enjoy here.
*** (out of 4)
Det. Larry Holt (Hugh Williams) is investigated the bizarre "suicides" of several people who seem to have drowned themselves in the Thames. Most people think suicide but the detective believes something more sinister is going on and everything points to a home for blind people being run by Dr. Orloff (Bela Lugosi). Also known as THE HUMAN MONSTER, this British thriller will probably disappoint some expecting a straight horror film but if you go into it as a murder-mystery with horror elements then you should find yourself entertained. It's easy to see why Lugosi would want to go overseas and make this film and especially when you consider the type of mysteries that were being made in America. This here certainly separates itself from others because of its extremely dark atmosphere and rather bleak storyline. The Edgar Wallace story is a pretty strong one and it makes for an entertaining movie. The atmosphere is certainly extremely rich as the setting at the blind home is just the perfect location to match the mood of the picture. Another major plus is that the murders are a tad bit more sinister and graphic than what we'd typically see. This includes the brute of a killer with his deformed look and sinister moans. There's a scene where he's attacking the lead female character, which is quite thrilling even today as the use of shadows are perfectly executed and this was several years before the whole film noir movement. Williams gives a nice performance in the film as he gets a majority of the screen time and manages to carry the picture well. Greta Gynt is good as the girlfriend and Wilfred Walter is extremely effective as the monster. Then there's Lugosi who is certainly extremely good here. He perfectly captures the "good" character but when he switches it's also handled well by the actor. The entire "twist" in the story is pretty obvious today but I'm going to guess that those in 1939 were more caught off by it. With that said, if Lugosi had been able to use different voices and get past that thick accent (dubbing is used here) then it's clear he could have done so much more. THE DARK EYES OF London has some flaws including a few pacing issues and some ill-advised comedy but there's still plenty to enjoy here.
WUSSTEST DU SCHON:
- WissenswertesThe first British horror movie to be rated 'H' for horrific, which was brought in by the British Board of Film Censors in 1933 for films that were deemed too horrific for children under 16 to see after the early '30s Universal horrors shocked audiences.
- PatzerThe Chicago policeman visiting Scotland Yard is armed and fires shots at a suspect in a London street. British police are not armed and it would not have been permitted for an American to behave in this way.
- Zitate
Diana Stuart: I can't! I daren't!
Det. Insp. Larry Holt: You'll dare. I've got to have sufficient proof that Dr. Orloff is a murderer and your father was his last victim.
- Alternative VersionenWhen re-released theatrically in the UK in 1949, the BBFC made cuts to secure a 'A' rating. All cuts were waived in 1953 when the film was re-released theatrically with a 'X' certificate and later in 1993 when released with a 'PG' certificate for home video.
- VerbindungenFeatured in Creature Features: Horror Hotel (1971)
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- Erscheinungsdatum
- Herkunftsland
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- Auch bekannt als
- Die dunklen Augen von London
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- Laufzeit1 Stunde 16 Minuten
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- 1.37 : 1
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