Schiff nach Indialand

All the Bergman complexes are already here: the dysfunctional family, the tyrannical father, the struggling sex disturbances, the human decadence, the claustrophobia, the inferiority complex, it's all here bundled up in a rotten ship trying to salvage a wreck, with a few able seamen but a captain that constantly ruins everything, it's all sordid and dreadful, even the dialog is constantly strained, the emotional outbursts keep on rolling, but the whole thing is wonderfully filmed with Bergman's famous and unique sense of imagery. A failure of a captain has a hunchback for a son, whom he keeps as a slave more or less, he wants to become a seaman, but the father keeps him hard at work with dirty things, and so there is a constant conflict brewing up. The captain wants to go away and leave everything, wife and son and crew and ship, to escape with a variety girl, but she falls in love with the son, while the captain is going blind. What a mess! It's the son that ultimately goes away, but comes back after seven years to find the wrecks of his previous life and the girl, whom he imagines has been waiting for him for seven years, as he has been dreaming of her for seven years, but that romantic construction is not quite convincing. The assets of the film are the splendid photography and imagery, and a wonderful score by Erland von Koch.