Füge eine Handlung in deiner Sprache hinzuAn honest and naive schoolteacher gets a lesson in how the world works outside the classroom, when a rich Baron and his mistress use the teacher's name and outstanding reputation in a crooke... Alles lesenAn honest and naive schoolteacher gets a lesson in how the world works outside the classroom, when a rich Baron and his mistress use the teacher's name and outstanding reputation in a crooked business scheme.An honest and naive schoolteacher gets a lesson in how the world works outside the classroom, when a rich Baron and his mistress use the teacher's name and outstanding reputation in a crooked business scheme.
- Auszeichnungen
- 4 wins total
- Commissioner at Academic Palms Ceremony
- (Nicht genannt)
- Count at Academic Palms Ceremony
- (Nicht genannt)
- Student
- (Nicht genannt)
- Undetermined Role
- (Unbestätigt)
- (Nicht genannt)
- Colonel at Academic Palms Ceremony
- (Nicht genannt)
- School Doorman
- (Nicht genannt)
- Restaurant Doorman
- (Nicht genannt)
- Tailor
- (Nicht genannt)
- Student
- (Nicht genannt)
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Ben Hecht wrote that he only spent a few weeks writing the screenplay for "Topaze," considering the work just another job for hire, fast money. That attitude, take the money and run, probably applied to John Barrymore, who worked for the studio that agreed to pay his $25,000 a week salary. David O. Selznick, the movie's producer, knew that RKO Studios was in financial trouble, heading for bankruptcy, but Barrymore was one of the biggest Hollywood stars in the early 30s, worth the money. "Topaze," the end result of the work of the talent RKO brought to the screen, is part cynical take on business, part romantic comedy and all original for Hollywood. Henri d'Abbadie d'Arrast, the movie's director, does a great job of pacing this story of a school teacher thrown in the big world as a pitchman for a company selling tainted bottled water. D'Abbadie d'Arrast had no career in Hollywood after this movie flopped.
In one scene in the movie, the backers of the bottled water, thinking over who they can get to promote the water, think about hiring a famous general as their shill. Instead, they decide on a teacher named Dr. Topaze, a teacher at the school one backer's child goes to, and name their product Topaze water. Over 70 years later, advertisers still use researchers and scientists in their commercials to push their products.
Maybe D'Abbadie d'Arrast career went south after going over budget on the movie by not doing everything possible to film all of Barrymore's scenes within two weeks, as William Wyler did making a later Barrymore picture, "Counsellor at Law." Hollywood lost a top craftsman when D'Abbadie d'Arrast stopped directing movies. In "Topaze," Barrymore is great as Dr.Topaze, Myrna Loy looks great and the audience even learns something about the Punic Wars. What a class picture.
FYI: At the 42 minute mark of Topaze, John Barrymore and Myrna Loy are in a cab driving down a main thoroughfare in Paris during a rainstorm. The rear window of the cab shows the traffic behind them and, once or twice, a pedestrian behind them crossing the street in the rear projection shot. At 44 minutes, the image dissolves for a fraction of a second, whiting out, and the special effects technician replays some of the one and one half minutes of stock footage previously rear-projected. Someone at RKO made a copy of the stock footage and spliced some of this copy footage to the end of original footage to end up with the two or so minutes of rear projection footage needed for the cab scene. Clever, huh, and you would never notice it if not for that momentary glitch as the rear image whites out. All routine for Vernon Walker's RKO special effects unit. But, as usual, very well done.
The Broadway show was a very successful and ran 215 showings in 1930. The story is about a French school teacher who's a rather old fashioned simpleton. His reputation is high enough for wealthy industrialist to use his good name on a soft drink of lesser quality. Selznick was not too keen on the satirical content of the book but thought John Barrymore would be the best man to play the lead role of the movie. With the assistance of screen writer Ben Hecht and a superb team of supporting stars that includes; Myrna Loy, Reginald Mason, Jackie Searl and Jobyna Howland, the story was turned into a delightful parody on the screen.
One of the controversial plots of the movie is that Myrna Loy plays the part of Coco, a kept woman of married man Baron Philippe De La Tour (Reginald Mason). This movie was released in the pre-code era of 1933 without a hitch, but when the studio re-released in 1936, it was rejected by the industry censor because the promiscuous relationship in the movie, "without compensating moral values," said the censor board. Surprisingly this movie is also considered as the best American movie of 1933 by the National Board of Review. In spite of all these controversies, the movie is outstanding and the story is absolutely offbeat. I am sure everyone will enjoy this classic.
Barrymore and a fresh-faced Myrna Loy are the stand-outs in this engrossing part melodrama, part comedy. And I mean comedy in the most strictest, serious forms. Full of pathos and irony.
The final scenes of comeuppance and the balancing of justice have been done over and over in many movies since and probably before, but never so deliciously biting as in this simple but strong story.
Recommended without reservations.
** (out of 4)
Extremely weird film about a nice and honest school teacher (John Barrymore) who gets fired from his job after failing a 12-year-old boy but soon gets a job but unknowingly starts ripping off the public with fake sparkling water. The majority of the film deals with the nice guy Barrymore being taken advantage of by bad people and being forced to do bad things without knowing it. That's all good and fine but I'm not sure if this was suppose to make me laugh or not. It's listed as a comedy in every guide book but not once did it make me laugh so on that level the film certainly didn't work for me. The movie kept me entertained from start to finish but all of that is due to Barrymore who delivers a terrific performance. I'm slowly going through Barrymore's filmography and I've mainly watched his wacky, over the top film but here he actually stays within the mild mannered character and doesn't resort to any of that weirdness. He is totally believable as his character and delivers something very fresh. Myrna Loy is his assistant but doesn't get much to do.
This is an adaptation of a French play (a pretty loose adaptation, I think) and the staginess shows. In my opinion, that can be either good or bad, and I think it works to the movie's advantage in this case. It feels like I'm watching a play, instead of watching a bungled attempt to push a play onto film. In spite of the staginess, however, the sets are very good. An extended shot of the schoolmaster in the classroom, with snow falling outside, is so effectively done that it's hard for me to stay focused on the characters, because I just want to watch the beautiful snow through the windows.
Even so, it must be admitted that the plot is rather thin here. Not a lot happens. This is strictly a John Barrymore vehicle. Even Myrna Loy isn't give a lot to do except be sweet and sympathetic. Any hint of romance between her and Barrymore is only that, the barest of hints. Albert Conti is mere bluster and a fake mole. Nevertheless, Barrymore shines and successfully carries the entire movie by himself. His flawless mastery of stage business--as a single small example, the way he removes his pince-nez--ensures that.
The ending is wickedly cynical, as indeed is the entire movie. But it seems like the movie will close on a villains-get-theirs, good-always-wins-in-the-end note. It's refreshing that this doesn't happen.
The movie clocks in at just under 90 minutes, which makes it just the right length for what is, after all, a fairly lightweight storyline.
WUSSTEST DU SCHON:
- WissenswertesAlthough the movie was passed by The National Board of Review for showing in the USA in 1933, it was refused a Production Code Administation (PCA) certificate for re-release in 1936, when the Code was more strictly enforced.
- PatzerIn the taxicab, when Coco tells Dr. Topaze of her adultery, the back projection shows cars during daylight. But before she and Topaze took the cab it was clearly night.
- Zitate
Coco: But idiots are hard to find, I should think.
Baron Philippe de La Tour-La Tour: Oh no, not in the scientific world.
- VerbindungenAlternate-language version of Topaze (1933)
- SoundtracksRoses from the South, Waltz op. 388
(uncredited)
Music by Johann Strauss
Played as background music during restaurant scene
Top-Auswahl
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Details
- Laufzeit1 Stunde 18 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1