IMDb-BEWERTUNG
6,8/10
1386
IHRE BEWERTUNG
Die natürliche Rivalität zwischen den Mitgliedern eines Geheimbundes verliert ihren romantischen Charakter, als einer der Männer mit einem Mord beauftragt wird.Die natürliche Rivalität zwischen den Mitgliedern eines Geheimbundes verliert ihren romantischen Charakter, als einer der Männer mit einem Mord beauftragt wird.Die natürliche Rivalität zwischen den Mitgliedern eines Geheimbundes verliert ihren romantischen Charakter, als einer der Männer mit einem Mord beauftragt wird.
- Auszeichnungen
- 2 Gewinne & 2 Nominierungen insgesamt
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe original ending to the film picked up after the bomb explodes at the meeting headquarters. Forrest and Lillith are living in a cabin in the woods, and believe that they are safe thanks to Farralone. Rushing back to the cabin to warn Lillith, he sees Morgridge, who tells him that they have nothing to fear - Farralone's sacrifice has taught him that love is the solution, not destruction. This ending was cut on the request of Samuel Goldwyn, who felt that it was too contrived and that the lovers reading about it in the newspaper was a much more satisfying ending.
- Crazy CreditsThe title frame simply shows a picture of a playing card, the ace of hearts.
- Alternative VersionenTurner Classic Movies (TCM) commissioned Vivek Maddala to write an orchestral music score for this movie, and also added sound effects for broadcast on TV in 2000, with a running time of 75 minutes.
- VerbindungenFeatured in Settling the Score (2005)
Ausgewählte Rezension
An anarchist group decides that one man has lived too long. His executioner will be determined by chance. One of the group deals out cards to the rest. The one who gets the ace of hearts becomes the assassin. Two young men (Lon Chaney and John Bowers) desperately want that card. They are both courting the sole female member (Leatrice Joy), who thinks of nothing but The Cause. When Fate deals her own hand, one of the suitors (Chaney) must determine if he really loves the girlor merely wants to possess her.
The themes of love, honor, unrequited love and self-sacrifice pervade this fine suspense thriller. The script, written by Ruth Wightman from a story by Gouverneur Morris, and directed by Wallace Worsley, is extraordinarily deft at creating and maintaining suspense. All the detailswhat we see and don't see; what we are told about this anarchist group and what we're left to guess; and the moment when a certain character is at last introducedare well chosen. The film only loses its footing briefly during the fatuous intertitles near the end ("Love is construction!").
Lon Chaney is a great actor, but that doesn't mean he's perfect. He has a great face and a way of compelling our attention and sympathies. I think his main defect is best demonstrated by the scene where Lilith shows up at the door, and he expresses shock. He was clearly expecting this "shock." Lon Chaney is not always what actors call "living in the moment"feeling things as the character feels them without anticipating the next line in the script. His ability to concentrate on his performance is said to have been intense; but he doesn't always live with his character moment by moment. The trouble is not his era's acting style. Even though people have knocked silent movie acting since the days of silent movies, the exaggerated expressions and gestures are really very powerful. So they are with Chaney.
This excellent silent film was given an enormous boost in 2000 when Vivek Maddala won a competition and was hired to write the score, a job he performed beautifully. My high rating applies to the 2000 version of this film.
The themes of love, honor, unrequited love and self-sacrifice pervade this fine suspense thriller. The script, written by Ruth Wightman from a story by Gouverneur Morris, and directed by Wallace Worsley, is extraordinarily deft at creating and maintaining suspense. All the detailswhat we see and don't see; what we are told about this anarchist group and what we're left to guess; and the moment when a certain character is at last introducedare well chosen. The film only loses its footing briefly during the fatuous intertitles near the end ("Love is construction!").
Lon Chaney is a great actor, but that doesn't mean he's perfect. He has a great face and a way of compelling our attention and sympathies. I think his main defect is best demonstrated by the scene where Lilith shows up at the door, and he expresses shock. He was clearly expecting this "shock." Lon Chaney is not always what actors call "living in the moment"feeling things as the character feels them without anticipating the next line in the script. His ability to concentrate on his performance is said to have been intense; but he doesn't always live with his character moment by moment. The trouble is not his era's acting style. Even though people have knocked silent movie acting since the days of silent movies, the exaggerated expressions and gestures are really very powerful. So they are with Chaney.
This excellent silent film was given an enormous boost in 2000 when Vivek Maddala won a competition and was hired to write the score, a job he performed beautifully. My high rating applies to the 2000 version of this film.
- J. Spurlin
- 18. Feb. 2007
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Details
- Laufzeit1 Stunde 15 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.33 : 1
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Oberste Lücke
By what name was The Ace of Hearts (1921) officially released in India in English?
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