I'm Thinking of Ending Things

Strange, bewildering & full of misgivings, I'm Thinking of Ending Things only gets more awkward & confusing as it progresses but it still creates enough intrigue for the viewers to stick around and see if the whole ordeal of sitting through the film is worth it in the end. Now I don't know about the others but my answer to that is a plain & simple no.

Written & directed by Charlie Kaufman, it's only sensible to expect the unexpected when journeying into one of his stories but unlike the clever ideas & concepts that he came up with to explore existentialism in his earlier works, there is no structure to this story. It is just a hotchpotch of thoughts & impressions thrown into the mix and presented without consideration.

The film still brims with a sense of foreboding for the most part if not all and is at its most interesting during the farmhouse scene, thanks to the remarkable talents on screen. David Thewlis & Toni Collette easily steal the show while Jessie Buckley & Jesse Plemons do their best to keep things running. One might expect the story to unfurl its mysteries in the end but this one simply refuses to.

Overall, I'm Thinking of Ending Things is a tedious, frustrating & convoluted mess that defies any logic & understanding and unfolds like a series of thought process simultaneously going inside a troubled mind that doesn't know how to stop them. A bizarre, surreal & confounding experience that keeps getting weirder as it nears its conclusion, Charlie Kaufman's latest film may dazzle his fans with its allegories but it sure isn't for me.

Sure - after reading the helpful review on imdb that explains the plot, some of the film makes sense. And if you have read the book, Kaufman's surreal approach may be somewhat interesting. If you haven't, this is just a fevre dream that goes nowhere, and is clearly trying very hard to be intentionally incomprehensible. The acting is very good, but that's where the positives end.

Important note: this is not like watching David Lynch at his most weird, where the paranoia is genuine and tongue-in-cheek and the search for meaning a lost cause, but more like a deliberate attempt to confuse the viewer, by withholding information and concealing (WHY) a story that is actually there. And that just feels like vain self-indulgence

Charlie Kaufman's latest weirdfest is from the point of view of a young woman going with her boyfriend to visit his parents. Almost the entire first half hour of the movie is them talking in the car. Seriously. They talk about art, she recites a poem, she muses to herself. It captures the weird tensions and bumpy flow of a strained relationship, but my God, it's like 25 minutes of that!

But I kept going, because there was something weird and intriguing about it all. And when they reach the parents, it gets way weirder. Events are surreal and everything in the house keeps ... changing in weird and unexpected ways.

Periodically we see an old guy at work. No explanation.

While it's all very strange, there is an emotional throughline in that it captures the weird discomfort of parents and dealing with people's baggage. It is a Kafka-esque relationship.

None of it seems to make sense, and the movie gets truly lunatic by the end. I had some vague ideas, but nothing close to an understanding of what was supposed to have happened. Still, I had generally enjoyed it and there were amazing moments.

Then I read the wikipedia plot summary for the novel this is based on, and that was helpful in understanding what had happened. And then I found a great Vanity Fair article that cleared up a lot more questions.

This is probably one of these movies you should watch twice if you want to figure it out for yourself. There really are clues that in retrospect gives some suggestion of what's going on. And if you know what's going on, it would be a different movie in a lot of ways.

Once I understood what I'd seen I could appreciate all the different levels this movie was dealing with in parallel.

My girlfriend didn't like the movie but couldn't stop talking about and analyzing it. It's definitely the kind of movie you need to talk about after.

Kaufman is uncompromising in his vision, which is why I suspect he'll never make anything as enjoyable as the movies that he scripted but didn't direct. But overall I'd recommend watching this, especially if you like or don't mind a lot of weirdness.

Charlie Kaufman channels David Lynch in this eerie, creepy relationship drama that really knows how to get under your skin.

Jessie Buckley, who gave an award-worthy performance in "Wild Rose" last year, does so again here, as a woman meeting her boyfriend's parents for the first time. Much of the film takes place in his car, as they travel to and from his childhood home in an Oklahoma blizzard. These scenes give Buckley and Jessie Plemmons, also giving a terrific performance as her boyfriend, long exchanges of dialogue that tease out the dynamic of this particular relationship, and the dynamic between men and women in general, and a dissection of the film "A Woman Under the Influence" (Buckley recites Pauline Kael's review of the film in character as Gena Rowlands), and includes a stop at an isolated ice cream stand, the film's most Lynchian moment, where a girl with a rash gives Buckley a vague warning. Much of the rest of the film takes place in Plemmons' parents house, where David Thewlis and Toni Collette play versions of Plemmons' mom and dad at all ages, from perky housewife to doddering dementia to dying in a hospital bed, and host perhaps one of the most awkward dinners ever to appear in a film. Then there are the scenes set in Plemmons' old high school, where a janitor (Plemmons as an old man?) roams the halls and doubles of Buckley and Plemmons reenact the ballet scene from "Oklahoma!" in the school corridors.

What is "I'm Thinking of Ending Things" about? If that's the first question you ask before deciding whether or not to watch a movie, you won't like this one. I imagine different people will think it's about different things. Certainly it's about getting old. It's also about getting old without the comfort of believing that life has any purpose, or that there's anything waiting for us in the great beyond. It's about women and their relationships with men. It's about Jessie Buckley's character. Until it's not and it's instead about Jessie Plemmons' character, who gets the final scene of the film all to himself, a rendition of the song "Lonely Room" (again from "Oklahoma!") during which he comes to the conclusion that the fantasies on which we build our lives don't exist and we have to take whatever we can to most closely approximate them. It's a claustrophobic and deeply unsettling film, as much because of its aesthetics as because of its enigmatic mysteries.

Is it a good film? I think it's very good, but I will admit that it didn't linger in my head as much as I thought it would while I was watching it. It kind of made my skin crawl in the moment, but it left me feeling like I was going to get all there was to get from it on a first viewing, and it didn't leave me wanting to watch it again to untangle its riddles.

Grade: A

I may be obtuse, but will please somebody explain, is there a purpose to this movie?