Eine leidenschaftliche Liebesgeschichte vor dem Hintergrund der sexuellen Freiheit, die lose auf der Beziehung zwischen den Autoren des 19. Jahrhunderts Pierre Louÿs und Marie de Régnier bas... Alles lesenEine leidenschaftliche Liebesgeschichte vor dem Hintergrund der sexuellen Freiheit, die lose auf der Beziehung zwischen den Autoren des 19. Jahrhunderts Pierre Louÿs und Marie de Régnier basiert.Eine leidenschaftliche Liebesgeschichte vor dem Hintergrund der sexuellen Freiheit, die lose auf der Beziehung zwischen den Autoren des 19. Jahrhunderts Pierre Louÿs und Marie de Régnier basiert.
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In the end I didn't really care, mostly because everything feels and looks like a very elegant and pretentious soap opera.
There is a lot fundamentally wrong with this film, but there were some things I did like about it. The cinematography was interesting and the shot composition isn't bad either. The use of reflections were pretty good, I love reflections being used to create interesting shots, not sure why but I do. Now onto the abundance of bad stuff.
The single worst element of curiosa is the screenplay. The dialogue is cringeworthy and everything that drives the plot forward just happens because the script says that it has to. There are so many conveniences as a result of extremely lazy writing.
So I love music, it's a huge part of my life, and I'd say I know quite a lot about it. The music in this film is some of the worst, ever. It doesn't fit the time period, and it doesn't fit any of the scenes that it's used in. It's also not composed well at all, it sounds awful.
Another issue I have with the writing is how the characters are written. None of the characters are relatable or likeable, again none of them were performed well, and they were so boring to watch. This whole film was one of the most boring experiences I've had in a long, long time.
Curiosa is not as interesting or deep as it thinks it is. It comes off so pretentious and as far as themes go, there's practically nothing. The only thing I can think of is that it tries to make a statement on male privilege. But the message is presented so poorly that it comes off as if the filmmakers believe that men are superior to women. I find this really interesting because Lou Jeunet, the co-writer and director of this film is a female. The presentation of this film let it down so much, not like the story was compelling anyway. I watched this a day ago and I'm ready forgetting what the story is, it's so boring and stupid.
For better or worse, there is quite the focus on the nudity (no pun intended) and the passion our main character seeks to get pleasure. You can interpret things and read some stuff I reckon, on the other hand maybe the one scene where a not erect penis is shown might be all the answer you (and she) need. Just saying
WUSSTEST DU SCHON:
- WissenswertesThe music played during the presentation scene of Zohra Ben Brahim is a fragment of the "Épigraphes antiques," a piano (four hands) piece reworking of the "Chansons de Bilitis" (1900/1901), that Claude Debussy wrote for a chamber ensemble to accompany the recitation of the Zohra-inspired poems by Pierre Louÿs in 1900/1901. These pieces were composed, in any case, a few years after the scene depicted, but the connection is totally adequate.
- Zitate
Marie de Heredia: Don't you always need several women? I love you enough to share you. Do you hear me? Who will you love deep down? Marie? Louise? Or the creature of your dreams we form?
- SoundtracksSix Épigraphes antiques, pour piano: no. 1 Pour invoquer Pan, dieu du vent d'été, no. 4 Pour la danseuse aux crotales, no. 5 Pour l'égyptienne
Written by Claude Debussy
Performed by Guilhem Fabre
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Curiosa
- Drehorte
- 11 Cité de Trévise, Paris 9, Paris, Frankreich(exteriors: Pierre Louys' bachelor flat)
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Box Office
- Weltweiter Bruttoertrag
- 114.949 $
- Laufzeit1 Stunde 47 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1