Mein Fake Date

What's nice to see here is that actually by Hallmark film standards these characters are actually pretty battered and broken as people, with real issues rather than "I have to win a gingerbread contest".

It makes for a more engaging film actually, that is well played out by the leads, Jaime King especially.

It isn't without its slower moments, and the humour is perhaps lost a bit, but this was a nice different sort of Hallmark film.

The extras in this movie were TRULY making the most out of their screen time but this one lady in particular could be seen in the background in almost every single scene that took place at the mall! Lady with a plaid coat and black hat, you're a STAR!

Nick and Elise don't like Christmas. And they meet while strangers are singing Christmas Carols to them very closely, invading personal space. They each have a problem: she doesn't want to put up with her ex-husband and wants her company to be what it used to. He needs a girlfriend to take to the office party so he can make partner. So they make a pact. (There is even a contract).

I, slowly, became a fan of the fake-relationship trope, but it has to be done well. The people involved need to have chemistry, share sweet moments, leart about each other in order for that so-called "relationship to move onto the next phase. This movie had it: Nick sharing his Christmas ghosts. Nick and Elise sharing Christmas traditions. It was sweet.

Luke Macfarlane is becoming one of my favourites. I have seen several of his movies and he always has chemistry with his co-stars. Maybe he is just a really nice guy. I will definitely keep on watching. It was my first time watching Jaime King (i'm not gonna lie, she could definitely play a villain in any movie and I would be terrified), I liked her character. She wasn't the typical cheerful leading lady, which I liked.

This may sound foolish, but all I kept seeing was her hair, which, in my opinion transitioned along with her feelings. At the beginning she only had tight buns, when she met Nick, she used hair tails (i'm not sure that's the term) and even let her hair loose. It was only when they parted at the end that she used a bun again. Maybe it was just a coincidence but I found that beautiful. She was literally and metaphorically letting herself loose.

A few things that bothered me: the ex-husband (of course), his girlfriend (why make her look like an idiot?) those people at the mall singing the Christmas Carols (hello? ever head of personal space and privacy?)And, at the end it was heavily snowing but there was no snow on the streets?

While I really enjoyed it, i'll probably won't watch again.

This particular Hallmark movie is a cut above the rest. It is well directed, well cast, well acted and well written ... It's a unique premise, from a book I believe, and it's a delight to have something very different to watch unfold for a change. All the characters are very likable and there's a sweet chemistry between the two lead actors that makes them even more believable. The storyline and the couples' interactions aren't forced (as they so often are in a Hallmark movie)... and while they try to stay true to their "Promise" they don't seem pressured to perform a "dating" dance that would take them beyond its limits so it all feels very real. Two people, unable to enjoy Christmas for their own reasons, meet and form a contract (a Promise) to help each other get through the difficult holiday period and each help the other achieve their goal. I really enjoy Hallmark movies but lately their themes have been getting extremely repetitive and the characters and interactions predictable. Not this one ... I really wasn't sure how it was going to work out in the end and I cared. It does seem mandatory that "figgy pudding" is mentioned or sung about in every Hallmark Christmas movie and, in this one aspect, The Mistletoe Promise is no exception. Otherwise it truly is and well worth watching.

The book is a great one, but this review is going to come from somebody who is going to judge 'The Mistletoe Promise' on its own terms rather than a constant book to film comparison. The concept sounds familiar and the title is slightly corny yet sweet, but Hallmark have showed more than once that they are capable of making above average festive films in a very hit and miss bunch. Luke Macfarlane is often very watchable and no stranger to Hallmark.

Seeing 'The Mistletoe Promise' is a very loose adaptation of the book, which will disappoint (and has disappointed) fans of the book, but it is far from a bad film on its own. 2016 was inconsistent in quality for Hallmark and 'The Mistletoe Promise' is one of the better efforts in my personal opinion. Anybody that loves Christmas and wants a pleasant inoffensive distraction on a dull afternoon may find it likeable enough and while not great it's nice enough.

Editing is on the rushed side in places. The story can be slow and too thin, as well as contrived, in spots, and the characters are sketchy in development. This tends to be a common Hallmark problem so that was not unexpected.

Likewise with the music tending to be too intrusive. Have found more than once with Hallmark that their soundtracks are on the too intrusive and too constant side. Still find that the case here, though there have been worse cases before and since.

Mcfarlane as said has always been watchable and he proves that in his charismatic and subtle performance here. Jaime King tries a little too hard in places but is mostly charming and the chemistry between the two of them never comes over as awkward or dull. They are very sweet and sincere together. Despite the characters being quite sketchy, the supporting cast all do a good job. The direction is sympathetic yet alert enough.

Visually, 'The Mistletoe Promise' is good looking. It's beautifully photographed and the scenery is quite captivating. The dialogue flows better and more naturally than the dialogue in most Hallmark films and doesn't fall as much into cheese and soap. The story is very light-hearted and really warms the heart, despite its predictability and other things, any character changes actually not coming out of the blue or feeling hasty and the music doesn't too overscored. The lead characters grow and aren't too perfect or have negative character traits exaggerated too much.

Concluding, not great but above average. 7/10