IMDb-BEWERTUNG
7,0/10
58.598
IHRE BEWERTUNG
Die verzweifelte Suche einer jungen Frau nach ihrem entführten Freund, der in die Fänge der berüchtigten Colonia Dignidad geraten ist, einer berüchtigten Sekte, der noch niemand entkommen is... Alles lesenDie verzweifelte Suche einer jungen Frau nach ihrem entführten Freund, der in die Fänge der berüchtigten Colonia Dignidad geraten ist, einer berüchtigten Sekte, der noch niemand entkommen ist.Die verzweifelte Suche einer jungen Frau nach ihrem entführten Freund, der in die Fänge der berüchtigten Colonia Dignidad geraten ist, einer berüchtigten Sekte, der noch niemand entkommen ist.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 15 Nominierungen insgesamt
Oscar Martin
- Interrogator
- (as Oscar Ali Garci)
Empfohlene Bewertungen
The scary thing is the film is based on a true story and respect to the writers producers and all who got this made into a film for the world to see!
Civil rights is a thing many of us take for granted but this film shows and highlights that there are still many countries whom liberty and rights are not a given and the people suffer under corrupt power it is one of the most scary things and I am grateful that I don't live in a country like that! My heart fills for the many who have and continue to suffer 💜
Civil rights is a thing many of us take for granted but this film shows and highlights that there are still many countries whom liberty and rights are not a given and the people suffer under corrupt power it is one of the most scary things and I am grateful that I don't live in a country like that! My heart fills for the many who have and continue to suffer 💜
A religious cult in Chile run by ex-Nazis?!? It may sound like a bizarre work of fiction, but the location portrayed in the historical drama "Colonia" (NR, 1:50) was all too real (except for the fictional romance at the center of the film). But before I get into my plot summary, I think that a little historical context is in order: In September 1973, a U.S.-backed military coup wrested control of the government of Chile from democratically-elected socialist president Salvador Allende and placed power in the hands of army commander-in-chief Augusto Pinochet. Under his 17-year rule, dissidents were persecuted, arrested, kidnapped, deposed, tortured and murdered. Pinochet's government used the remote Colonia Dignidad (Colony of Dignity) as a place to torture and murder some of the regime's political opponents. The public face of the colony was that of a charitable and educational organization. It was actually a religious cult where former Nazi medic Paul Schäfer imposed a strict Baptist interpretation of the Bible on all of his followers, many of who had emigrated with him from Germany. He forced them to live in dormitories segregated by gender, and with parents separated from their children, whom Schäfer sexually molested.
Daniel Brühl plays Daniel, a political activist from Germany who has been living in Chile for a few months working with a group of young people supporting President Allende. Daniel's girlfriend, Lena (Emma Watson), is a flight attendant who takes advantage of her week-long stopover in Santiago to spend time with Daniel. When a military coup suddenly drives Allende from power, the new government starts rounding up political dissidents, including Daniel – and Lena, who happens to be with him when he's arrested. In a soccer stadium, a man wearing a black hood identifies Allende supporters, including Daniel, who is whisked away in a van. Lena is able to trace the markings on the vehicle to the secretive and remote "Colonia Dignidad" compound, about 200 miles south of Santiago. She makes her way there and asks to join. "I want to know the way of the Lord," she says, wearing a small cross around her neck.
In her attempt to rescue her lost love, Lena is sacrificing her freedom – and putting her very life at risk. A harsh old woman named Gisela (Richenda Carey) takes her to meet the cult's leader, German expatriate and lay preacher Paul Schäfer (Michael Nyqvist). "Once you join us, you must remain," explains Schäfer. Lena agrees, in spite of observing his Christian fanaticism and some of his innate creepiness. Gisela relieves Lena of the small bag she had brought with her, gives her a few items including a set of linen, and assigns her a bed in the female dormitory. Most of the women show no interest in talking to the new arrival, but Lena befriends another young woman named Doro (Jeanne Werner) and, later, another named Ursel (Vicky Krieps). As Lena joins the women in their daily work in the fields and in other food preparation activities, she learns what she can about the camp and keeps her eyes peeled for Daniel.
Daniel has survived severe physical abuse at the hands of the Chilean secret police in the colony's subterranean torture chamber, but he is a bit worse for the wear. Besides his physical injuries, his speech is slurred and he now talks and acts like a child. Lena finally catches sight of Daniel when she steals a glance through the window of the colony's assembly hall during a men's meeting and is obviously concerned about his state of mind. Soon after, at a rare meeting with the cult's men and women all together, Lena takes the risk of approaching Daniel, hoping that the two of them can come up with a plan to escape the cult, something no one has done before. But there's much more at stake than "just" the fate of two young lovers. Besides the terrible ways that Schäfer uses and abuses his followers, it turns out that he's also into some other nasty business that further reduces even the slim chance that Daniel and Lena have to get away for good.
"Colonia" takes a little-known chapter in history and spins it into an interesting and entertaining tale of romance and danger. The story is perhaps best understood as a combination of "The Boys from Brazil", M. Night Shyamalan's "The Village" and Ben Affleck's Oscar-winning "Argo" if you can imagine that. This film's unusual setting contributes to its originality, as does telling a story in which it's the woman who comes to rescue the man. The actors are well cast, and this accomplished multi-national ensemble consistently offers up lived-in performances. The direction, by Florian Gallenberger (who won an Oscar for his 2000 live action short film "I Want to Be "), sometimes feels a little disjointed, but he mostly keeps things moving and builds some serious tension into the movie's plot. The script (co-written by Torsten Wenzel and Gallenberger) is creative and smart. There may not be much actual dignity in the Colonia Dignidad compound, but this film dignifies itself with some quality story-telling. "A-"
Daniel Brühl plays Daniel, a political activist from Germany who has been living in Chile for a few months working with a group of young people supporting President Allende. Daniel's girlfriend, Lena (Emma Watson), is a flight attendant who takes advantage of her week-long stopover in Santiago to spend time with Daniel. When a military coup suddenly drives Allende from power, the new government starts rounding up political dissidents, including Daniel – and Lena, who happens to be with him when he's arrested. In a soccer stadium, a man wearing a black hood identifies Allende supporters, including Daniel, who is whisked away in a van. Lena is able to trace the markings on the vehicle to the secretive and remote "Colonia Dignidad" compound, about 200 miles south of Santiago. She makes her way there and asks to join. "I want to know the way of the Lord," she says, wearing a small cross around her neck.
In her attempt to rescue her lost love, Lena is sacrificing her freedom – and putting her very life at risk. A harsh old woman named Gisela (Richenda Carey) takes her to meet the cult's leader, German expatriate and lay preacher Paul Schäfer (Michael Nyqvist). "Once you join us, you must remain," explains Schäfer. Lena agrees, in spite of observing his Christian fanaticism and some of his innate creepiness. Gisela relieves Lena of the small bag she had brought with her, gives her a few items including a set of linen, and assigns her a bed in the female dormitory. Most of the women show no interest in talking to the new arrival, but Lena befriends another young woman named Doro (Jeanne Werner) and, later, another named Ursel (Vicky Krieps). As Lena joins the women in their daily work in the fields and in other food preparation activities, she learns what she can about the camp and keeps her eyes peeled for Daniel.
Daniel has survived severe physical abuse at the hands of the Chilean secret police in the colony's subterranean torture chamber, but he is a bit worse for the wear. Besides his physical injuries, his speech is slurred and he now talks and acts like a child. Lena finally catches sight of Daniel when she steals a glance through the window of the colony's assembly hall during a men's meeting and is obviously concerned about his state of mind. Soon after, at a rare meeting with the cult's men and women all together, Lena takes the risk of approaching Daniel, hoping that the two of them can come up with a plan to escape the cult, something no one has done before. But there's much more at stake than "just" the fate of two young lovers. Besides the terrible ways that Schäfer uses and abuses his followers, it turns out that he's also into some other nasty business that further reduces even the slim chance that Daniel and Lena have to get away for good.
"Colonia" takes a little-known chapter in history and spins it into an interesting and entertaining tale of romance and danger. The story is perhaps best understood as a combination of "The Boys from Brazil", M. Night Shyamalan's "The Village" and Ben Affleck's Oscar-winning "Argo" if you can imagine that. This film's unusual setting contributes to its originality, as does telling a story in which it's the woman who comes to rescue the man. The actors are well cast, and this accomplished multi-national ensemble consistently offers up lived-in performances. The direction, by Florian Gallenberger (who won an Oscar for his 2000 live action short film "I Want to Be "), sometimes feels a little disjointed, but he mostly keeps things moving and builds some serious tension into the movie's plot. The script (co-written by Torsten Wenzel and Gallenberger) is creative and smart. There may not be much actual dignity in the Colonia Dignidad compound, but this film dignifies itself with some quality story-telling. "A-"
I was holding my breath from beginning to end. This movie is so exciting from the minute it starts a real thriller with a damn good story. I enjoyed it and definitely recommend watching it. It really is worth your time and chapeau to Emma for this performance! Also it is a real eyeopener that there is so much going on in the world that we (I) am not aware of. The way they portrait it in this movie is just excellent without over doing it. The actor Daniel also is really really good his performance is magnificent. I think there should be a lot more movies with the purpose to make people aware of what is going on in this film. It is definitely not boring in the slightest way and you wont regret watching it!
Inspired by true events, Colonia is a Hollywood-style thriller about a couple who finds themselves in the wrong place at the wrong time- the torture prison of a religious cult under the influence of the Chilean secret police in 1974. At a time when Chilean youth began revolutionizing in the streets, one man's involvement with the movement along with his girlfriend's association in his anti-government views causes the couple to put their relationship and love for each other to the test. Directed by Academy Award winner Florian Gallenberger (Shadows of War), Colonia opens in theaters Friday, April 15th. Bill Withers' "Ain't No Sunshine" accompanies archival footage of protesters rioting in the streets while the film itself is saturated in prime colors- magenta and royal blue. This juxtaposition of violence and R&B gives an artistic edge to the film's opening scenes, but unfortunately, this visual isn't sustained throughout the film. We meet our protagonist Daniel (Daniel Brühl), up on stage pumping up the masses of people, when, out of nowhere, he spots a bright yellow flight attendant's outfit (like a ray of Mr. Withers' sunshine) from the muted colors of the crowd. The woman is Lena (Emma Watson) and they immediately embrace. Their relationship isn't made entirely clear, but she only has four days in town and they plan on spending it together.
While enjoying their time together, Daniel receives a phone call that shifts the political tide and changes everything. This results in chaos erupting in the streets, leading to their capture by the Chilean soldiers. Daniel gets abducted and taken to a hidden cult in a rural area called Colonia Dignidad, run by ex-Nazi Paul Schäfer (Michael Nyqvist). Left with no other choice, Lena willfully joins the Colonia as a desperate, last-ditch effort to find her boyfriend, risking her own life to bring him home as she discovers that those who enter the cult never leave.
Emma Watson and Daniel Brühl play Lena and Daniel with an innocence about them that has you rooting for their success. Watson is unquestionably beautiful and smart, her outspokenness gets her into trouble. Brühl takes a more unconventional risk with his character by playing the role of a mentally challenged person in an effort to trick his captors into thinking he is not a threat. Watson and Brühl are crucial to the film's success, but individually speaking, these roles won't likely result in a significant boost to their careers.
Colonia can't escape the comparisons to Eli Roth's The Sacrament or the documentary Kidnapped for Christ (if you haven't seen it, it's available to stream on Netflix, and is a MUST- watch), which may hurt Colonia's overall success because it is not as riveting by comparison. Audiences know what they are getting with an Eli Roth film, and a documentary has its own sense of wonderment, but Colonia tends to jump from the political thriller to love story to religious brainwashing in a patchwork way that feels a bit all over the place, and it is this "clumpy" genre blending that may be the film's weakest point. Plus, Daniel and Lena's relationship is never fully established in the beginning of the film, so we are left to wonder why she would risk her life to save this person.
At its core, Colonia is an interesting story, but not a very memorable film. It doesn't provide enough tension to overshadow The Sacrament, nor does it have the foundation to be a solid romance. The fact that it is based on a true story is what keeps the film afloat and the inclusion the smuggled archival photos of the real Colonia Dignidad at the end is a much-needed gem. Yet, even with cinema-savvy actors Emma Watson and Daniel Brühl, Colonia can't quite seem to gain the traction needed to be a standout film.
For more, visit: www.cinemacy.com
While enjoying their time together, Daniel receives a phone call that shifts the political tide and changes everything. This results in chaos erupting in the streets, leading to their capture by the Chilean soldiers. Daniel gets abducted and taken to a hidden cult in a rural area called Colonia Dignidad, run by ex-Nazi Paul Schäfer (Michael Nyqvist). Left with no other choice, Lena willfully joins the Colonia as a desperate, last-ditch effort to find her boyfriend, risking her own life to bring him home as she discovers that those who enter the cult never leave.
Emma Watson and Daniel Brühl play Lena and Daniel with an innocence about them that has you rooting for their success. Watson is unquestionably beautiful and smart, her outspokenness gets her into trouble. Brühl takes a more unconventional risk with his character by playing the role of a mentally challenged person in an effort to trick his captors into thinking he is not a threat. Watson and Brühl are crucial to the film's success, but individually speaking, these roles won't likely result in a significant boost to their careers.
Colonia can't escape the comparisons to Eli Roth's The Sacrament or the documentary Kidnapped for Christ (if you haven't seen it, it's available to stream on Netflix, and is a MUST- watch), which may hurt Colonia's overall success because it is not as riveting by comparison. Audiences know what they are getting with an Eli Roth film, and a documentary has its own sense of wonderment, but Colonia tends to jump from the political thriller to love story to religious brainwashing in a patchwork way that feels a bit all over the place, and it is this "clumpy" genre blending that may be the film's weakest point. Plus, Daniel and Lena's relationship is never fully established in the beginning of the film, so we are left to wonder why she would risk her life to save this person.
At its core, Colonia is an interesting story, but not a very memorable film. It doesn't provide enough tension to overshadow The Sacrament, nor does it have the foundation to be a solid romance. The fact that it is based on a true story is what keeps the film afloat and the inclusion the smuggled archival photos of the real Colonia Dignidad at the end is a much-needed gem. Yet, even with cinema-savvy actors Emma Watson and Daniel Brühl, Colonia can't quite seem to gain the traction needed to be a standout film.
For more, visit: www.cinemacy.com
Set in the early 1970's amidst the political turmoil that beset Chile at the time, we meet a German political activist – Daniel played by Daniel Brühl. His girlfriend is an air hostess, this is Lena played by the wonderful Emma Watson. Then Pinochet and his army take over the democratically elected socialist Government; this was obviously with US backing.
Well Daniel is soon swept up in the ruckus and taken to Colonia Dignidad. A colony run by another German called Paul Schafer; played brilliantly by Michael Nyqvist. He is a man who preaches the word of God but is one that talks the talk but does not reciprocate in the 'walking' department.
Now the full extent of what went on at the real colony is still, allegedly, a matter of conjecture but I won't say anything unless you are not aware of it. However, this does seem to try to cover a lot of what occurred and it uses the relationship of the two main protagonists as the vehicle to do so. It is a thriller and it is well made but it lacks a certain something to kick it further into the 'must be seen' category. Fans of Brühl and indeed Watson will not be disappointed though as they both give great performances, but Nyqvist gets all the great lines in a pantomime baddie role that was great fun to watch (for all the right reasons). In English with some Spanish and; this is one for those who like their thrillers to be not too much of a stretch but still well believable and indeed watchable.
Well Daniel is soon swept up in the ruckus and taken to Colonia Dignidad. A colony run by another German called Paul Schafer; played brilliantly by Michael Nyqvist. He is a man who preaches the word of God but is one that talks the talk but does not reciprocate in the 'walking' department.
Now the full extent of what went on at the real colony is still, allegedly, a matter of conjecture but I won't say anything unless you are not aware of it. However, this does seem to try to cover a lot of what occurred and it uses the relationship of the two main protagonists as the vehicle to do so. It is a thriller and it is well made but it lacks a certain something to kick it further into the 'must be seen' category. Fans of Brühl and indeed Watson will not be disappointed though as they both give great performances, but Nyqvist gets all the great lines in a pantomime baddie role that was great fun to watch (for all the right reasons). In English with some Spanish and; this is one for those who like their thrillers to be not too much of a stretch but still well believable and indeed watchable.
WUSSTEST DU SCHON:
- WissenswertesEmma Watson visited Villa Baviera (former Colonia Dignidad) in September 2014. Though the media initially thought she was on vacation, they later found she was doing research for her role.
- PatzerWhen Lena and Daniel are driven to the airport near the end of the movie several large buildings show multiple Satelite-Dishes on their roofs - private sat-receivers were not in use in the seventies.
- Zitate
Paul Schäfer: Anyone can torture, but to break a person without harming physically, that's an art.
- VerbindungenFeatured in Die Sekte der Folterer (2016)
- SoundtracksAin't No Sunshine
Written by Bill Withers
Performed by Bill Withers
© Interios Music Corp.
Courtesy of Universal/MCA Music Publishing GmbH
Originally released 1971.
All rights reserved by Columbia Records, a division of Sony Music Entertainment
Courtesy of Sony Music Entertainment Germany GmbH
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Details
Box Office
- Budget
- 14.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 15.709 $
- Weltweiter Bruttoertrag
- 3.621.046 $
- Laufzeit1 Stunde 50 Minuten
- Farbe
- Seitenverhältnis
- 2.35 : 1
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What was the official certification given to Colonia Dignidad - Es gibt kein Zurück (2015) in India?
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