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Two women, Eva and Kat, and the best friend of one of them, Roger. A boat in the canals of London and a question: Is it possible to live love, family, and life in such different ways and yet remain united?

A rites of passage tale of a 7 year old girl with hearing impediment turns the sound down on her hearing aid to escape the harsh world around her, unbeknowst the the adults around her. But she soon learns that she has missed things with the sound turned down.

A young man on the cusp of getting his life together has his road is continually hampered by the self-destructive patterns he has built around himself.

Buried Land tells the story of ordinary people attempting to realize a dream. Two actors cut a path through the real community and strange reality of Visoko, the small town at the heart of a remarkable claim: the discovery of ancient pyramids, not in Egypt, but central Bosnia. Emir is a Bosnian émigré, removed during the war and now struggling to rediscover his homeland. He has returned to assist an American director in the making of a film about Visoko's pyramids. Everyone in the town is asked to participate, including Avdija, a tourist agent with the Pyramid Foundation, Semir Osmanagi_, the quixotic founder of the Valley of the Pyramids, and Zombi, who oversees the digging of the labyrinthine tunnels found beneath the hills. Emir and his director are accused by the press of being like "Borat in Bosnia," seeking to mock the town's believers. Emir's outlandish behavior grows more excessive and confused, culminating in a grandiose shoot at the summit of the Moon Pyramid that descends into chaos. He is taken into the heart of the Pyramid of the Sun, where he is forced to confront his beliefs. Where does fact end and fiction begin? How do you make the film of a pyramid that can't be seen? This is a story of the power of faith, imagination and community, and of the futility of looking for absolute truths, in life, and in movies.

'While poverty persists, there is not true freedom.' A short visual meditation, OF THE UNKNOWN is set in one of Asia's wealthiest and most densely populated cities where millionaires and the 'working poor' live side by side. The film explores how our notions of freedom and happiness are shaped by the place we occupy, both literally and metaphorically, in our society. What is the importance of freedom when one faces a daily struggle for survival? Is it even possible to have to dreams, or to dream, if one was never given any opportunities in life?

Henry Cowell is fatter than he used to be and sadder than he used to be. This abattoir slaughter man is becoming more and more erratic. His colleagues can see that he's about to snap.