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LOGLINE: A raucous documentary about the not so silent women of the silent film era. SYNOPSIS: A unique hybrid of documentary, silent film, drama and dance, 'Breaking Plates' puts revolutionary women of the past on the screen with present day filmmakers. Contemporary women talk to characters from 100 years ago, reanimate their antics and emulate their mayhem moves. As early 21st century performers step into the clothes of their early 20th century counterparts, battling their haywire machines, exploding gags, and eruptive bodies, they learn to wield humour as a weapon against the structures that contain them today. 'Breaking Plates' is a boundary-smashing brawl and a creative revolution for women onscreen, a riotously entertaining enactment of the principle that if we want to tell different stories, we have to tell stories differently.

Rebelling against a forced engagement to Schuyler, Victoria falls in love with young attorney David Courtney and marries him. At first they are happy, but when David is drawn into political corruption and accepts the attentions of other women, she tries to compete with them, then denounces him. When he runs for U.S. Senator, she is nominated as a dark-horse candidate against him and wins. He is indicted for bribery during the campaign and while in prison is redeemed through her visits. In each crisis Victoria dreams of the women of corresponding ages: the stone age, the age of chivalry, Amazons and their supremacy over men, the life of debauchery in the Roman era, and the dawn of Christianity in her dream of David as Constantine and herself as a Christian slave who converts the pagan world.

Eye Filmmuseum and the British Film Institute present a compilation film of newly-restored rare images from the first years of filmmaking. Immerse yourself in enchanting images of Venice, Berlin, Amsterdam and London from 120 years ago. Let yourself be carried away in the mesmerizing events and celebrities of the time, and feel the enthusiasm of early cinema that overcame the challenge of capturing life-like movement.

In 1972, Charles Duke lands on the Moon. The Sasha deals with humanity's constant struggle with temporal and spatial limitations.

Reality has countless layers, many of these will remain invisible to the untrained eye. In this elegy humans appear like ants, walking around their habitat in a preprogrammed way, while animals and plants act like individuals. This upside-down world has a strange attraction which is at once alienating and deeply familiar.

By organizing the First Aviation Exhibition Amsterdam Albert Plesman wants to introduce the Netherlands to civil aviation. Plesman meets airplane manufacturer Anthony Fokker. The men will have to work together, despite their differences.