Cartography and Walking
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About this ebook
In Cartography and Walking, Adam Dickinson charts his own listening -- an acute listening of eye and ear, a listening with both body and mind. "Cartography" is more than a metaphor for him, it's a way of being. It is how we dwell in the world, and how intimacy enriches such dwelling. Yet "cartography" is the presiding metaphor, the structure of this book; in giving it such a place, Dickinson reminds the reader of that very human impulse to plot, to imagine. Each poem is itself a kind of mapping, through language and sound, through minute observation, until land, love, and everyday life are given new embodiment, are newly discovered, and a reader finds new countries in strangely familiar settings.
Adam Dickinson
Adam Dickinson's poetry has appeared in literary journals and anthologies in Canada and internationally. He has published three books of poetry. His most recent book, The Polymers, was a finalist for the Governor General's Award for Poetry, the Trillium Book Award for Poetry, and the ReLit Award. His work has been translated into Chinese, Dutch, and Polish. He has been featured at international literary festivals such as Poetry International in Rotterdam, Netherlands, and the Oslo International Poetry Festival in Norway. He currently lives in St. Catherines, Ontario, where he teaches poetics and creative writing at Brock University.
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Book preview
Cartography and Walking - Adam Dickinson
Cartography
and Walking
Cartography
and Walking
Adam
Dickinson
National Library of Canada Cataloguing in Publication Data
Dickinson, Adam, 1974-
Cartography and walking
Poems.
ISBN 1-894078-22-5
I. Title
PS8557.I3235C37 2002 C811’.6 C2001-904092-X
PR9199.4.D52C37 2002
© Adam Dickinson, 2002
We gratefully acknowledge the Canada Council for the Arts, the Government of Canada through the Book Publishing Industry Development Program (BPIDP), and the Ontario Arts Council for their support of our publishing programme.
The cover photograph is the work of Bruce Litteljohn.
The author photograph was taken by Dorothy Field.
The maps on the end paper and ♣, ♣ and ♣ were drawn by the author and reproduced with the help of Gabrielle Zezulka-Mailloux.
Design and layout by Alan Siu.
Printed and bound by Sunville Printco Inc.
Brick Books
431 Boler Road, Box 20081
London, Ontario N6K 4G6
brick.books@sympatico.ca
This book is
for Mom, Dad,
and Kim.
Table of Contents
Part I: Escarpments
Disappointment in the Masonry
Or Was It the Smell of Cut Wood
Having to Start the Garden Alone
Get the Kids to Bring in a Log of Black Cherry
Something Made Me Think of Bears
The Cardinal
When We Stand, We Are Leaning
Into the Hooves of Horses
He Who Waits for Spring
Making Use of Franklin
When We Become Desirable
Portraits
Both In and Out of Sight
More Water, We Thought
Looking at the Teeth of a Wet Saw
Cedar Canvas
For a Nominal Form
Natural Habitat
Sympathetic Nervous System
When at First the Doubt Appears
The Distance Is Taciturn
Rejoinder
The Podium
Look at the Lake, Please
Eastern Hardwoods
Lake Filling in with Land
Driving Home
Sleep Begins in the Mouth
Part II: Cordillera
Cartographer
Composition
Before We Learned to Live in One Place
Reinforcing the Watershed
Believing the First Words You Hear
In Late Afternoon Sun You Are Water Seen
from a Train Window
Erratics
How We Look at Maps
Knowing Where to Look
Fortune
Into the Field
Falling and Falling Blues
To Grand Manan Island
The First Time You Meet
Learning to Swim
Archipelago
Mapping in Seven Parts
The Return
Part III: Standing Water
The Question of Whether the Bread Was Noticed
In Terms Unfamiliar
In the Upper Reaches
Among Branches
Pressed Against the Gunwales
Corpus Callosum
We Tried to Keep from Slipping
Celestial Mechanics
Interpellation
A Kind of Vertigo
The One Virtuous Act of the Dictator
When Light Lies Thirty Feet Across
Travel
I Tell You This Is What I Do Not Tell You
In Between Points of View
Calling in the Dogs
Great Slave Lake Disclosure
The Shifting Weight of Staying
Concerning a Sudden Departure
Fort Smith Fire Brigade
Beetroot
The Part of the Flag Nearest the Staff
Introducing or Being Introduced
Acknowledgements
Biography
Part I
Escarpments
Disappointment in the Masonry
There is little doubt
that bats are in the chimney.
At dusk, you can hear
the folded sheets
of their slender ascent,
a private appearance
over rooftops,
the steam from a bath
that has just been filled.
Their modesty confounds us.
They dart in the cover of tree tops
as