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    Silence & Song
    Silence & Song
    Silence & Song
    Ebook153 pages1 hour

    Silence & Song

    By Melanie Rae Thon

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    About this ebook

    Immigrants lost in the blistering expanse of the Sonoran Desert, problem bears, bats pollinating saguaros, a Good Samaritan filling tanks at emergency water stations, and the terrified runaway boy who shoots him pierce the heart and mind of Rosana Derais. “Vanishings,” the first story in Silence & Song, is a love letter, a prayer to these strangers whose lives penetrate and transform Rosana’s own sorrow.
     
    In “Translations,” the prose poem connecting the two longer fictions, child refugees at a multilingual literacy center in Salt Lake City discover the merciful “translation” of dance and pantomime.
     
    The convergence of two disparate events—a random murder in Seattle and the nuclear accident at Chernobyl—catalyze the startling, eruptive form of the concluding piece,“requiem: home: and the rain, after.” Narrated in first person by the killer’s sister and plural first person by the “liquidators” who come to the Evacuation Zone to bury entire villages poisoned by radioactive fallout, “requiem” navigates the immediate trauma of murder and environmental disaster; personal and global devastation; and the remarkable recovery of the miraculously diverse more-than-human world. 
    LanguageEnglish
    PublisherUniversity of Alabama Press
    Release dateSep 30, 2015
    ISBN9781573668576
    Silence & Song
    Author

    Melanie Rae Thon

    Melanie Rae Thon is an American author of novels and short stories. Originally from Kalispell, Montana, Thon received her BA from the University of Michigan and her MA from Boston University. Her writing has been published in The Best American Short Stories, the Pushcart Prize anthologies, The O. Henry Prize Stories, Granta’s Best of Young American Novelists, Conjunctions, Tin House, and the Paris Review. Thon is a recipient of the Whiting Writers’ Award, the Reading the West Book Award, and the Gina Berriault Award, as well as two fellowships from the National Endowment for the Arts and one from the Tanner Humanities Center. She has also been a writer in residence at the Lannan Foundation. Thon’s works have been translated into nine languages. She lives in Salt Lake City and teaches at the University of Utah.

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      Book preview

      Silence & Song - Melanie Rae Thon

      after

      vanishings

      There are three ascending levels of how one mourns:

      with tears ~ that is the lowest ~

      with silence ~ that is higher ~

      and with song ~ that is the highest.

      —Hasidic teaching

      1.

      My brother kneels in the back of the Chrysler. Leo Derais, eleven years old: he’s skipped three grades: this fall he’ll start high school.

      He’s just made the most astonishing discovery, has seen the evidence and understands at last how time moves at different speeds in both directions. (Was that a stone? Is that a rabbit?)

      Appears to move.

      Quickly now, before the light goes, he wants our father to see what he sees, the earth close to the car ripping backward (skull of a desert fox, bones of a missing child), everything lost, the past shredded and gone (blink of an eye, stuttering heartbeat) while at the same time, in the same world, a ridge of distant mountains unscrolls, quietly revealing itself, advancing slowly forward.

      No matter how fast our father drives, the patient line of stone proceeds, always beyond, always ahead of us.

      He’s trembling now but can’t speak. Time does not exist. Time is perception, the endless rearrangement of things in space, the infinite possibilities of their relationships to one another.

      A word will shatter thought: skull, stone, star, rabbit: everything here, now, lost and still to come in this moment. There’s no reason why he can’t remember the future. Even now the light of stars long dead streaks toward him.

      Our father, our pilot, delivers us into a night too beautiful to imagine: blue, blue sky, mountains deepening to violet.

      Mother unbuttons her blouse to nurse the baby. Joelle, my sister, eleven months old, eight years younger than I am, my father’s bewildered surprise, my mother’s joyful mystery, Joelle Derais, so radiant strangers stop us on the street and ask to touch or try to talk to her.

      If she were alive now, would she be like me, or still be tempting?

      I remember her that day at the rest stop: cheeks flushed, lips rosy, the soft swirl of dark curls at the crown of her head (where I kiss, where I smell you), Joelle, my sister, heavy in my arms, heavy in my lungs, the sweet almond scent of you.

      I remember the woman who gasped in the bathroom, whose fingers fluttered as she touched Joelle’s warm shoulder. My God is that child real? She thought my sister was a doll, perfect porcelain, perfectly painted, someone else’s real hair, someone else’s silky lashes:

      My God how porcelain shatters.

      Mother wants to stop in Page, just south of the Utah border, high on this plateau of red rock where a pink neon sign blinks EZ REST and a green one warns DESPERADO’S HIDEAWAY.

      Our pilot won’t rest; our desperado won’t take refuge.

      If time does not exist, there must be a place where I can go, where I can find us, where my sister cries and my brother trembles, where bands of rose and gold and turquoise throb at the horizon, where my father turns back, and my mother forgives him. (Somewhere in the night, while I sleep, this happens.)

      Forty years. I have these words. I know these numbers. The morning paper my proof: Oil Spilling, Bees Vanishing. Five Illegal Immigrants Found Dead, Problem Bear Relocated.

      The headline never says: Invasive Humans Removed from Bear’s Natural Habitat.

      EZ REST: I almost remember the sign flashing all night, the room that smelled of smoke and ammonia.

      No. We didn’t turn. The blue Chrysler sped into the blue night while the light of stars streaked toward us.

      Forty years. I remember the taste of blood and bone, tongue cut deep, front teeth jagged, the smell of gasoline and smoke, something burning in the distance. My father tried to stand but couldn’t stand, tried again and then a third time. He disappeared as smoke and came back as fire. His face flared in orange light.

      How can both legs be broken?

      Yes, everything here, now, again, always: the blue Chrysler ablaze, our bodies flung in the desert, the rearrangement of things, the infinite possibilities, the light of stars, yes, I have never seen so many stars anywhere, an ocean of sparkling light, stars alive and dead streaking toward us.

      The baby was gone, the baby was missing. I remember Mother crawling in the sand, trying to find her, saying her name, Joelle, howling her name into the blue night all around us, leaving Jo – elle vibrating through stone and star forever.

      My brother rose up white and naked from his twisted body. He was perfect, so thin and pale I could see right through him. He stooped to scratch the sand with a stick. Later I understood the stick was a bone, one he’d pulled from his

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