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My Name Is Lucy Barton: A Novel
My Name Is Lucy Barton: A Novel
My Name Is Lucy Barton: A Novel
Ebook164 pages2 hours

My Name Is Lucy Barton: A Novel

Rating: 3.5 out of 5 stars

3.5/5

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#1 NEW YORK TIMES BESTSELLER • LONGLISTED FOR THE BOOKER PRIZE • A simple hospital visit becomes a portal to the tender relationship between mother and daughter in this “spectacular” (The Washington Post) novel by the Pulitzer Prize–winning author of Olive Kitteridge and The Burgess Boys.

“An aching, illuminating look at mother-daughter devotion.”—People


A BEST BOOK OF THE YEAR: Time, The Washington Post, The New York Times Book Review, NPR, San Francisco Chronicle, Minneapolis Star Tribune, St. Louis Post-Dispatch, Miami Herald, The Guardian Slate, BookPage, LibraryReads, Kirkus Reviews

Lucy Barton is recovering slowly from what should have been a simple operation. Her mother, to whom she hasn’t spoken for many years, comes to see her. Gentle gossip about people from Lucy’s childhood in Amgash, Illinois, seems to reconnect them, but just below the surface lie the tension and longing that have informed every aspect of Lucy’s life: her escape from her troubled family, her desire to become a writer, her marriage, her love for her two daughters. Knitting this powerful narrative together is the brilliant storytelling voice of Lucy herself: keenly observant, deeply human, and truly unforgettable.
LanguageEnglish
Release dateJan 12, 2016
ISBN9780812989076
Author

Elizabeth Strout

Elizabeth Strout is the author of the New York Times bestseller The Burgess Boys; Olive Kitteridge, for which she was awarded the Pulitzer Prize; the national bestseller Abide with Me; and Amy and Isabelle, winner of the Los Angeles Times Art Seidenbaum Award and the Chicago Tribune Heartland Prize. She has also been a finalist for the PEN/Faulkner Award and the Orange Prize in London.

Read more from Elizabeth Strout

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Reviews for My Name Is Lucy Barton

Rating: 3.7059213948769134 out of 5 stars
3.5/5

1,503 ratings140 reviews

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  • Rating: 5 out of 5 stars
    5/5
    I listened to this is audiobook format.

    This short novel is about a woman and her mother and their shared past. They meet after many years in a hospital room and talk for 5 days without ever really saying what they want and need to say. It's about coming to terms with and overcoming your past, forgiving your family, and integrating different parts of your life into one. The writing is fantastic and insightful. This short book packs a punch; it is painful at times, but also cathartic.
  • Rating: 4 out of 5 stars
    4/5
    Beautifully written. Much unspoken and unsaid.
  • Rating: 1 out of 5 stars
    1/5
    61% in. Still no story. Depressing characters
  • Rating: 4 out of 5 stars
    4/5
    I can't say that I liked this book, but I'm glad I read it. In fact, I find that every 12-18 months, I sort of put myself in that position--- to read something totally out of my genre and comfort zone. Maybe I do this to help me be more relatable to lifestyles very different from my own? What usually happens, though, is what happened this time. I find that the stuff in my life that I've stuffed is the stuff that causes me to relate all too well. This is the kind of story that inspires self reflection of the most difficult kind. It forces you to face the stuff you swear you've forgiven.

    At first I saw this as a book of weird, stream of consciousness sort of remembrances. I feel like I should know these people? On one hand, it’s all stories of the past—-yet there is zero backstory. I came to learn that the story is the backstory.

    Regardless of the stated fact that the Mom in this story loves her daughter, she is emotionally stunted and extremely selfish and she refuses to heal from the obvious generational trauma that is going on there. The toxic thing about all this is that it makes a daughter want to bend over backwards to please her. I understand this completely. This desperation for the one who has rejected you to just prove they love you. Why is that? Have I carried the trauma of my experiences with my parents into my own healthy and happy relationships with my children? Do I try to make up for my hurt when I carry way too much mommy guilt when I'm not able to entertain or please them?

    The author describes the sculpture of Ugolino and His Sons. The sons are gathered around their starving father saying, "You can eat us alive --- just please don't be sad, Daddy!" That’s what it’s like. To give up all that is precious in an effort to try to be number one to someone whose number one is themselves. I’m glad I stopped doing that. My relationships with my parents have survived into my mother's older age and my father's death --- but it is because of the boundaries I was wise to construct.

    The story also made me think about my recent revelation that relationships between parents and children really are two-way streets. I had to have my own children grow into adults (and have a couple very strong-headed children) to realize this. One of the biggest revelations of my life was the understanding that my actions had hurt my father and it was too late to directly ask his forgiveness.

    I understood the response of the emotionally abused Sarah Payne --- "I'm just a writer. That's all." A writer has a gift of communication that is envied by all who lack it. It's a huge thing to be a writer. When we realize that, we soar.

    The most heartbreaking part of all of this to me was the narrator's self-reflection about her motherhood after her divorce: "I am the one who left their father, even though at the time I really thought I was just leaving him. But that was foolish thinking, because I left my girls as well, and I left their home." For 32 years, my mother has tried to convince herself, through convincing me, that she didn't leave us kids when she left Dad for the sleazebag. But she did and we both know it. I appreciated the narrator's words. Her acknowledgment is the acknowledgment I’ve yet to hear.

    There were several mentions of the Chrysler Building, and it features on the front cover, so I knew there must be some symbolism to it. Having lived most of my life on the west coast and the last 10 years in the South, this meaning was not immediately obvious to me. I looked into it a little and it seems the building is a symbol of New York City's persistent optimism, even in the face of less than optimal circumstances. Perhaps it was used to draw a parallel to Lucy who also seems to be forcedly "happy" in situations a non-traumatized person would see as toxic.
  • Rating: 2 out of 5 stars
    2/5
    I admit this it not my normal genre, which is coloring my review, but I kept waiting for Lucy to explain what her illness was or give a clue that she was also diagnosed with mental illness or something. The lack of resolution really bothered me. There was also some sidelining but at the same time highlighting of queerness that was a little uncomfortable.

    Read for College Cultural Neighborhood Book Club.
  • Rating: 3 out of 5 stars
    3/5
    I'm still trying to decide if I liked this Lucy Barton book or not.
    On the one hand, I liked the way the book flowed, with short chapters skipping back and forth. It felt literary without being Literary.
    On the other hand - the exclamation points! Which arrive out of nowhere! Perhaps to make you feel the book has a conversational tone, which frankly it doesn't quite have. Instead, you get repetition of noun phrases - a typical sentence might run: "I looked at the flowers on the table. 'Look at the flowers on the table,' I said to my mother. She closed her eyes instead of looking at the flowers on the table." It's a bit as if somebody read Hemingway and thought they could do the same thing.
    The other issue - this is a short book, and I don't quite know what was the initial charge in writing it other than to touch on as many topics as possible. As well as the central mother-daughter relationship, there are aspects of modern medicine, modern fashion, modern art, the Nazis in World War Two, Vietnam, the gay movement, the AIDS epidemic, gender relations and marriage, and - for very little reason that I could see - mention of 9/11. Was Strout trying to pack the great American novel into 190 pages of large type?
    I'm glad I read the book - it felt rewarding at times - but I don't think it got me anywhere, and if it did, it certainly wasn't somewhere new.
  • Rating: 4 out of 5 stars
    4/5
    This short novel has made me want to rewrite everything I’ve ever tried to write. Somehow Stroud manages to NOT say things so powerfully fully half of the time I was reading this book I was awash in memories of my own, trying to tease out the wisdom to be found there.
    That said, by the end I was gnashing my teeth a bit- I wanted more detail about what was happening in Lucy’s life- why didn’t her daughters visit her in the hospital? Were her mother’s stories about marriages gone bad a warning about Lucy’s absent husband? How would she have known anything about Lucy’s family, given they never seemed to interact?
    Trauma is rarely so well-illustrated in text and this book is remarkable for that, for the way Stroud brushes light touches of tragedy across seemingly benign scenes. When Lucy’s father is dying and comments about what a good girl she was, her sister leaves the room. That line alone says so much about families…and Lucy’s family in particular.
    A high residue book. I’ll be thinking about this one for a long time.
    Not sure if I’m grateful for that…
  • Rating: 4 out of 5 stars
    4/5
    Some years ago I read Olive Kitteridge and thought it was a really good book, one that made me think outside of my experience. I started this about a year later, but only read half before leaving, perhaps because I was reading a more engaging collection of Alan Bennett’s essays simultaneously. Anyway, I have now read the whole book over a couple of days.
    For me, like Olive, Lucy Barton is not a sympathetic character and although there is much of her character that I can’t relate to, there is much of interest, especially the use of education to escape your circumstances, but the consequent feeling of exile. For me Lucy is an intriguing character, and I will be reading at least the sequel.

    The book is written in short, spare chapters, but it made me think, I kept pausing and considering what I was being told. Although the story is mainly set over five days when her mother visits Lucy in hospital in the 1980’s, the story was both contemporary (looking back from about thirty years later when Lucy has become a successful author) and historical (looking back at Lucy’s childhood in the early early sixties, when the family had lived in poverty in the fictional rural town of Amgash, Illinois).
    At first I was unsure of what the book would be about, but quickly realised that it is the story of a damaged family, damaged by trauma inflicted upon the father during the Second World War, as well as poverty. But the story is approached obliquely, and the reader needs to be patient (as I wasn’t on my first attempt).
    This is also a book about a certain type of ruthlessness and something about its consequences, although I suspect the consequences may be considered more deeply in the sequels.

    This is a New York story too.
  • Rating: 5 out of 5 stars
    5/5
    My Name Is Lucy Barton begins with our narrator, Lucy Barton sharing details about how in New York City in the 1980s, an infection after routine surgery for removing her appendix leads to her being hospitalized for nine weeks. Her estranged mother, whom she hasn’t seen for years, travels to New York City from Amgash, Illinois and stays with her for five days, never leaving her bedside. Her mother’s presence triggers Lucy’s memories of her past, inspires her to reflect on her present and motivates her to contemplate her future.

    “This must be the way most of us maneuver through the world, half knowing, half not, visited by memories that can’t possibly be true.”

    Lucy’s childhood was one marked by abject poverty and abuse. Dysfunctional family dynamics, no friends and being looked down upon by her peers on account of her family’s poor living conditions (her family in the garage of a relative till the age of eleven), push her to concentrate on her books and academics, an endeavor results in her winning a scholarship to college. She is able to make a good life for herself away from the bleak memories of her past. Given her humble beginnings and unhappy childhood, Lucy is sensitive to how other people treat her. She acknowledges and remains grateful for even the smallest gestures of kindness she has experienced from teachers, neighbors and others in the course of her life. Lucy's relationship with her mother is complicated. They have been estranged for years and her mother is now at her bedside after Lucy's husband calls her. Her mother's bedside conversations revolve around news and gossip about cousins, neighbors and other people in their hometown. Though Lucy does bring up more personal topics including her accomplishments as a writer having recently published two stories, her mother does not engage in any deep discussion of Lucy’s childhood or openly appreciate her accomplishments as an adult. The visit is short and her mother abruptly decides to leave after five days. It is not as if mother and daughter reconcile or suddenly become close friends, but there is no denying the fact that Lucy loves her mother deeply and her mother does care for Lucy. Lucy craves affection from her mother, and though her mother remains reserved in her demeanor in this regard, this visit impacts Lucy’s life in that her mother’s presence, the sound of her voice and even the moments spent in silence provide Lucy with comfort and enable her to confront her own emotions, also reflecting on her own role as a mother of two daughters and take stock of her marriage which isn’t exactly perfect. Families are complicated and mother-daughter relationships can be more so and the author does a magnificent job is exploring the same through Lucy and her mother. Love might not always be expressed or may be expressed in a manner different from what we may be able to comprehend, which is painful – but that does not mean it is not there.

    “ Because we all love imperfectly.”

    Elizabeth Strout’s My Name Is Lucy Barton is a short but impactful novel. The author’s prose is simple yet beautiful and elegant. Though Lucy’s memories are shared through a series of non-linear, often disjoint flashbacks, the author manages to paint a beautiful picture of Lucy's life. In Lucy Barton, the author creates an emotional but resilient character who feels real and relatable. This is a beautifully written story, concise, with a fluid narrative and superb characterization. I’d been planning to read this book ever since its release in 2016 but have been procrastinating. I’ve always believed in the cathartic effect that reading the right book at the right time could have on you. I found this to be a moving and thought-provoking read that struck a personal chord with me and I am glad I finally picked it up. I look forward to reading Elizabeth Strout’s other books featuring Lucy Barton.

    “But I think I know so well the pain we children clutch to our chests, how it lasts our whole lifetime, with longings so large you can’t even weep. We hold it tight, we do, with each seizure of the beating heart: This is mine, this is mine, this is mine.”
  • Rating: 4 out of 5 stars
    4/5
    Thanks so much to Libro.fm, Random House and Penguin Random House Audio for letting me listen and review this book. This was a very short and quick read, but very poignant, deep and thoughtful.
    I found myself deep in thought and identifying more than I expected to with this story.
    I related to the character being in the hospital after a serious health concern arises that she has to have taken care of with surgery with her appendix and being alone in the hospital then waking up to find her mother there, who she has a strained relationship with and hasn't been in touch with for a while it seems.
    This short book is the story of this character's stay in the hospital while she recovers from her appendix having been removed and complication of minor infection and how her mother shows up for her even though they have a strained and complicated relationship. Of course what mother/daughter isn't complicated to some extent.
    The character, Lucy Barton, reflects a lot on her childhood and growing up, her parents, how she was raised and how she is with her own two children. She talks a lot with her mother while in the hospital since her husband hates hospitals, is working and taking care of the kids - he's the one who calls and asks her mother to sit with her in the hospital while she's recovering.
    Her husband comes and visits and brings the kids, they talk and visit and leave, but there are these other deep, poignant feelings that are brought out in conversations and by spending all this time with her mother while in her hospital bed. She tries to confront and talk with her mother about things from the past, but can't always find a way to talk with her mother about them and also talks about feeling lonely from her life especially from growing up and not feeling as much love as she wanted from her mother and trying to figure out how to be a writer, writing, publishing, being a mom, being herself and everything else and I can relate so much to this on a lot of levels.
    I was very surprised by how much is packed into this short story and how deep, thoughtful and poignant it all is.
    I can't really explain it all, but it's worth checking out and it doesn't take long to listen to and it will definitely leave an impression on you that you likely won't forget, I know I haven't.
  • Rating: 4 out of 5 stars
    4/5
    I liked the book, but I'm sure I didn't understand some of what Strout was trying to get across. Very short book, but I appreciate that. I liked the language and the rhythm of the writing, and I felt like I really liked Lucy -- although at the same time I wasn't really sure who she really was.
  • Rating: 4 out of 5 stars
    4/5
    "It interests me how we find ways to feel superior to another person, another group of people. It happens everywhere and all the time. Whatever we call it, I think that it's the lowest part of who we are, this need to find someone else to put down."

    After complications from surgery, Lucy Barton has to stay in the hospital for 9 weeks. She has not seen her mother in many years, but her husband asks her mother to come keep her company in the hospital. For several days Lucy's mother sits with her in the hospital, occasionally conversing, and evoking memories of her difficult early life for Lucy.

    Lucy came from poverty, but was able to go to college and now leads a normal "middle-class" life. Her mother and father and the rest of her family remain in poverty. Her mother is taciturn, does not express emotion, has withheld affection from her children, yet Lucy craves her love. As she lies in the hospital bed, she contemplates her childhood of poverty, abuse, and how she ultimately arrived where she is now.

    Strout tells the story in short episodic vignettes. I thought that this was a very good portrait of a difficult mother/daughter relationship, and of the longing for love and acceptance that a childhood without love causes.

    First line: "There was a time, and it was many years ago now, when I had to stay in a hospital for almost nine weeks."

    Last line: "All life amazes me."
    3 1/2 stars
  • Rating: 3 out of 5 stars
    3/5
    Lucy Barton is in the hospital when her mother, whom she has not seen in nine years, shows up at the foot of her bed. This serves as a jumping off point for Lucy to reflect back on memories of her life up to this point. She grew up in poverty and suffered traumatic experiences, which left psychological scars. She finds she can process her feelings through writing.

    This is a quiet book, which I normally enjoy, but it never quite grabbed me. I found myself drifting off mentally as Lily and her mother engage in gossip about former friends and acquaintances. This novel is about the peaks and valleys of life. The real issues are never addressed directly, even in her thoughts, which I found frustrating. The closest we come is the lingering feeling of isolation. Still, I liked it enough to read more by this author.
  • Rating: 4 out of 5 stars
    4/5
    I don't often read literary fiction so this is a departure. Reading it somehow brings back memories of my childhood sitting around the picnic table with the adults listening to their gossip, a pleasant but odd reaction.
  • Rating: 4 out of 5 stars
    4/5
    The Short of It:

    Trauma takes many forms.

    The Rest of It:

    Lucy Barton is hospitalized for an unknown illness which has taken a bad turn. An infection, most likely. Her short hospital stay turns into several days which prompts her mother to show up at the hospital. Lucy’s husband William is at home with their children, but he, for whatever reason does not like hospital visits and decides not to come. Instead, he pays for Lucy’s mom to show up.

    This, in itself is strange. Lucy and her mother have a strange relationship to say the least. Growing up in poverty, and being exposed to some strange behavior has caused damage that Lucy does her best to live with, but it’s always there and from her hospital bed she carefully observes her mother at the foot of her bed, wondering how they got there.

    There’s not a lot of action in this story. It’s mostly a “thinking” story. As Lucy considers the life she’s lived, you as the reader will also consider the choices you’ve made as a wife, mother, sibling. From the outside looking in, it’s clear that this family has a lot of things to work through but do they want to? In Lucy’s case, yes because she is trying not to repeat the same mistakes with her own children but you get the impression that she’s not succeeding all that well.

    We read this for book club and although it wasn’t enjoyed by all, it gave us plenty to talk about. There are two other books by this author that include the same characters, Anything is Possible, Oh William! and Lucy by the Sea which just came out. I liked the book enough to pick up the other books but it’s definitely not a happy story and a little sad here and there.
  • Rating: 4 out of 5 stars
    4/5
    I have reread this novel as a precursor to reading the new Amgash novel, "Oh, William" and am surprised to find that I never reviewed it before this. It is the story of Lucy, who grew up in extreme poverty with a distant mother and a father traumatized by war, but who manages to escape her circumstances and become a successful writer. The novel takes place as the older Lucy looks back on a period when she was hospitalized for two months, during which time her mother visited briefly, really her only adult contact with her mother. The author uses this episode to explore the ways experiences, dreams and encounters, often brief, shape us into the people we become, and the rather mystical intersection between what actually happens in our lives and what we want to believe happened. It is an elegant and spare novel, with nothing extraneous with a good use of white space, on the page in my physical copy, but also in the writing, a space that emphasizes how it is the liminal moments that are critical, the things unsaid, and what we chose to make of them that make us who we are.
  • Rating: 4 out of 5 stars
    4/5
    In this novel, Lucy Barton tells her life story in memories, conversations with her mother, and events that occur. The writing is beautiful.
  • Rating: 3 out of 5 stars
    3/5
    We start with Lucy narrating her 9 week hospitalization and her estranged mother visiting at her bedside. Then the story weaves back to her childhood in Amgash, Illinois (were they really living in a garage) and forward again to her life in New York as a writer, and then back again. Crumbs are left along the way in each chapter, as the reader pieces together - just who is Lucy Barton?
  • Rating: 5 out of 5 stars
    5/5
    An astonishing literary achievement. Two things stand out about "My Name is Lucy Barton". The first is its narrative frame, which is complex and effective enough to be mentioned in the same paragraph as, say, the little yarn that Marlowe tells about his trip up the Congo. "Lucy Barton" is a story about the book's title character becoming a writer, the novel itself being both a story about a writer's literary development and its final product. This is, in most ways, a profoundly unmagical book, but -- as Lucy faces the most painful elements of her past and attempts to come to grips with their essential meanings -- we see her write herself into existence as surely as an García Marquez character ever did. The fact that this these themes are dealt with using brief, pitch-perfect, and often deceptively simple sentences only makes what Strout's done here more impressive: Lucy Barton seems to emerge not from this novel's language but from its very structure. Perhaps most impressively, while both the novel and its main character develop, Strout's own authorial voice is almost completely obscured. It might be said that the author molds another, fictional author who then writes a book for her, an act of high-level literary ventriloquism that is breathtaking to behold. I suppose that Strout could have taken the easy way out by making her protagonist blandly admirable, making this a book about little more than overcoming hardship, the sort of literature-as-therapy thing that crowds the New Releases shelf these days. But it's clear, though, that Lucy is still scarred by her excruciatingly difficult past, which includes episodes of extreme poverty, abuse, self-doubt, interpolated with the kind of everyday disappointments and sad realizations even those with comfortable lives experience. Strout balances these elements perfectly, showing how both seemingly insignificant social slights and major life tragedies can stay with us for years. You could say that "My Name Is Lucy Barton" is a book about healing, but it's also about one woman's desperate battle to will herself into existence, which is a much less elegant affair. Lucy doesn't flinch at the ugly stuff here, and nether, to its credit, does this novel.

    Strout's second achievement here is the title character herself. When the book ends, Lucy isn't without doubts and regrets, and I'm not even sure that every reader will find her particularly likable, but it's hard to deny that she is, well, mature. She's also -- and I consider this high praise indeed -- as gorgeously imperfect and wholly unforgettable a character as, say, Peggy Cort, who we meet in Elizabeth McCracken's "The Giant's House" or the title character of Mary Gaitskill's "Veronica". I'm not the kind of reader who tends to enjoy characters in and of themselves, but while Strout's account of how Lucy's personality and her literary voice emerge is easy to admire, there's also something about Lucy herself -- her resilience, her clear-sightedness, her honesty -- that gives this book the sort of emotional heft that a mere creative exercise would lack. There is real feeling and beauty here. To put it another way, this is, in other words, a great novel. Highly recommended.
  • Rating: 4 out of 5 stars
    4/5
    Libby Audiobook

    I decided to read this before going into Oh, William so I could get a feel for the characters & I’m glad I did. Lucy Barton is so real, so well developed that I had to make sure I wasn’t reading a biography. Strout makes you want to keep reading about Lucy’s life, which I’m definitely going to do.

    During her 9 weeks stay in the hospital after a routine appendectomy, Lucy’s estranged mother comes to visit. What follows is a look into a relationship frought with land mines. Lucy is a “normal” person living a “normal” life, but her mother’s visit lets you into her past trauma. It doesn’t seem like an especially horrible past, but it is one that’s not a particularly loving one either.

    Interwoven into the tense relationship there are stories of Lucy’s recent past as well. Life with her husband & children. The novel leaves you wanting to hear more about Lucy’s relationship with her husband & children.
  • Rating: 3 out of 5 stars
    3/5
    I am struggling to say I recommend this book. It is very short. I easily finished it in a day. It has a faint hint of a plot, the prose is quite good at times hackneyed at others. You won't lose to much if you skip it, but then again it's really short. If the author had fleshed out her ideas a bit more it might make an intriguing novel.
  • Rating: 1 out of 5 stars
    1/5
    I had a hard time with this book. I know the author is respected and popular but I found Lucy Barton especially challenging. The characters seemed shallow and the style was very meandering. I found many of the situations implausible. I can't count how many times Lucy "just loved" something or someone. Very tedious read.
  • Rating: 4 out of 5 stars
    4/5
    A young woman is raised in abject poverty in the rural town of Amgash, Illinois. Along with her brother and sister, she receives very little in the way of love or support from her parents, who are uncommonly withdrawn from such obligations. The family’s dire economic status makes the siblings social outcasts at school and the woman grows up largely without friends. Still, through sheer determination, she escapes her plight by going to college, getting married and having two daughters, and finally settling in New York City where she becomes a successful writer. Years later, she is hospitalized for an extended period and is visited by her mother, from whom she has long been estranged. The visit proves to be cathartic, but also a somewhat unsettling, in allowing the woman to reconcile her past with her present circumstances and the guilt she feels in thinking she abandoned her family so many years ago.

    The woman’s name is Lucy Barton and this is her story. Or, I suppose I should say that it is the beginning of her story because My Name is Lucy Barton proves to be the first of a series of novels involving this thoughtful, intelligent, and compassionate character. Told in a series of short vignettes entirely from Lucy’s perspective, the story moves in a jumbled manner between her memories of growing up in Amgash, life during her college years, her married life and the friends she has made in New York, her development as a writer, and, of course, the several weeks she spent recuperating from a complicated appendix surgery and reconnecting with her mother. This creates an almost stream-of-consciousness style of narration that, while offering great insight into Lucy’s mindset, can be difficult to follow at times. Nevertheless, the author’s prose is always poetic and keenly observed, which makes this compelling character study an easy book to recommend.
  • Rating: 4 out of 5 stars
    4/5
    Lucy Barton is recovering slowly from what should have been a simple operation. Her mother, to whom she hasn't spoken for many years, comes to see her. Her unexpected visit forces Lucy to confront the tension and longing that have informed every aspect of her life: her impoverished childhood in Amgash, Illinois, her escape to New York and her desire to become a writer, her faltering marriage, her love for her two daughters.
    Knitting this powerful narrative together is the brilliant storytelling voice of Lucy herself: keenly observant, deeply human, and truly unforgettable. In My Name Is Lucy Barton, one of America's finest writers shows how a simple hospital visit illuminates the most tender relationship of all-the one between mother and daughter.
  • Rating: 3 out of 5 stars
    3/5
    Well, Lucy Barton is no Olive. Both her often referenced attachment to her young daughters and her internalized affections for those she describes interactions with distance me from her.
  • Rating: 4 out of 5 stars
    4/5
    I listened to this Book on cd and the reader was good. Lucy is an aspiring writer who tells her story in flashbacks that take readers into various life events with hints about her future along the way. The story telling felt realistic and was enjoyable and engaging, but not suspenseful or adventurous.
  • Rating: 4 out of 5 stars
    4/5
    Nothing much happens. That is the beauty of this story. Lucy Barton is a wonderful writer. She tells her story in memories as they come to her. The reader learns the things that are most memorable in Lucy's life. Is she telling us how things really happened? Who knows. Memory fades and your wishes and feelings over that moment often cloud your remembrances of life. Most of the story is told from the perspective of how Lucy felt or what she believed about a particular moment. The story unfolds like poetry and not through action packed verbiage. This is not a book for someone looking for an action packed adventure.
  • Rating: 3 out of 5 stars
    3/5
    "All life amazes me" says Lucy the narrator of the book and she reflects on various aspects of her life. Aside from this, nothing much happens in the book. It's very introspective and told in such a monotonous way with no emotion. "This must be the way most of us maneuver through the world half knowing, half not, visited by memories that can't possibly be true."((14) I think life amazes her more in a confusing way -- clearly she is working out some things in her reflections, namely an impoverished childhood lived in a garage with neglectful (at best) parents and a brother and sister -- reminded me of the Glass Castle, though this is fiction. "I kept thinking how the five of us had had a really unhealthy family, but I saw then too how our roots were twisted so tenaciously around one another's hearts." (168) Lucy becomes a writer to face some of this, ruthlessly as she is advised, but there is not much revealed about her writing or other facets of her life, other than the length of time she spends in the hospital with a mysterious illness and how her mother comes to visit which is what gets this reflection in motion. I wondered at points whether any of it was really happening or if it was all in her head.
  • Rating: 3 out of 5 stars
    3/5
    Underwhelmed

    Unfortunately, this is my second book by this author and I did not like the Burgess Boys, either. I really tried and wanted to like this story. The author's writing does not appeal to me as her thoughts seem to wander from topic to topic. Although there is a story buried within all the jumbled words, I felt apathetic and no compassion for the characters.
  • Rating: 3 out of 5 stars
    3/5
    Well. If you’re after a book where nothing happens, this is it.
    Two and a half stars.

Book preview

My Name Is Lucy Barton - Elizabeth Strout

T here was a time, and it was many years ago now, when I had to stay in a hospital for almost nine weeks. This was in New York City, and at night a view of the Chrysler Building, with its geometric brilliance of lights, was directly visible from my bed. During the day, the building’s beauty receded, and gradually it became simply one more large structure against a blue sky, and all the city’s buildings seemed remote, silent, far away. It was May, and then June, and I remember how I would stand and look out the window at the sidewalk below and watch the young women—my age—in their spring clothes, out on their lunch breaks; I could see their heads moving in conversation, their blouses rippling in the breeze. I thought how when I got out of the hospital I would never again walk down the sidewalk without giving thanks for being one of those people, and for many years I did that—I would remember the view from the hospital window and be glad for the sidewalk I was walking on.

To begin with, it was a simple story: I had gone into the hospital to have my appendix out. After two days they gave me food, but I couldn’t keep it down. And then a fever arrived. No one could isolate any bacteria or figure out what had gone wrong. No one ever did. I took fluids through one IV, and antibiotics came through another. They were attached to a metal pole on wobbly wheels that I pushed around with me, but I got tired easily. Toward the beginning of July, whatever problem had taken hold of me went away. But until then I was in a very strange state—a literally feverish waiting—and I really agonized. I had a husband and two small daughters at home; I missed my girls terribly, and I worried about them so much I was afraid it was making me sicker. When my doctor, to whom I felt a deep attachment—he was a jowly-faced Jewish man who wore such a gentle sadness on his shoulders, whose grandparents and three aunts, I heard him tell a nurse, had been killed in the camps, and who had a wife and four grown children here in New York City—this lovely man, I think, felt sorry for me, and saw to it that my girls—they were five and six—could visit me if they had no illnesses. They were brought into my room by a family friend, and I saw how their little faces were dirty, and so was their hair, and I pushed my IV apparatus into the shower with them, but they cried out, Mommy, you’re so skinny! They were really frightened. They sat with me on the bed while I dried their hair with a towel, and then they drew pictures, but with apprehension, meaning that they did not interrupt themselves every minute by saying, Mommy, Mommy, do you like this? Mommy, look at the dress of my fairy princess! They said very little, the younger one especially seemed unable to speak, and when I put my arms around her, I saw her lower lip thrust out and her chin tremble; she was a tiny thing, trying so hard to be brave. When they left I did not look out the window to watch them walk away with my friend who had brought them, and who had no children of her own.

My husband, naturally, was busy running the household and also busy with his job, and he didn’t often have a chance to visit me. He had told me when we met that he hated hospitals—his father had died in one when he was fourteen—and I saw now that he meant this. In the first room I had been assigned was an old woman dying next to me; she kept calling out for help—it was striking to me how uncaring the nurses were, as she cried that she was dying. My husband could not stand it—he could not stand visiting me there, is what I mean—and he had me moved to a single room. Our health insurance didn’t cover this luxury, and every day was a drain on our savings. I was grateful not to hear that poor woman crying out, but had anyone known the extent of my loneliness I would have been embarrassed. Whenever a nurse came to take my temperature, I tried to get her to stay for a few minutes, but the nurses were busy, they could not just hang around talking.

About three weeks after I was admitted, I turned my eyes from the window late one afternoon and found my mother sitting in a chair at the foot of my bed. Mom? I said.

Hi, Lucy, she said. Her voice sounded shy but urgent. She leaned forward and squeezed my foot through the sheet. Hi, Wizzle, she said. I had not seen my mother for years, and I kept staring at her; I could not figure out why she looked so different.

Mom, how did you get here? I asked.

Oh, I got on an airplane. She wiggled her fingers, and I knew that there was too much emotion for us. So I waved back, and lay flat. I think you’ll be all right, she added, in the same shy-sounding but urgent voice. I haven’t had any dreams.

Her being there, using my pet name, which I had not heard in ages, made me feel warm and liquid-filled, as though all my tension had been a solid thing and now was not. Usually I woke at midnight and dozed fitfully, or stared wide-awake through the window at the lights of the city. But that night I slept without waking, and in the morning my mother was sitting where she had been the day before. Doesn’t matter, she said when I asked. You know I don’t sleep lots.

The nurses offered to bring her a cot, but she shook her head. Every time a nurse offered to bring her a cot, she shook her head. After a while, the nurses stopped asking. My mother stayed with me five nights, and she never slept but in her chair.

During our first full day together my mother and I talked intermittently; I think neither of us quite knew what to do. She asked me a few questions about my girls, and I answered with my face becoming hot. They’re amazing, I said. Oh, they’re just amazing. About my husband, my mother asked nothing, even though—he told me this on the telephone—he was the one who had called her and asked her to come be with me, who had paid her airfare, who had offered to pick her up at the airport—my mother, who had never been in an airplane before. In spite of her saying she would take a taxi, in spite of her refusal to see him face-to-face, my husband had still given her guidance and money to get to me. Now, sitting in a chair at the foot of my bed, my mother also said nothing about my father, and so I said nothing about him either. I kept wishing she would say Your father hopes you get better, but she did not.

Was it scary getting a taxi, Mom?

She hesitated, and I felt that I saw the terror that must have visited her when she stepped off the plane. But she said, I have a tongue in my head, and I used it.

After a moment I said, I’m really glad you’re here.

She smiled quickly and looked toward the window.

This was the middle of the 1980s, before cellphones, and when the beige telephone next to my bed rang and it was my husband—my mother could tell, I’m sure, by the pitiful way I said Hi, as though ready to weep—my mother would quietly rise from her chair and leave the room. I suppose during those times she found food in the cafeteria, or called my father from a pay phone down the hall, since I never saw her eat, and since I assumed my father wondered over her safety—there was no problem, as far as I understood it, between them—and after I had spoken to each child, kissing the phone mouthpiece a dozen times, then lying back onto the pillow and closing my eyes, my mother would slip back into the room, for when I opened my eyes she would be there.

That first day we spoke of my brother, the eldest of us three siblings, who, unmarried, lived at home with my parents, though he was thirty-six, and of my older sister, who was thirty-four and who lived ten miles from my parents, with five children and a husband. I asked if my brother had a job. He has no job, my mother said. He spends the night with any animal that will be killed the next day. I asked her what she had said, and she repeated what she had said. She added, He goes into the Pedersons’ barn, and he sleeps next to the pigs that will be taken to slaughter. I was surprised to hear this, and I said so, and my mother shrugged.

Then my mother and I talked about the nurses; my mother named them right away: Cookie, for the skinny one who was crispy in her affect; Toothache, for the woebegone older one; Serious Child, for the Indian woman we both liked.

But I was tired, and so my mother started telling me stories of people she had known years before. She talked in a way I didn’t remember, as though a pressure of feeling and words and observations had been stuffed down inside her for years, and her voice was breathy and unselfconscious. Sometimes I dozed off, and when I woke I would beg her to talk again. But she said, Oh, Wizzle-dee, you need your rest.

I am resting! Please, Mom. Tell me something. Tell me anything. Tell me about Kathie Nicely. I always loved her name.

Oh yes. Kathie Nicely. Goodness, she came to a bad end.

W e were oddities, our family, even in that tiny rural town of Amgash, Illinois, where there were other homes that were run-down and lacking fresh paint or shutters or gardens, no beauty for the eye to rest upon. These houses were grouped together in what was the town, but our house was not near them. While it is said that children accept their circumstances as normal, both Vicky and I understood that we were different. We were told on the playground by other children, Your family stinks, and they’d run off pinching their noses with their fingers; my sister was told by her second-grade teacher—in front of the class—that being poor was no excuse for having dirt behind the ears, no

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