When the Pavilion Had a Moustache
By Ian Hodge
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About this ebook
Various interesting adults revolve around the group of boys and educate them from time to time, sometimes deliberately and sometimes by accident. Sometimes the education is of the mainstream type, and at other times it is particularly home grown. But in every case it is properly cultural and pragmatic.
Some of the characters of note are Pop, an uncle of the narrator and an adult who totally understood the minds of small boys, never having entirely grown up himself; Ridsdale, the organizer; Larry, the wise; James, the unfortunate; Guava, the grouch; and Calvin the little know-it-all whose mother had sent him to a private school.
And we are not likely ever to forget Alice-Maud.
There is no grief or tragedy or vile corruption within these pages. The reader should relax and bear in mind that the boys will not die from the mistakes and misunderstandings that they collide with. They are going to grow up and be wiser, and some will possibly become quite important men. But for the moment they are just boys.
Ian Hodge
Ian Hodge is a musician with a first degree in music education and a master’s degree in music and liturgy. Before going entirely into music, he was a public servant for thirty-one years in the Caribbean country of St. Kitts and Nevis, where he served in several areas including home affairs, education, police, health, and defense. As an only child for the first ten years of his life, he took to reading the many interesting books that lined the ledges of the rooms in his parents’ semi-isolated home at Limekiln and was influenced, first, by the English writers of schoolboy fiction. He read many of the Biggles, Jennings, and William series of books, having graduated from Enid Blyton’s Famous Five series. His introduction to Caribbean writing was at the hands of Ms. Aimee Dinzey, a local beauty salon proprietor who was also a talented artist and who sometimes wrote amusing short stories in Kittitian dialect. Later, he came to know of Trinidadian author Sam Selvon and Barbadian George Lamming among others. But the greatest influence on him and the inspiration to write his own stories came from two of the books of V. S. Naipaul: Miguel Street and A House for Mr. Biswas. He began to write stories in the late 1960s and has only now resolved to publish some of them. The stories included in this book are all concerned with the same group of fictional characters who lived in the same neighborhood of the little capital town of Basseterre in St. Kitts during the period immediately following the Second World War.
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When the Pavilion Had a Moustache - Ian Hodge
AuthorHouse™
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Phone: 1 (800) 839-8640
© 2015 Ian Hodge. All rights reserved.
No part of this book may be reproduced, stored in a retrieval system, or transmitted by any means without the written permission of the author.
Published by AuthorHouse 04/16/2015
ISBN: 978-1-5049-0646-3 (sc)
ISBN: 978-1-5049-0647-0 (e)
Library of Congress Control Number: 2015905607
Any people depicted in stock imagery provided by Thinkstock are models, and such images are being used for illustrative purposes only.
Certain stock imagery © Thinkstock.
Because of the dynamic nature of the Internet, any web addresses or links contained in this book may have changed since publication and may no longer be valid. The views expressed in this work are solely those of the author and do not necessarily reflect the views of the publisher, and the publisher hereby disclaims any responsibility for them.
CONTENTS
Chapter 1 After Charlie McMahon’s
Chapter 2 Frank and Bing
Chapter 3 The Death of the King
Chapter 4 Ridsdale’s Regiment
Chapter 5 The Saint
Chapter 6 Mrs Henry and Alice-Maud
Chapter 7 Enter Calvin
Chapter 8 Calvin’s Moral Re-Armament Campaign
To the memory of my late parents,
Constantine (Conse) and Edith Hodge
With grateful thanks for the encouragement and assistance in this project from my loving aunt, Doris Jemmott and of my wife, Valerie, and my daughters, Kirsten, Clare, and Karel-Maria.
CHAPTER%201.jpgCHAPTER 1
After Charlie McMahon’s
The men were on their way back along Lozac Road. It was a Friday evening, and there had been a fight on the radio. Joe Louis had fought Billy Conn that evening. Joe Louis was everybody’s favourite boxer. I don’t think they even bothered to learn the other boxer’s name properly. They had carried James and me with them even though we were too small to understand fights.
We had a radio at our house, but my mother was not interested in boxing, and she was certainly not going to have a crowd of men in her front room, bawling out and leaping about. But she gave them her blessing to take me with them for the outing, and Henry had brought James with him.
Radios then were different and not universally available. They had things in them called tubes which had to be warmed up before they made a sound. You turned on the radio and waited. Eventually a hoarse humming sound would indicate that the radio was beginning to think about speaking or singing, and everybody would lean forward expectantly. About half a minute later, faintly at first and then more clearly by the second, the radio would begin to play. The radio stations were mainly on the short-wave band, and the programmes were usually accompanied by an outlandish whistling sound like ‘weeeooooeeee!’
I don’t know if we played our radio often. I remember one particular day when all the adults in the house got up and danced while a man sang: ‘Pig knuckle and rice tonight’. I had danced too, after the approved manner of a four-year-old dancing.
Anyway, I had gone with the men and James for the outing to Charlie McMahon’s shop at Bakers Corner. I liked going to Bakers Corner, especially at evenings. I always hoped that I would catch a glimpse of a little baker man in a large, white apron and a tall, white baker’s hat when I went there. Charlie McMahon’s shop had an atmosphere about it that was always like Christmas. First there were the smells. Pickled pig snout, pickled mackerel, smoked herrings, salt fish, and brown sugar vied with each other for ascendancy.
Then there were the sights. The roof was festooned with hanging bicycle frames and wheels, legs of ham wrapped in tarred covering, sausages, umbrellas, and other exotic things. There was the counter with the weight and scale, large bottles of multicoloured sweets, toffees, jawbone breakers and mints, balls of twine, and rolls of smooth brown paper for wrapping whatever you bought.
And then there were the sounds. Charlie McMahon’s radio played loudly in the evenings, and it played Spanish radio stations. ‘Hey! Amigos, amigos, amigos.’ And every now and again, there’d be something about ‘San Juan, Puerto Rico’. (Every little boy could say that with the proper accent.) The music was merengue music with trembling saxophones, clean-lipped trumpets, immaculately plucked guitars, and beautiful tenor voices of men singing in two- or three-part harmonies.
I did not know Charlie McMahon then. I was always too shy to ask which of the heaving bodies behind the counter of the crowded shop was his. When I was introduced to him much later, in my teens, I thought that he looked the way that a Charlie McMahon should look. But I could not recall having seen him in the shop when I was four years old.
The fight had not been competitive. Billy Conn had run, but as Joe Louis had said before, he could not hide. Joe Louis had won in the eighth round, and there was nothing for us to do but to head for the flamboyant tree in the park across the road from our house so that the men could discuss what had occurred.
I would not have gone into the park on my own then. The pavilion frightened me at night-time. It was a regularly shaped building where the people sat upstairs to watch cricket and entered the downstairs for meetings in the afternoons or for dances at night. It was a pleasant-looking building in the day, but when it became dark and the two or three lonely bulbs were switched on, they threw disturbing shadows. Where the little protruding balcony at the centre was lit, the shadow below was like a black square reminiscent of Hitler’s moustache. I didn’t know anything about Hitler at the time, but I hated and feared men who wore their moustaches like that.
‘Lord!’ said Henry as we trudged along Lozac Road. ‘He bang ’im like he was he chile. Ah sure wheh he be now he sorry he ever mention the word fight
to Joe Louis.’
‘I so sorry for Billycong that I backin’ him now,’ said Ambrose, pretending to be very upset. ‘Joe Louis is a bad man to bang-off de poor li’l boy like that. I against Joe Louis from now on.’
‘James! What you t’ink ’bout the fight?’ asked Pop. Pop was my mother’s younger brother. He loved small children and would always try to include us in the conversations.
‘Wha’ fight?’ asked James.
‘The fight, nuh! What we went to listen to?’
‘When?’ asked James.
Pop gave up on that topic. ‘What about you dog, Rex? What he doin’ now?’
‘He is a bad dog. Yesterday he jump up and tek ’way me hotdog what Miss Beryl gi’ me.’
‘Ooh-ooh! That’s bad, man! You cry?’
‘Yeeeeees,’ James admitted reluctantly, drawing the word out.
‘But a big boy like you shouldn’ cry ’bout a li’l hotdog.’
‘I never cry for long,’ said James. ‘An’ look I nearly get it back.’
‘How? You chase him?’
‘No, man. Later he come in the yard and went sleep under the breadfruit tree. So I get a flat piece a’ board an’ put it ’pon he belly and jump on it to see if I could-a squeeze it back outa him. But I never jump hard enough, so he only get up an’ mek one set a’ noise an’ run outa de yard.’
He paused reflectively for a second or two. ‘An’ me mudder bang me,’ he concluded.
Most of James’s stories seemed to end the same way: ‘An’ me mudder bang¹ me.’ He was very prone to getting ‘bang’.
‘She bang you again? It ain’ just Tuesday I hear you getting licks for something or other?’
‘Yes. She bang me for de li’l dill dem.’²
‘What you do to the dills?’
‘Well, they was runnin’ all about an’ wouldn’ keep still. So I bang dem until they keep still, an’ I put dem to lay down in a straight line. But when I call her to show her how nice dey was behavin’, she start to screech out and say, "Ogord! Boy! You kill all-ah me damn duck.’’’
He paused again before adding: ‘An’ she bang me.’
‘Well, boy!’ said Pop, with the air of one who prophesies. ‘If you live to age twenty, you goin’ be a strong man.’
Then Pop returned to the subject of Rex and the hotdog. He wanted to find out whether or not James would have eaten it, if the hotdog had re-emerged from Rex’s stomach. But before James could answer the other men shouted, ‘Hey, Pop, stop you nastiness! Let de li’l boy ’lone, man. You too advantage!’
By this time we had reached the flamboyant tree, and had settled comfortably on the grass around the trunk. Harold remarked that Desmond had missed the fight.
‘He must be busy,’ he said. ‘Them mechanic fellers always got something to do.’
‘Who you callin’ mechanic?’ Ambrose interjected. ‘Desmond ain’t no mechanic.’
‘How you could say that?’ was the general response. ‘’Course he is a mechanic! What you t’ink he is? A stevedore?’
‘He is not no mechanic,’ reiterated Ambrose.
‘Well,’ said Henry, ‘I always know him to be a mechanic. He was one in Curacao, and since he come back, that is the work he does do here.’
‘He was not no mechanic in Curaçao,’ Ambrose asserted doggedly.
‘Well, since you know so much, tell us what he used to do down there then.’ Henry was getting warm now, for Desmond was his good friend.
‘He uses³ to work in a mechanic shop,’ Ambrose