Story Detergent
By Adam Martin
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About this ebook
A personal "how to" book on writing. A quick read comprised of the author's personal notes on story structure. Inspired by reading several independent novels and plays that suffer from the same pool of structural errors that are easy to fix. Also contains diagrams designed to help authors structure scenes or stories for any writing medium: short stories, novels, stage plays, screenplays, graphic novels, etc.
Adam Martin
Adam Martin graduated from Los Gatos High School in 1984, and wrote for the Orange Coast College Theatre Department, and The Hunger Artists Theatre Company in Santa Ana, Ca. He graduated from CSULB with a BS in film & video production. When he's not installing wireless networks, he has a keen interest in philosophy, playing lead guitar, and graphic design. Contact Adam Martin at: nthdimension@cox.net
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Story Detergent - Adam Martin
STORY DETERGENT
by
Adam Martin
Copyright © 2021 ADAM MARTIN
All rights reserved.
ISBN: 9798590640133
Cover and STP logo design by Adam Martin. The STP logo is a likeness, not a duplicate of the original trademark emblem.
DEDICATION
For my father, my mother, my brother, and my immediate family who are always a source of inspiration, and for those who learn to play the violin better instead of playing it louder.
AUTHOR’S NOTE
I do most of my writing in my head. Come to think of it, I do most of my thinking in my head.
Adam Martin (1966-present)
I put a dollar in the change machine. Nothing changed.
George Carlin (1937-2008)
If you can’t find the time to do it right, when will you find the time to do it over?
John Wooden (1910-2010)
The best way to predict the future is to create it.
Abraham Lincoln (1861-1865)
We are wise enough to appreciate our contradictions. But not wise enough to resolve them.
Blaise Pascal (1623-1662)
I drank what?!
Socrates (c. 470-399 BC)
CONTENTS
INTRODUCTION
PART I: STRUCTURE
1. A Long Time Ago…
2. Salami, Salami, Baloney, Open Sesame...
3. One Star Reviews
4. Setup Tension Payoff
5. Knock Knock Joke Story Arc
6. Omit I just do this for fun
7. Breaking the Rules
8. Can You Build a House Accidentally?
9. People Don’t Read for Fun
10. The Medium is the Container
11. Movie Examples
12. Your First Novel Followed this Plot
13. The Library vs. Expensive Courses
14. Reversals
15. Narrative Control
16. Your Campfire Indian
17. Battles Exist for Subplots
18. Boring Global Adverb Passages
19. Anthropomorphic Descriptive Passage
20. Jaws
Plots
21. Jaws
the Shark as a Character
22. The Final Push: The Secret Act 4
23. Don’t Wait for the Engine to Heat Up
24. Law of Halves
25. We’re All Method Actors
26. You Already Understand Philosophy
27. Lies Inc.
28. Begging vs. Raising the Question
29. You’re the Same Bad Writer
30. The Good, the Bad, & the Ugly, Stories
31. Wittgenstein’s Language Limits
32. Chekhov’s Dialogue Movies
33. Indirection
34. The Second Act Prologue Transplant
35. 5 Great Scenes (2 Glasses of Wine)
36. Imitate the Investment, not the Result
37. Because You Knew the Ending
38. When You Get Bored Scenes
39. Luck Scenes
40. Are You Living in The Matrix?
41. Passion Over Precision
PART II: WRITING FAILS
1. The Special Effects Story
2. Main Character/Beautiful Girl Hoarding
3. Plot Serving Snatchers
4. The Gimmick or Gag Driven Plot
5. Padding (Get on with it!)
6. Irrelevant Tidepool Plot and Dialogue
7. Characters Doing Monty Python Things
8. The Author’s Magic Character Transporter
9. If I were President Story
10, The Space-marine F-bomb Saga
11. It’s the Reader’s Fault
12. Too Many Artificial Predicates
13. Showing Objects vs. Telling Concepts
14. The Proof of Existence Jugger-tome
PART III: DIAGRAMS AND TEMPLATES
The Diagrams
1. STP Diagram
2. Game Theory Quadrants
3. 9 Act Story Structure
4. STP Template
5. Game Theory Template
6. 9 Act Story Template
INTRODUCTION
After finishing Xenoman, I would have spent more time fleshing out the plot first, then written the novel second. I did it mixed-bag style. Though I enjoyed figuring out the plot as I went, readers found the story to be a little too complex and experimental for its own good.
In my twenties, I