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    The Painted Veil
    The Painted Veil
    The Painted Veil
    Ebook328 pages5 hours

    The Painted Veil

    By W. Somerset Maugham

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    A novel of love and betrayal set during a cholera epidemic from the acclaimed British author of Of Human Bondage, “a great artist, a genius” (Theodore Dreiser).
     
    “[Theodore Dreiser] is the modern writer who has influenced me the most.” —George Orwell
     
    Arriving in Hong Kong in the 1920s, newlywed Kitty Fane soon learns that being the wife of a British government bacteriologist gives her no particular social status. It only adds to her dissatisfaction with her life and her husband, Walter. Her marriage has been nothing but a mistake. But she soon embarks on an affair that transforms her very being. There is passion. There is hope. There is a future full of possibility.
     
    When Walter must go deep into mainland China to help treat the victims of a cholera epidemic, Kitty refuses to accompany him. To force her hand, Walter threatens to expose her affair. But Kitty, sure in her lover’s whispered promises, pushes for a divorce. Her impulsive decision will throw a stark light on the truth and her own desperate illusions, thrusting Kitty into unfamiliar territory—both in the world around her and the soul within . . .
     
    The inspiration for the film starring Naomi Watts and Edward Norton, “The Painted Veil with its sadness, its moral tension, its irony and compassion, its building evocations of lust and terror and remorse is a work of art” (The Spectator).
     
    “Reveals many of Maugham’s strengths: an understanding of women, meticulous craftsmanship and raw emotion.” —Daily Mail
     
    “This short masterpiece tells of love, treachery, and a search for real substance in life.” —DigBooks
    LanguageEnglish
    PublisherOpen Road Media
    Release dateJan 5, 2021
    ISBN9781504065405
    Author

    W. Somerset Maugham

    W. Somerset Maugham (1874-1965) was an English novelist, playwright, and short story writer. Born in Paris, he was orphaned as a boy and sent to live with an emotionally distant uncle. He struggled to fit in as a student at The King’s School in Canterbury and demanded his uncle send him to Heidelberg University, where he studied philosophy and literature. In Germany, he had his first affair with an older man and embarked on a career as a professional writer. After completing his degree, Maugham moved to London to begin medical school. There, he published Liza of Lambeth (1897), his debut novel. Emboldened by its popular and critical success, he dropped his pursuit of medicine to devote himself entirely to literature. Over his 65-year career, he experimented in form and genre with such works as Lady Frederick (1907), a play, The Magician (1908), an occult novel, and Of Human Bondage (1915). The latter, an autobiographical novel, earned Maugham a reputation as one of the twentieth century’s leading authors, and continues to be recognized as his masterpiece. Although married to Syrie Wellcome, Maugham considered himself both bisexual and homosexual at different points in his life. During and after the First World War, he worked for the British Secret Intelligence Service as a spy in Switzerland and Russia, writing of his experiences in Ashenden: Or the British Agent (1927), a novel that would inspire Ian Fleming’s James Bond series. At one point the highest-paid author in the world, Maugham led a remarkably eventful life without sacrificing his literary talent.

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    Reviews for The Painted Veil

    4/5

    1,012 ratings25 reviews

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    • 3/5
      I read the book because of the movie. The Movie is so much better.
    • 5/5
      I adore this book. A more realistic love story that twists and turns, leaving the reader unfulfilled, but also understanding.

      This doesn’t get enough love.
    • 4/5
      We had dinner at the Asia Restaurant and held one of our most dynamic discussions, yet. Did Kitty grow or change? Did Walter commit suicide? Could Kitty change? Was she as self-centered and shallow as some of us thought? We read aloud a number of passages to clarify points and thoroughly loved the language and writing style.
    • 5/5
      Loved the book but the ending was kinda sucky.
    • 3/5
      Rather melodramatic colonial-adultery-and-redemption novel. As competently and professionally done as you would expect from Somerset Maugham, but a bit over the top.
    • 5/5
      I seriously seriously loved this book. Out of nowhere too. I wouldn't have thought it would be the kind of thing I would like. And perhaps that right there is exactly why I LOVED it instead of just liking it a lot.Clearly, that tells you nothing really about whether or not you, reader, would like it as well. But too bad. I always just write for myself, it seems.
    • 4/5
      I saw the film, "The Painted Veil" with Naomi Watts and Edward Norton. Exquisite! ***** A slide show of the most beautiful scenery, combined by a love story, enhanced by music that makes one enjoy every moment of this film. This is a must see. As soon as we came out of the theater, we went to a bookstore next door to perches the book so I could get deeper into the story. A perfect adaptation
    • 4/5
      Good for book groups-discussion of nature of obsession.
    • 5/5
      'm having a very British colonial year, I'm not entirely sure why. Who knows.Regardless, I saw this film a few months ago when I was going through a Maugham obsession and was perfectly intrigued by Ed Norton's performance. I sought out the book, and now, having read it, love it all the more. Kitty was very pitiable, and Walter was just such a disturbingly wonderful man throughout the work. Ah! Still can't explain this weird phase though.
    • 5/5
      I LOVE THIS BOOK !! I put it in caps just to let you know how much I enjoyed reading and seeing the film with Liev Schriber and Naomi Watts. Very few changes, the movie follows the book.

      A pity that a few librarians told me that ' nobody reads Maugham anymore' - why on earth not ?? Too busy reading ' 50 shades of gray ' I suspect. Ok, I take that back, that was a bit elitist of me. My bad.
    • 2/5
      I had been reading [The red thread] by [[Nicolas Jose]] for many weeks, and finished reading [The painted veil] by [[Somerset Maugham]] in one sitting on the same day. These books are in almost every way opposites. [The painted veil] is set in colonial China, depicting superficial, adulterous relationships among expats. The story of [The painted veil] is very superficial and can be read in a breeze.
    • 3/5
      I read this book because I loved The Razor's Edge. This was a huge let down and did not even come close to The Razor's Edge. I love Maughan and his ability to write and describe scenes and emotions so vividly, but what this book lack was a good strong round character and strong turn of events. It was a huge disappointment
    • 4/5
      This is a short book picked for my reading group. To my surprise I enjoyed it quite a lot. I would never have picked it up on my own. But this story of a relationship gone badly wrong set in 1930s China was well written with characters that worked. We did a compare and contrast with the 2006 film as part of the group and that was fascinating too as they are very different beats.
    • 3/5
      A narrowly focused, scathing look at the shallowness of middle-class English society. The book is weakened by the melodrama of its final pages.
    • 5/5
      Introduced to me by someone very dear, I've given this one five stars because it doesn't follow convention (Unlike the film version). I found it intriguing how the story moves and the protagonist/antagonist interact. I'm not entirely sure which one is which. For anyone who enjoyed this, I recommend Somerset Maugham's version of The Ant and The Grasshopper.
    • 5/5
      A wonderful book with characters you really care about in an unforgettable story. Unfortunately i saw the movie first and then read the book but i would have rather it the other way around [though the movie was great]. It is a tragic love story told in an unbelievably beautiful way.
    • 4/5
      Another classic written in an unbelievable direct and simple style. The awakening of a selfish girl who learns to love and to ache with unpredictable consecuences.
    • 4/5
      Kitty lives with her husband in Hong Kong, where he works as a doctor. When he catches her cheating on him, he volunteers to relocate to a small village stricken with cholera and she must go with him.
    • 5/5
      Somerset Maugham is a master at exposing the best and the worst of humankind. In The Painted Veil he eloquently tells the story of a hasty marriage and its downward spiral as the husband and wife get to know the real people that they married. The ones that attraction and wishful thinking hide so well.
    • 5/5
      A wonderfully compelling book. Well work a read in my opinion.
    • 1/5
      very dry and slow. The main character was so mean and shallow that I couldn't invest much in her. Even her big change at the end left me unconvinced.
    • 4/5
      I really enjoyed the book and then watched the DVD yesterday and agree with Heaven-Ali's comments about that version. It seems to be relatively faithful, both in plot and spirit. In my view, Maugham, more than Henry James, captures the nuances of human behaviour which really give us a lesson each time we read one of his works.
    • 4/5
      Good story of an unfaithful wife who learns to love her doctor husband in a plague-stricken land.
    • 5/5
      “Everything passed, and what trace of its passage remained? It seemed to Kitty that they were all, the human race, like the drops of water in that river and they flowed on, each so close to the other and yet so far apart, a nameless flood, to the sea. When all things lasted so short a time and nothing mattered very much, it seemed pitiful that men, attaching an absurd importance to trivial objects, should make themselves and one another so unhappy.” – W. Somerset Maugham, The Painted Veil

      Published in 1925 and set in Hong Kong and Mei-tan-fu, China, this book is a marvelous example of a “woman goes on a journey of transformation.” At first, protagonist Kitty Garstin comes across as a vain, shallow socialite. Due to misconceptions and bad choices, she ends up accompanying her husband, Walter Fane, a bacteriologist, to a remote village in China where a cholera epidemic is raging. She begins to understand what is important in life and grows into a much more compassionate and reflective person. Themes include revenge, regret, freedom, forgiveness, and redemption.

      I enjoyed this book tremendously. It is a character study about love, passion, duty, identity, and coming to terms with one’s desires and failings in life. It spurred me to look up poems by Oliver Goldsmith and Percy Bysshe Shelley that shed light on its meaning. I found it poignant, thought-provoking, profound, heart-breaking, and beautifully written – a wonderfully crafted story.
    • 5/5
      Lovely writing from the master

    Book preview

    The Painted Veil - W. Somerset Maugham

    The Painted Veil

    W. Somerset Maugham

    Contents

    Preface

    i

    ii

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    … the painted veil which those who live call Life. 

    Preface

    This story was suggested by the lines of Dante that run as follows:

    Deh, quando tu sarai tornato al mondo, 

    E riposato della lunga via, 

    Seguito il terzo spirito al secondo, 

    Ricorditi di me, che son la Pia: 

    Siena mi fè; disfecemi Maremma: 

    Salsi colui, che, innanellata pria 

    Disposando m’avea con la sua gemma.

    Pray, when you are returned to the world, and rested from the long journey, followed the third spirit on the second, remember me, who am Pia. Siena made me, Maremma unmade me: this he knows who after betrothal espoused me with his ring.

    I was a student at St. Thomas’s Hospital and the Easter vacation gave me six weeks to myself. With my clothes in a gladstone bag and twenty pounds in my pocket I set out. I was twenty. I went to Genoa and Pisa and then to Florence. Here I took a room in the via Laura, from the window of which I could see the lovely dome of the Cathedral, in the apartment of a widow lady, with a daughter, who offered me board and lodging (after a good deal of haggling) for four lire a day. I am afraid that she did not make a very good thing out of it, since my appetite was enormous, and I could devour a mountain of macaroni without inconvenience. She had a vineyard on the Tuscan hills, and my recollection is that the Chianti she got from it was the best I have ever drunk in Italy. Her daughter gave me an Italian lesson every day. She seemed to me then of mature age, but I do not suppose that she was more than twenty-six. She had had trouble. Her betrothed, an officer, had been killed in Abyssinia and she was consecrated to virginity. It was an understood thing that on her mother’s death (a buxom, grey-haired, jovial lady who did not mean to die a day before the dear Lord saw fit) Ersilia would enter religion. But she looked forward to this with cheerfulness. She loved a good laugh. We were very gay at luncheon and dinner, but she took her lessons seriously, and when I was stupid or inattentive rapped me over the knuckles with a black ruler. I should have been indignant at being treated like a child if it had not reminded me of the old-fashioned pedagogues I had read of in books and so made me laugh.

    I lived laborious days. I started each one by translating a few pages of one of Ibsen’s plays so that I might acquire mastery of technique and ease in writing dialogue; then, with Ruskin in my hand, I examined the sights of Florence. I admired according to instructions the tower of Giotto and the bronze doors of Ghiberti. I was properly enthusiastic over the Botticellis in the Uffizi and I turned the scornful shoulder of extreme youth on what the master disapproved of. After luncheon I had my Italian lesson and then going out once more I visited the churches and wandered day-dreaming along the Arno. When dinner was done I went out to look for adventure, but such was my innocence, or at least my shyness, I always came home as virtuous as I had gone out. The Signora, though she had given me a key, sighed with relief when she heard me come in and bolt the door, for she was always afraid I should forget to do this, and I returned to my perusal of the history of the Guelphs and Ghibellines. I was bitterly conscious that not thus behaved the writers of the romantic era, though I doubt whether any of them managed to spend six weeks in Italy on twenty pounds, and I much enjoyed my sober and industrious life.

    I had already read the Inferno (with the help of a translation, but conscientiously looking out in a dictionary the words I did not know), so with Ersilia started on the Purgatorio. When we came to the passage I have quoted above she told me that Pia was a gentlewoman of Siena whose husband, suspecting her of adultery and afraid on account of her family to put her to death, took her down to his castle in the Maremma the noxious vapours of which he was confident would do the trick; but she took so long to die that he grew impatient and had her thrown out of the window. I do not know where Ersilia learnt all this, the note in my own Dante was less circumstantial, but the story for some reason caught my imagination. I turned it over in my mind and for many years from time to time would brood over it for two or three days. I used to repeat to myself the line: Siena mi fè; disfecemi Maremma. But it was one among many subjects that occupied my fancy and for long periods I forgot it. Of course I saw it as a modern story, and I could not think of a setting in the world of to-day in which such events might plausibly happen. It was not till I made a long journey in China that I found this.

    I think this is the only novel I have written in which I started from a story rather than from a character. It is difficult to explain the relation between character and plot. You cannot very well think of a character in the void; the moment you think of him, you think of him in some situation, doing something; so that the character and at least his principle action seem to be the result of a simultaneous act of the imagination. But in this case the characters were chosen to fit the story I gradually evolved; they were constructed from persons I had long known in different circumstances.

    I had with this book some of the difficulties that are apt to befall an author. I had originally called my hero and heroine Lane, a common enough name, but it appeared that there were people of that name in Hong-Kong. They brought an action, which the proprietors of the magazine in which my novel was serialised, settled for two hundred and fifty pounds, and I changed the name to Fane. Then the Assistant Colonial Secretary, thinking himself libelled, threatened to institute proceedings. I was surprised, since in England we can put a Prime Minister on the stage or use him as the character of a novel, an Archbishop of Canterbury or a Lord Chancellor, and the tenants of these exalted offices do not turn a hair. It seemed to me strange that the temporary occupant of so insignificant a post should think himself aimed at, but in order to save trouble I changed Hong-Kong to an imaginary colony of Tching-Yen. The book had already been published when the incident arose and was recalled. A certain number of astute reviewers who had received it did not on one pretext and another return their copies. These have now acquired a bibliographical value; I think there are about sixty of them in existence, and are bought by collectors at a high price.

    i

    She gave a startled cry.

    What’s the matter? he asked.

    Notwithstanding the darkness of the shuttered room he saw her face on a sudden distraught with terror.

    Some one just tried the door.

    Well, perhaps it was the amah, or one of the boys.

    They never come at this time. They know I always sleep after tiffin.

    Who else could it be?

    Walter, she whispered, her lips trembling.

    She pointed to his shoes. He tried to put them on, but his nervousness, for her alarm was affecting him, made him clumsy, and besides, they were on the tight side. With a faint gasp of impatience she gave him a shoe-horn. She slipped into a kimono and in her bare feet went over to her dressing-table. Her hair was shingled and with a comb she had repaired its disorder before he had laced his second shoe. She handed him his coat.

    How shall I get out?

    You’d better wait a bit. I’ll look out and see that it’s all right.

    It can’t possibly be Walter. He doesn’t leave the laboratory till five.

    Who is it then?

    They spoke in whispers now. She was quaking. It occurred to him that in an emergency she would lose her head and on a sudden he felt angry with her. If it wasn’t safe why the devil had she said it was? She caught her breath and put her hand on his arm. He followed the direction of her glance. They stood facing the windows that led out on the verandah. They were shuttered and the shutters were bolted. They saw the white china knob of the handle slowly turn. They had heard no one walk along the verandah. It was terrifying to see that silent motion. A minute passed and there was no sound. Then, with the ghastliness of the supernatural, in the same stealthy, noiseless and horrifying manner, they saw the white china knob of the handle at the other window turn also. It was so frightening that Kitty, her nerves failing her, opened her mouth to scream; but, seeing what she was going to do, he swiftly put his hand over it and her cry was smothered in his fingers.

    Silence. She leaned against him, her knees shaking, and he was afraid she would faint. Frowning, his jaw set, he carried her to the bed and sat her down upon it. She was as white as the sheet and notwithstanding his tan his cheeks were pale too. He stood by her side looking with fascinated gaze at the china knob. They did not speak. Then he saw that she was crying.

    For God’s sake don’t do that, he whispered irritably. If we’re in for it we’re in for it. We shall just have to brazen it out.

    She looked for her handkerchief and knowing what she wanted he gave her her bag.

    Where’s your topee?

    I left it downstairs.

    Oh, my God!

    I say, you must pull yourself together. It’s a hundred to one it wasn’t Walter. Why on earth should he come back at this hour? He never does come home in the middle of the day, does he?

    Never.

    I’ll bet you anything you like it was the amah.

    She gave him the shadow of a smile. His rich, caressing voice reassured her and she took his hand and affectionately pressed it. He gave her a moment to collect herself.

    Look here, we can’t stay here for ever, he said then. Do you feel up to going out on the verandah and having a look?

    I don’t think I can stand.

    Have you got any brandy in here?

    She shook her head. A frown for an instant darkened his brow, he was growing impatient, he did not quite know what to do. Suddenly she clutched his hand more tightly.

    Suppose he’s waiting there?

    He forced his lips to smile and his voice retained the gentle, persuasive tone the effect of which he was so fully conscious of.

    That’s not very likely. Have a little pluck, Kitty. How can it possibly be your husband? If he’d come in and seen a strange topee in the hall and come upstairs and found your room locked, surely he would have made some sort of row. It must have been one of the servants. Only a Chinese would turn a handle in that way.

    She did feel more herself now.

    It’s not very pleasant even if it was only the amah.

    She can be squared and if necessary I’ll put the fear of God into her. There are not many advantages in being a government official, but you may as well get what you can out of it.

    He must be right. She stood up and turning to him stretched out her arms: he took her in his and kissed her on the lips. It was such rapture that it was pain. She adored him. He released her and she went to the window. She slid back the bolt and opening the shutter a little looked out. There was not a soul. She slipped on to the verandah, looked into her husband’s dressing-room and then into her own sitting-room. Both were empty. She went back to the bedroom and beckoned to him.

    Nobody.

    I believe the whole thing was an optical delusion.

    Don’t laugh. I was terrified. Go into my sitting-room and sit down. I’ll put on my stockings and some shoes.

    ii

    He did as she bade and in five minutes she joined him. He was smoking a cigarette.

    I say, could I have a brandy and soda?

    Yes, I’ll ring.

    "I don’t think it would hurt you by the look of things."

    They waited in silence for the boy to answer. She gave the order.

    Ring up the laboratory and ask if Walter is there, she said then. They won’t know your voice.

    He took up the receiver and asked for the number. He inquired whether Dr. Fane was in. He put down the receiver.

    He hasn’t been in since tiffin, he told her. Ask the boy whether he has been here.

    I daren’t. It’ll look so funny if he has and I didn’t see him.

    The boy brought the drinks and Townsend helped himself. When he offered her some she shook her head.

    What’s to be done if it was Walter? she asked.

    Perhaps he wouldn’t care.

    Walter?

    Her tone was incredulous.

    It’s always struck me he was rather shy. Some men can’t bear scenes, you know. He’s got sense enough to know that there’s nothing to be gained by making a scandal. I don’t believe for a minute it was Walter, but even if it was my impression is that he’ll do nothing. I think he’ll ignore it.

    She reflected for a moment.

    He’s awfully in love with me.

    Well, that’s all to the good. You’ll get round him.

    He gave her that charming smile of his which she had always found so irresistible. It was a slow smile which started in his clear blue eyes and travelled by perceptible degrees to his shapely mouth. He had small white even teeth. It was a very sensual smile and it made her heart melt in her body.

    I don’t very much care, she said, with a flash of gaiety. It was worth it.

    It was my fault.

    Why did you come? I was amazed to see you.

    I couldn’t resist it.

    You dear.

    She leaned a little towards him, her dark and shining eyes gazing passionately into his, her mouth a little open with desire, and he put his arms round her. She abandoned herself with a sigh of ecstasy to their shelter.

    You know you can always count on me, he said.

    I’m so happy with you. I wish I could make you as happy as you make me.

    You’re not frightened any more?

    I hate Walter, she answered.

    He did not quite know what to say to this, so he kissed her. Her face was very soft against his.

    But he took her wrist on which was a little gold watch and looked at the time.

    Do you know what I must do now?

    Bolt? she smiled.

    He nodded. For one instant she clung to him more closely, but she felt his desire to go, and she released him.

    It’s shameful the way you neglect your work. Be off with you.

    He could never resist the temptation to flirt.

    You seem in a devil of a hurry to get rid of me, he said lightly.

    You know that I hate to let you go.

    Her answer was low and deep and serious. He gave a flattered laugh.

    Don’t worry your pretty little head about our mysterious visitor. I’m quite sure it was the amah. And if there’s any trouble I guarantee to get you out of it.

    Have you had a lot of experience?

    His smile was amused and complacent.

    No, but I flatter myself that I’ve got a head screwed on my shoulders.

    iii

    She went out on to the verandah and watched him leave the house. He waved his hand to her. It gave her a little thrill as she looked at him; he was forty-one, but he had the lithe figure and the springing step of a boy.

    The verandah was in shadow; and lazily, her heart at ease with satisfied love, she lingered. Their house stood in the Pleasant Vale, on the side of the hill, for they could not afford to live on the more eligible but expensive Mount. But her abstracted gaze scarcely noticed the blue sea and the crowded shipping in the harbour. She could think only of her lover.

    Of course it was stupid to behave as they had done that afternoon, but if he wanted her how could she be prudent? He had come two or three times after tiffin, when in the heat of the day no one thought of stirring out, and not even the boys had seen him come and go. It was very difficult at Tching-Yen. She hated the Chinese city and it made her nervous to go into the filthy little house off the Victoria Road in which they were in the habit of meeting. It was a curio dealer’s; and the Chinese who were sitting about stared at her unpleasantly; she hated the ingratiating smile of the old man who took her to the back of the shop and then up a dark flight of stairs. The room into which he led her was frowsy and the large wooden bed against the wall made her shudder.

    This is dreadfully sordid, isn’t it? she said to Charlie the first time she met him there.

    It was till you came in, he answered.

    Of course the moment he took her in his arms she forgot everything.

    Oh, how hateful it was that she wasn’t free, that they both weren’t free! She didn’t like his wife. Kitty’s wandering thoughts dwelt now for a moment on Dorothy Townsend. How unfortunate to be called Dorothy! It dated you. She was thirty-eight at least. But Charlie never spoke of her. Of course he didn’t care for her; she bored him to death. But he was a gentleman. Kitty smiled with affectionate irony: it was just like him, silly old thing; he might be unfaithful to her, but he would never allow a word in disparagement of her to cross his lips. She was a tallish woman, taller than Kitty, neither stout nor thin, with a good deal of pale brown hair; she could never have been pretty with anything but the prettiness of youth; her features were good enough without being remarkable and her blue eyes were cold. She had a skin that you would never look at twice and no colour in her cheeks. And she dressed like—well, like what she was, the wife of the Assistant Colonial Secretary at Tching-Yen. Kitty smiled and gave her shoulders a faint shrug.

    Of course no one could deny that Dorothy Townsend had a pleasant voice. She was a wonderful mother, Charlie always said that of her, and she was what Kitty’s mother called a gentlewoman. But Kitty did not like her. She did not like her casual manner; and the politeness with which she treated you when you went there, to tea or dinner, was exasperating because you could not but feel how little interest she took in you. The fact was, Kitty supposed, that she cared for nothing but her children: there were two boys at school in England, and another boy of six whom she was going to take home next year. Her face was a mask. She smiled and in her pleasant, well-mannered way said the things that were expected of her; but for all her cordiality held you at a distance. She had a few intimate friends in the Colony and they greatly admired her. Kitty wondered whether Mrs. Townsend thought her a little common. She flushed. After all there was no reason for her to put on airs. It was true that her father had been a Colonial Governor and of course it was very grand while it lasted—every one stood up when you entered a room and men took off their hats to you as you passed in your car—but what could be more insignificant than a Colonial Governor when he had retired? Dorothy Townsend’s father lived on a pension in a small house at Earl’s Court. Kitty’s mother would think it a dreadful bore if she asked her to call. Kitty’s father, Bernard Garstin, was a K.C., and there was no reason why he should not be made a judge one of these days. Anyhow they lived in South Kensington.

    iv

    Kitty, coming to Tching-Yen on her

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