Hope of Heaven
By John O’Hara
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Hope of Heaven - John O’Hara
© Phocion Publishing 2019, all rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted by any means, electrical, mechanical or otherwise without the written permission of the copyright holder.
Publisher’s Note
Although in most cases we have retained the Author’s original spelling and grammar to authentically reproduce the work of the Author and the original intent of such material, some additional notes and clarifications have been added for the modern reader’s benefit.
We have also made every effort to include all maps and illustrations of the original edition the limitations of formatting do not allow of including larger maps, we will upload as many of these maps as possible.
HOPE OF HEAVEN
By
JOHN O’HARA
Hope of Heaven was originally published in 1938 by Harcourt, Brace and Company, New York.
TABLE OF CONTENTS
Contents
TABLE OF CONTENTS 4
1 5
2 10
3 16
4 25
5 31
6 38
7 43
8 51
9 59
10 63
11 68
12 74
13 77
14 81
15 85
16 89
REQUEST FROM THE PUBLISHER 90
1
Maybe I am not the man to tell this story, but if I don’t tell it no one else will, so here goes.
I was sitting in my office in the Studio one warm day last September. My feet were up on the desk, and I was admiring my new $35 shoes, and my $7.50 socks, and thinking how nice it would be to go out and get in my $2200 car and go for a ride. But that was out of the question. I was too far behind in my work, and they were beginning to turn on the heat. So I had to stay there and read the Hollywood Reporter and Variety and try to get my mind off the sound of the dynamo or the generator or whatever it was that made that sound. That sound never let up, and if you let yourself listen to it it had the effect of the dentist’s drill, or the bastinado. That sound is in every studio that I’ve ever worked in, and I never have been able to determine just what it is. Some say it’s a dynamo; some say it’s the ventilating system; others say it’s just water in the pipe-lines. Whatever it is, it’s always near the writers’ offices.
The door between my office and my secretary’s was open, and I heard the phone ring. I looked up. My secretary.
A Mr. Miller wants to speak to you,
she said.
What Mr. Miller?
A Mr. Don Miller—
What Mr. Don Miller? I know five Don Millers.
If you’ll give me a chance I’ll tell you,
she said.
Are you still sore at me?
He says he’s from Gibbsville. He says he’s a friend of your brother’s.
Don Miller,
I said. He didn’t say which brother he’s a friend of?
No. I didn’t ask him. He just said to tell you he was a friend of your brother’s, and he came from your home town. That’s Gibbsville, isn’t it?
Right. Okay, put him on.
I picked up the phone.
Hello.
Mr. Malloy?
That’s right.
My name is Don Miller. I’m a friend of Pat, your brother?
There certainly was a question in his voice.
Yes, I have one.
Well, I wasn’t sure. I mean, I wanted to be sure I had the right Malloy.
Very common name,
I said. How is Pat?
Oh, he was fine the last I saw him. Uh—I don’t exactly come from Gibbsville, Mr. Malloy.
Oh, no?
No. I’m from Swedish Haven—
Well—four miles.
That’s right. Three and a half since they put the new road in. I guess you weren’t home since they put the new road in.
Nope. Two years since I’ve been home. How’re things?
Oh, I guess all right. Uh—are you busy all day, Mr. Malloy?
Well, sort of,
I said. Aw-haw, I thought j a touch.
Well, how about tomorrow then? Are you busy tomorrow? I wanted to talk to you. I’m really a friend of Pat’s, and I don’t want to borrow any money, but I don’t know anybody out here and I wanted some advice on something. I knew you were out here working, but I didn’t know what studio till yesterday. I saw in the paper where you were working on some picture so I decided to call you.
Well, I tell you,
I said, why don’t you come around to the Studio around four o’clock. Do you know where it is?
Oh, sure.
Okay. I’ll leave word at the gate so they’ll let you in, and if you have any trouble just have the cop phone me. Is that all right with you?
Oh, that’ll be fine. Thank you very much. I’ll be there promptly.
See you then,
I said, and hung up. "Miss Wendell!"
She appeared. Yes?
Come here, dear?
Definitely no. Is that all you wanted?
It seems like quite a lot,
I said.
"Well then, I’m going to lunch, eef you don’t mind."
Will you phone the gateman and tell him I’m expecting a Mr. Don Miller at four o’clock, and he’s to let him in.
When I came back from lunch I busied myself for a while with Miss Wendell—Rose. It was no cigar; she was in one of her moods. I had kept her waiting an hour and a half in the Vine Street Derby the night before. She hated the Vine Street Derby because she said it was always full of Warner Brothers gangster types, and she had had to wait alone. So I told her I was sorry, and then the story editor sent for me and when I finally got back to my office it was six-thirty and she had gone home. On my way out I remembered Miller and I asked the gateman if there had been a Mr. Don Miller to see me, and he said no; no one had asked for me since three o’clock, which was when this gateman went on duty. During the next few days I wondered about Miller, but I had other things on my mind. For one thing, the Studio let me go. They had decided to shelve the story I was working on, as they were unable to borrow Jean Arthur. So a month or so passed and I thought very little about Miller.
Then one night I was having dinner at a South Sea Island kind of restaurant, off Hollywood Boulevard. The girl with me was Peggy Henderson. Although she was only twenty-one or -two, Peggy and I were old friends. Sometimes I was in love with her, and sometimes she was in love with me, but never at the same time, as the saying goes. At this point neither of us was in love with the other. As a matter of fact she apparently was in love with a boy her own age, named Herbert, about whom she was very mysterious. For a long time she wouldn’t introduce me to him or tell me anything about him, except that he was not in pictures and he was not a Californian. He was Jewish, she said.
Well, that’s hardly a novelty in your life,
I said. All your best friends are Jews. Except me.
You’re more Jewish than any Jew I know,
she said.
I made her try to explain that, and she was explaining it when someone said: Mr. Malloy?
I looked up. Yes.
I’m Don Miller,
he said.
Oh, are you?
I said. I do not like strangers who introduce themselves when I am having dinner with a girl.
Well, you don’t have to get high-hat about it,
he said.
Oh, I’m not so sure,
I said. What do you want?
I only wanted to apologize for not keeping that engagement, but if you’re gunna get high-hat, skip it.
Oh, sit down,
I said. Miss Henderson, this is Mr. Miller. Will you have a drink?
No, thanks,
he said. He bowed to Peggy. Nodded is a better word, although he kept looking at her. She looked at him the way she always looked at anyone new. She was always friendly, and she always studied new people.
Have a drink, for Christ’s sake. Don’t sulk.
He smiled. All right, thanks. I’ll have a rye and soda.
Mr. Miller is from my home town,
I said. Gibbsville!
said Peggy.
You’re wonderful,
I said. He’s a friend of my brother’s. One of them. By the way, how did you know me? Don’t tell me I look like Pat. Or don’t tell Pat.
No, nothing like that. Although I do see the family resemblance. No, I was sitting at the bar when you came in, and I heard the bartender call you Mr. Malloy, so I asked him if you were James Malloy. He didn’t know, but the proprietor said yes, you were James Malloy.
Mm. Well, what happened the other day?
I said. The other day? You mean a month ago? I called you since then but they said you weren’t there any more.
Well, that still doesn’t answer my question,
I said. Aw, I just couldn’t get there that day.
But why?
Why be so insistent, Jim? If he doesn’t want to tell you,
said Peggy.
I’d rather tell you some other time,
he said.
All right,
I said. I suppose you don’t need that advice any more?
Huh.
He got a vague look in his eyes.
Skip it,
I said. Drink up. Peggy?
I’m not ready for another one,
she said.
Waiter. A Tahitian Punch for Miss Henderson. A rye and soda for the gentleman, and I’ll have a Scotch and soda.
Miller sat with us and got a little tight and insisted on buying some drinks. Presently Peggy excused herself and when she left the table Miller said: Where can I get in touch with you?
I was staying at an apartment hotel.
Can I call you there tomorrow?
he said.
Sure. But not before noon.
Did you tell Pat you heard from me?
No,
I said, I never write home. Hardly ever. Why? Don’t you want me to?
No. I wanta ask you a favor. Don’t tell anybody you saw me.
Peggy came back to the table during the silence that followed his request, but I guess he understood that I would not tell anyone I had seen him, because right away he said: Are you in the movies, Miss Henderson?
Oh, no. I work in a bookstore.
Oh, do you? Where?
On Wilshire Boulevard.
What’s the name of it?
He’s moving right in,
I said.
Peggy laughed. The Avon Bookshop. It’s in Beverly Hills. Why, are you a great reader, Mr. Miller?
Me? I haven’t read a book since Christ knows when,
he said.
From then on he relaxed and we had a good evening.
2
The morning after we saw Don Miller I drove Peggy to the bookstore. Peggy did not have a car. Her kid brother, who went to the University of California at Los Angeles, had an old jalopy; a Durant Six roadster. She seldom drove it, although she paid most of the bills for it. How she managed so well I never will know. Her mother was dead, and she had not seen her father in years. Once in a great while she would hear from him, from Mexico, Texas, Montana, South America, Chicago.