Quiet Money
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About this ebook
The poet’s first full-length collection, Quiet Money's New Edition consists almost exclusively of longer narrative poems, including the title poem about a bootlegger/pilot who flew the Atlantic solo before Charles Lindbergh. This piece is often cited as one of the most important poems of the 1980s and the movement to revive storytelling in verse.
Robert McDowell
Robert McDowell, The Poetry Mentor, believes that everyone is born with a soul-poem, the prayer-song that awakens each hero's journey, tells each person's unique story, and connects one to divinity. He navigates his life through poetry, and he teaches others to do the same. Author/editor/translator of ten books of poetry and prose, McDowell has said of his work, "I don't preach, promote one religion over another, psychoanalyze, prescribe drugs, or promise you wealth in (pick your number) easy steps. I can show you how writing poetry and journaling enriches your family life, relationships, and job performance. I can show you how fun writing can be. If you have a specific project you'd like to do (a book of poetry, stories, memoir, family history, essays), I can draw on my experience as a publisher and editor of 250 books to get it done. I teach workshops that benefit everyone--beginners and longtime authors. I'll read your poems and listen to your stories. I'll give honest feedback and compassionate encouragement. I'll stick with you." McDowell is a sought-after public speaker on a variety of topics from Neurotheology, the hero's journey, and the soul-poem of work to the guide of the spirit horse and living a life of integrity and awareness. He has led workshops at Esalen, Kripalu, Pine Manor Retreat Center, California Poets-in-the-Schools, and many universities and writing conferences here and abroad. He created the community outreach program, The Rural Readers Project, and was co-founder of Story Line Press, which he led as director and editor for twenty-two years.
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Quiet Money - Robert McDowell
1
The Disconnected Party
I lean into my cell, planning a call
To someone I have missed for twenty years.
I look out at the threatening neighborhood
And wonder how I ever grew up here.
I watch three teens on bikes come up the street,
Slow down, and slap my window while passing by.
I turn in time to meet their bully smiles
With a street-tough look I worked on hard in mirrors.
Convincing, I guess, because they do not stop
To pull me from my car. I focus on
The call again and stop. What do I want?
What can Hansen say to justify
The breaking of our friendship years ago?
He wandered off that night with a cordless phone,
And though I called I never brought him back.
You could say Angry was the way I felt.
After all, I was up all night
Dialing his number. I phoned Emergency,
His wife . . . I even got the cops involved.
The next day I was edgy at the job
And told my boss to shove it when he choked
On figures I had put before the Board.
After the meeting, he told me—you can guess.
He clasped his hands together on his desk
(the knuckles white, and each hand looking as if
it didn’t like the other) and said to me
Clean out your desk. Your tenure here is up.
He said a lot of other muscle things,
But I was looking down, tuning out.
I had my hand around a paperweight,
The fifty-dollar kind from some boutique.
Somewhere between incompetent and ass
I pitched a wicked hard one at his belt.
His eyes popped out like eyes do in cartoons;
His red cheeks ripened to purple and he seemed
To swallow every sentence he’d spat out.
I yanked the blotter from his desk and laughed;
I slapped his face with his appointment book,
Then bounced his nameplate off a tapestry
He’d paid top dollar for. I wasn’t through.
He had a gilded letter opener
He loved to fiddle with. I snatched it up
And rearranged the pattern of his couch.
Dragging him by his tie out on the floor,
I sat on him and yelled Let’s Horseback Ride!
I thwacked his bottom with his favorite knife.
That’s when Security discovered us.
One laid me out with something across my back;
Another bounced a sucker punch off my chin.
When I came to, they had me down, in cuffs,
And soon they tossed me into a black-and-white.
I did some time. I worked. I ate. I slept.
When I got out I followed 80 east,
Working a shopping list of stupid jobs.
Now I guess I’m where I meant to be—
Eight digits away from finishing that talk
That got me sidetracked twenty years ago.
The ringing stopped. Electrocution music
Jolted him, and a familiar tune
From old-time radio made him quiver.
I know this, he was thinking, as the music
Faded under echoing, urgent voices.
And then he awoke: I Love a Mystery
Was greeting him instead of his oldest friend.
Jack and Doc fought He-bats on a ledge,
The program’s signature gong was pounding, then
A voice said Leave Your Message at the Beep.
Was that his friend? A stranger with his name?
Instead of stating simply who he was,
He laughed low like The Shadow and hung up.
I’ll greet him where he lives, he told himself.
His former buddy lived in the same place,
A ranch house in a safe suburban tract.
The neighborhood was working. He checked the street
From the side porch and jimmied back the door.
Inside, he bumped his hip against a dryer
And slid his fingers up the wall for light.
He saw a paper spread across the table
In the breakfast nook, and one dish
Stained with egg looked up at him. He sat.
Picking his way through news he thought of change.
He muttered into the emptiness of House
And thought of opening drawers, changing clothes,
Leaving his dirty