Spooky Staff Picks
by The Paris Review
Oct 25, 2019
3 minutes
On a dark and stormy night earlier this week, I made my way to see Bong Joon-Ho’s much-lauded new film . I was on edge the whole way there—frankly, I’ve been on edge since seeing the , and the anticipation, it seems, was getting to me. At the theater, the preshow jostling and chatter was at a minimum. We awaited the start of the film—and the twist we knew must be coming—with bated breath. I was surprised, however, by how quickly I felt myself
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