Pornography Quotes
Quotes tagged as "pornography"
Showing 271-290 of 290
“The most pernicious message relayed by pornography is that women are natural sexual prey to men and love it; that sexuality and violence are congruent; and that for women sex is essentially masochistic, humiliation pleasurable, physical abuse erotic. But along with this message comes another, not always recognized: that enforced submission and the use of cruelty, if played out in heterosexual pairing, is sexually "normal," while sensuality between women, including erotic mutuality and respect, is "queer," "sick," and either pornographic in itself or not very exciting compared with the sexuality of whips and bondage. Pornography does not simply create a climate in which sex
and violence are interchangeable; it widens the range of behavior considered
acceptable from men in heterosexual intercourse-behavior which reiteratively
strips women of their autonomy, dignity, and sexual potential, including the potential of loving and being loved by women in mutuality and integrity.”
― Compulsory Heterosexuality and Lesbian Existence
and violence are interchangeable; it widens the range of behavior considered
acceptable from men in heterosexual intercourse-behavior which reiteratively
strips women of their autonomy, dignity, and sexual potential, including the potential of loving and being loved by women in mutuality and integrity.”
― Compulsory Heterosexuality and Lesbian Existence
“The women in porn plead to be abused. They call themselves whores and sluts. They are beaten and penetrated by groups of men. Their faces are covered with semen from dozens of masturbating men, their anuses are penetrated repeatedly by lines of partners, and they are raped. The women portrayed in the films exist to fulfill the desire of men in the most degrading and painful way possible. Nearly all porn dialogue includes lines from women such as I am a cunt, I am a bitch. I am a whore. I am a slut.”
― Empire of Illusion: The End of Literacy and the Triumph of Spectacle
― Empire of Illusion: The End of Literacy and the Triumph of Spectacle
“As porn has gone mainstream, ushered two decades ago into middle-class living rooms and dens with VCRs and now available on the Internet, it has devolved into an open fusion of physical abuse and sex, of extreme violence, horrible acts of degradation against women with an increasingly twisted eroticism. Porn has always primarily involved the eroticization of unlimited male power, but today it also involves the expression of male power through the physical abuse, even torture, of women. Porn reflects the endemic cruelty of our society. This is a society that does not blink when the industrial slaughter unleashed by the United States and its allies kills hundreds of civilians in Gaza or hundreds of thousands of innocents in Iraq and Afghanistan. Porn reflects back the cruelty of a culture that tosses its mentally ill on the street, warehouses more than 2 million people in prisons, denies health care to tens of millions of the poor, champions gun ownership over gun control, and trumpets an obnoxious and super patriotic nationalism and rapacious corporate capitalism. The violence, cruelty, and degradation of porn are expressions of a society that has lost the capacity for empathy.”
― Empire of Illusion: The End of Literacy and the Triumph of Spectacle
― Empire of Illusion: The End of Literacy and the Triumph of Spectacle
“Sex discrimination and hate crimes against women don't come from the leather community or its pornography. They occur within contexts like industrial capitalism and marriage that most people take for granted as if they had always existed, like gravity or continental drift. If feminism is going to change the world, it has to focus its critical lens on what most people think is normal, not on what most people think is abnormal.”
― Some Women
― Some Women
“Edna restored the toffee to the centre of her tongue and sucking pleasurably, resumed her typing of Naked Love by Armand Levine. Its painstaking eroticism left her uninterested--as indeed it did most of Mr. Levine's readers, in spite of his efforts. He was a notable example of the fact that nothing can be duller than dull pornography.”
― The Clocks
― The Clocks
“Women are not wrong if they react instinctively – often jealously – against their partner’s interest in porn, since pornography is actually, neurologically, a woman’s destructive rival for her man’s sexual capabilities.”
― Vagina: A New Biography
― Vagina: A New Biography
“Join us. Play the game. It will bring you an untold number of rewards and you will finally have some direction and purpose in your lives. Take control of yourselves and those around you. Bend them to your will and all worldly pleasures will be yours...”
― Cracks in the Pavement
― Cracks in the Pavement
“Sometimes I feel like I'm writing pornography in the notebook of the gods.”
― The Invisibles, Vol. 6: Kissing Mister Quimper
― The Invisibles, Vol. 6: Kissing Mister Quimper
“...we have entertained ourselves with the pornography of violence and inflamed passions that might otherwise have slumbered...”
― A Familiar Rain
― A Familiar Rain
“Prostitution, perversion, and pornography are intertwined with independence and radical politics in the history of outstanding women. Radclyffe Hall, Colette, Anaïs Nin, Kate Millett, Erica Jong--all of these women used the money they made from writing about sexuality to make it possible for them to live as rebels, dykes, feminists, artists, or whatever deviant and defiant identities they assumed.”
― Some Women
― Some Women
“Since Thami had the Arab's utter incomprehension of the meaning of pornography, he imagined that the police had placed the ban on obscene films because these infringed upon Christian doctrine at certain specific points, in which case any Christian might be expected to show interest, if only to disapprove.”
― Let It Come Down
― Let It Come Down
“Entering the foyer, Royale already decided that he would thank Shake once more for being by his side at Keena’s recital. But she stunned him by eagerly waiting for him just like old times—on her knees wearing only a collar and a leash.”
― Temptation.com
― Temptation.com
“There's mainstream pornography--soft-core airbrushed fluff such as Penthouse and Playboy. The folks makin' this stuff do men and their range of desires a disservice; their implication is that anything outside the "big hair, fake tits, tiny waste, no pores, limited body hair" aesthetic is deviant, weird, not normal--and not something that a red-blooded American man would be interested in. The common boys-will-be-boys explanation for porn--that men get turned on visually (in contrast to "feminine" mode of arousal, which is mental and emotional)--is nothing more than an insult, making men out to be Pavlovian dogs who salivate uncontrollably and strain at their trousers upon contact with nudie pictures.
Antiporn arguments, however well-meaning, are no better. Folks like Catherine MacKinnon also believe that men are inherently drawn to porn. And to them, porn is by definition violent, suggesting that it's somehow in men's nature to be aroused by hurting others. Furthermore, antipornography activists think that porn leads men to commit violence--as if men have no self-control or capacity to separate fantasy from reality, as if an erection is a driving force that can't be stopped once it's started... The only difference is one of perspective: Antiporn folk believe that male sexuality is always threatening, while men's-magazine editors think it's always fabulous.”
― BITCHfest: Ten Years of Cultural Criticism from the Pages of Bitch Magazine
Antiporn arguments, however well-meaning, are no better. Folks like Catherine MacKinnon also believe that men are inherently drawn to porn. And to them, porn is by definition violent, suggesting that it's somehow in men's nature to be aroused by hurting others. Furthermore, antipornography activists think that porn leads men to commit violence--as if men have no self-control or capacity to separate fantasy from reality, as if an erection is a driving force that can't be stopped once it's started... The only difference is one of perspective: Antiporn folk believe that male sexuality is always threatening, while men's-magazine editors think it's always fabulous.”
― BITCHfest: Ten Years of Cultural Criticism from the Pages of Bitch Magazine
“Nothing is ‘wrong’ with me, Dan. What’s wrong with you? she said in the same eerily quiet voice, dark eyes fixated on Dan, as she breathed heavily.”
― Cracks in the Pavement
― Cracks in the Pavement
“The slick concrete reflected the facades of the work weary - grey, cracked and old,
but more importantly, trodden upon.”
― Cracks in the Pavement
but more importantly, trodden upon.”
― Cracks in the Pavement
“A drone is often preferred for missions that are too "dull, dirty, or dangerous" for manned aircraft.”
PROLOGUE
The graffiti was in Spanish, neon colors highlighting the varicose cracks in the wall. It smelled of urine and pot. The front door was metal with four bolt locks and the windows were frosted glass, embedded with chicken wire. They swung out and up like big fake eye-lashes held up with a notched adjustment bar.
This was a factory building on the near west side of Cleveland in an industrial area on the Cuyahoga River known in Ohio as The Flats.
First a sweatshop garment factory, then a warehouse for imported cheeses then a crack den for teenage potheads. It was now headquarters for Magic Slim, the only pimp in Cleveland with his own film studio and training facility.
Her name was Cosita, she was eighteen looking like fourteen. One of nine children from El Chorillo. a dangerous poverty stricken barrio on the outskirts of Panama City. Her brother, Javier, had been snatched from the streets six months ago, he was thirteen and beautiful.
Cosita had a high school education but earned here degree on the streets of Panama.
Interpol, the world's largest international police organization, had recruited Cosita at seventeen. She was smart, street savvy, motivated and very pretty. Just what Interpol was looking for.
Cosita would become a Drone!”
―
PROLOGUE
The graffiti was in Spanish, neon colors highlighting the varicose cracks in the wall. It smelled of urine and pot. The front door was metal with four bolt locks and the windows were frosted glass, embedded with chicken wire. They swung out and up like big fake eye-lashes held up with a notched adjustment bar.
This was a factory building on the near west side of Cleveland in an industrial area on the Cuyahoga River known in Ohio as The Flats.
First a sweatshop garment factory, then a warehouse for imported cheeses then a crack den for teenage potheads. It was now headquarters for Magic Slim, the only pimp in Cleveland with his own film studio and training facility.
Her name was Cosita, she was eighteen looking like fourteen. One of nine children from El Chorillo. a dangerous poverty stricken barrio on the outskirts of Panama City. Her brother, Javier, had been snatched from the streets six months ago, he was thirteen and beautiful.
Cosita had a high school education but earned here degree on the streets of Panama.
Interpol, the world's largest international police organization, had recruited Cosita at seventeen. She was smart, street savvy, motivated and very pretty. Just what Interpol was looking for.
Cosita would become a Drone!”
―
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