... / AIE 2003 , LNAI 2718 , pp . 112–122 , 2003 . Springer - Verlag Berlin Heidelberg 2003 XEXi where is the transposition operator , X and n. Pitch-Dependent Musical Instrument Identification and Its Application to Musical Sound Ontology.
... Pitch-dependent musical instrument identi- fication and its application to musical sound ontology. In: Chung, P.W.H., Hinde, C.J., Ali, M. (eds ... audio sources Musical Instrument Category Discrimination 135 Conclusions References.
... Instrument identification in polyphonic music: feature weighting with mixed sounds, pitch-dependent timbre modeling, and use of musical ... application to intelligent audio editing, pp. 1–20 (2007) 18. Fazekas, G., Sandler, M.B. ...
... ontology that should guide the design of the markup , but also efficiency . From an information architectural perspective one might have ... sound amplitude as a function of time and frequency 24 The Information Architecture of Music.
3223 Pitch - dependent identification of musical instrument sounds . Tetsuro ... application , the hyperbolic data explorer ( HyDE ) is employed for the ... its deployment to a production system . A key AI enabler is ontology ...
This extraordinarily comprehensive text, requiring no special background, discusses the nature of sound waves, musical instruments, musical notation, acoustic materials, elements of sound reproduction systems, and electronic music.
... pitch and time are. Scruton (1997, 3), like Schopenhauer before him, has discerned something important in musical experience: Imagine a room (call it the ... the Scherzo of his Fourth Symphony does sound as The Musical Affordance 73.
... its definition are dependent on ontological questions about the nature of music and perfor- mance , phenomena that ... pitch , even dynamics , metronomic time , rigid rhythms , etc ? ” ( Seashore 1938 , p . 9 ) . The longevity and ...
... the delineated response regions at a second level . Thus far , these studies have worked with a constant pitch and experiments in the classification of timbres of instruments with different pitches are under way . Timbre recognition ...
This book, by describing the state of the art in SMC research, gives hints of future developments, whose general purpose will be to bridge the semantic gap, the hiatus that currently separates sound from sense and sense from sound.