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Sruthivani Feb. 2023
This short note explains the purport of a Malayalam verse, in praise of Sree Moolam Thirunaal, the king of erstwhile Travancore. The author is Oravankara Neelakanthan Nampoothiri. By way of this, the Aksharasloka tradition of Kerala is highlighted.
The paper consists of a proposal for making the immortal Kural by Thiruvalluvar a book of the nation. It presents arguments that go in support of the claim made pointing to its unique criteria that would not only make it the book of the Indian Nation but also would enable to become a book of the universe till eternity.
Kuravilangidinte Samskarika Paithrukam, 2019
Śaiva Iconography: A Facet of Indian Art and Culture, In Sudipa Ray Bandyopadhyay and Swati Mondal Adhikari, eds., 2018
The aim of this brief communication is to present a summary of the hymns of Kāraikkālammaiyār (c. 500 CE; Zvelebil 1974: 91), familiarly known as Ammaiyār (the Mother) in Tamil Śaiva lore and try to find some correspondence between the ideas aired in her poems and the later medieval phase of Śaiva iconography. For this purpose we have selected a temple car (Tamil tēr, Sanskrit ratha) from Tirupparāyttuṟai (base of Śrī Rāmakrishṇa Maṭha; on the way from Tiruccirāppaḷḷi to Karūr) an important center of Śaivism from the most ancient period onward extolled in the hymns of the Tamil mystics (e.g. the Tēvāram) who propagated the bhakti cult during the 7th-8th century. The tēr on the site is a later medieval work datable to the 16th century CE; maybe a contribution of the Nāyakas of Maturai (Aiyer 1924, Rajarajan 2006) who had their metropolis at Tiruccirāppaḷḷi for some time. The Nāyakas of Maturai gave a fresh impetus to the revival of the bhakti traditions adumbrated by the Āḻvārs and the Nayaṉmār (Parthiban 2016: 1-23). When a team of our scholars, including R.K. Parthiban and Raju Kalidos visited and photographed the tēr some five years ago Raju Kalidos (cf. 1988, 1989) wanted me to examine the wooden sculptures in the context of the hymns of Ammaiyār. The present communication is the outcome of such an endeavour. I have followed the a simple method to coherently present a summary of the hymns of the ‘Ammaiyār’ and try to find out some concordance between the thoughts expressed a millennium ago and a temple car fashioned centuries later. What I mean to say is “śāstras are invincible” and “traditions are inviolable” in India as is the unwritten British Constitution, an idea that I put forward in a recent National Conference organized under the auspicious of His Holiness Śrī Śaṅkarācārya Maṭha at Kāñcīpuram (Rajarajan 2016).
ElamkulamKunjanPillai (1904-1973) -Attempted to rewrite history of Kerala on the basis of epic-graphic and literary sources-
This essay illustrates how the dichotomies between divinity and mystic experiences of the poet-saints along with bhakti on the one hand, and kings and poets of the sovereign states on the other hand exhibit diverse forms of power relations within the realms of Tamil literary tradition and Tamil culture. The interrelationship between textual tradition and devotional processes has impacted upon the power relations among the poet-saints, devotees and divinities in a number of different implicit ways throughout South India from the beginning of Christian era. As for Tamil, the power relations that originally existed during the pre-Christian era between kings and poets within a dialogy of patronship, singing of the victories, praising of kings' caliber and so on transformed into a very diverse form of power relation during the medieval and modern periods where divinity, mystic experiences of the poet-saints along with the perception of bhakti play a major role in determining the power relation, demonstrating the paradigm of what Michel Foucault claims that power cannot be understood only as a juridical edifice of sovereign king, institution, group, elite, class rather a technique, a form of power. Two works of Aṇṭāḷ namely Tiruppāvai (sacred cowherd girl–containing 30 versus) and Nācciyār tirumoḻi (sacred utterances of the Goddess–containing 143 versus) are analyzed closely as to how they along with other similar texts play a significant role in the evolvement of diverse forms of power within the South Indian bhakti tradition, and thus exhibit a power relation involving the poet, text, divine and the devotee.
in: Wilden, Eva and Suganya Anandakichenin (eds.), Colophons, Prefaces, Satellite Stanzas. Paratextual Elements and Their Role in the Transmission of Indian Texts. Hamburg: Department of Indian and Tibetan Studies, Hamburg University, 2020. pp. 139–180, 2020
Journal of the American Oriental Society, 2002
Μοναχισμός. Ἱστορικὲς καὶ θεολογικὲς προσεγγίσεις, 2022
Revista de la Facultad de Ingeniería Universidad Central de Venezuela, 2018
Risco- Revista de Pesquisa em Arquitetura e Urbanismo, 2024
ПРОМЕТЕЈ 2021: ОД АГОНА ДО ПРОГОНА. Сеобе од антике до данас 2, 2024
R. Hirsch-Luipold–L. Roig Lanzillota (eds.), Plutarch's Religious Landscape, Leiden-Boston, 2021, Brill, 311-331, 2021
Correspondences: Journal for the Study of Esotericism, 2022
Nucleic Acids Research, 2006
Movement Disorders, 2019
Fudma Journal of Sciences, 2024