VOLUME
FROM THE INSIDE
Perspectives on
Social Sustainability
& Interior Architecture
ABOUT THE BOOK
CONTENTS
Foreword
Tim Costello ....................................................................................8
1. An introduction to social sustainability and interior
architecture Sarah Beeck, Dianne Smith,
Marina Lommerse, Priya Metcalfe ............................................... 13
Community Engagement and Interior Architecture
2. Working together: interior architecture creating with the
community Marina Lommerse ................................................... 24
3. More than bricks and mortar: lessons in design and
world citizenship Kelley Beaverford ..........................................58
Social Justice and Interior Architecture
The ield of Interior Architecture is deined by
the way we act, and the opportunities for a shift in,
and challenge to, perception.
4. Interiors can address Social Justice: fact or iction?
Dianne Smith ................................................................................ 76
5. Interior voices: commentary and relection ........................110
5.1 The importance of interior design professionals'
engagement in policy development to efect change for
underprivileged individuals Jill Pable and Lisa Waxman .......... 112
5.2 Interior design by expediency Rodney Harber and
Angela Buckland..........................................................................118
5.3 Inside the remote-area Aboriginal house
Paul Memmott .......................................................................... 124
5.4 Too ‘nice’ to be socially responsible: relections of
a Danish interior practitioner Marianne Frandsen ...................132
Cultural Heritage and Interior Architecture
6. Cultural Heritage practice through socially sustainable
adaptive re-use of industrial buildings: a Western Australian
narrative Priya Metcalfe ............................................................... 142
7. Ambiguity and permeability in historic Modern interiors:
a challenge for Cultural Heritage and social sustainability
Penny Sparke ............................................................................. 170
Acknowledgements .................................................................. 184
Introduction Endnotes ............................................................. 186
About The Authors ................................................................... 187
TABLE OF CONTENTS
AN INTRODUCTION TO SOCIAL SUSTAINABILITY AND INTERIOR ARCHITECTURE
SARAH BEECK, DIANNE SMITH, MARINA LOMMERSE, PRIYA METCALFE
While writing we considered the term ‘social sustainability’ —
a concept that captures how sustainable practices apply to the
way people live. However when applying social sustainability
principles to interior architecture, we found the question that
needed to be asked was: does social sustainability need to be
redeined and developed to suit this discipline?
It became clear that there are three key areas within social
sustainability where the discipline can meaningfully contribute: Community Engagement, Social Justice and Cultural
Heritage. Each area is critical to understanding the relationship between social sustainability and interior architecture in
the twenty-irst century.
Social sustainability captures the human dimension of the
sustainability discourse, and to deine it in terms of interior
architecture it was necessary to think about the terms ‘sustainable development’ and ‘sustainable communities’ as well.
Sustainable development is: ‘… development sustainable to
ensure that it meets the needs of the present without compromising the ability of future generations to meet their own
needs’1 whereas sustainable communities are characterised by
a strong connection to place, building capacity and resilience
to external forces; these stronger connections protect the
community and create alliances beyond that community.2 The
former is an eco-centric approach, emphasising the efective
use of resources, and the latter is an anthropocentric approach,
focusing on human relationships, needs and quality of life.3
It is the emphasis on people and communities that resonates
with interior architecture. As a result, an anthropocentric focus
is adopted in this book or, as Helen Jarvis puts it, the connection between people’s ‘livelihood and environments.’4
We believe that social sustainability is the ability of a society
or an individual’s lifestyle to continue in a way that suits their
needs and those of subsequent generations. The values and
spiritual aspirations of the people should be complemented
in their interior environment, and the processes and activities
involved respect their history, current needs and future potential beliefs and rituals. Access to such environments should not
be at the expense of others.
Social sustainability recognises that the environment and its
design facilitate relationships and experiences fundamental to
who we are as people and as a society; and that the basic human
rights to dignity, security and shelter are met now and into
the future.
DEFINITIONS OF SOCIAL SUSTAINABILITy
Intersections between the interior architecture discipline and
the intrinsic connectivity between people and their environment create an awareness of social and cultural contexts.
Geographical location and cultural practices form a number of
cultural and social discourses that assist to deine that society.
Therefore, societies that are both socially and environmentally sustainable cannot be identiied without recognising the
cultural and social discourses within which they currently
exist. Likewise, built environments are constructs formed
through geographical and cultural practices.
As the disparate needs between societies are linked directly
to geographical and social constructs, how the discipline of
interior architecture may provide new insights into these needs
is addressed in the following chapters.
Social, economic and environmental requirements need to
be met, which include the physiological needs as well as the
psychological wellbeing of a population. In order to understand
the interconnection of these multiple relations we can refer to
VOLUME ONE LIFE FROM THE INSIDE
Environments people inhabit and experience have the power
to enhance the wellbeing of individuals and their communities. In this unique collection of writing, Life from the Inside:
Perspectives on Social Sustainability and Interior Architecture
shares new ways of thinking about interior architecture by
reconsidering theories, processes and outcomes that relate
to how people live now and in the future. The issues raised
by the authors are relevant for individuals, government and
non-government organisations, professionals, students and
communities.
SAMPLE TEXT - INTRODUCTION
ABOUT THE AUTHORS
Dianne Smith
BSc, Australian National University; BArch, Queensland University
of Technology; Grad Dip Int Des, Queensland University of
Technology; Grad Cert Ed (Higher Ed), Queensland University of
Technology; PhD, Queensland University of Technology
Dianne is an Associate Professor and Program Director of
Interior Architecture at Curtin University, and an Adjunct
Professor with Queensland University of Technology. She
has served as a board member of the Interior Design/Interior
Architecture Educators Association (IDEA) and National
Council of the Design Institute of Australia (DIA), and was
awarded a Fellowship of the DIA for her contributions to design
education. Her research focuses on the person–environment
relationship with a particular interest in design for special user
groups, such as people with cognitive impairment. As practitioner and academic she has long been involved in facilitating
practitioners, educators and students to reassess the potential
value and impact of interior architecture and architecture in
assisting people who experience less fortunate circumstances.
Marina’s central inspiration in practice, research and teaching
is Community Engagement, such as involvement in Indigenous
Cultural Heritage and career development in creative industries. She has won recognition for teaching excellence at the
national level. As practitioner and academic she has worked in
Canada, the United Kingdom, Australia, Singapore, Malaysia
and Indonesia.
Priya Metcalfe
BAppSc (Architectural Science), Curtin University; BArch, Curtin
University
Priya is a Lecturer at Curtin University and has 15 years’ experience in practice, specialising in conservation and heritage. She
has given heritage advice and prepared conservation plans for
a wide range of public and private buildings, including The
Old Maritime Museum, and The Chief Mechanical Engineer’s
Oice and Block Three at the Midland Railway Workshops. As
a dedicated teacher she communicates to students her passion
for the poetics of place, the layers of stories in buildings, the
sustainable re-use of existing buildings, and teaches the need to
bring sensitivity and restraint to the relationship between the
early/original and the new.
Marina Lommerse
BID, University of Manitoba; Licensed Interior Designer, Alberta;
MA (Design) Curtin University
Marina is an Associate Professor at Curtin University. She was
Managing Director, Marshall Cummings and Associates, now
MC / IBI; founding Department Head of Interior Architecture
at Curtin University; Chair of the Interior Design/Interior
Architecture Educators Association (IDEA); founding International Director, Interior Architecture ofshore programs; and
curator of a number of state exhibitions, as well as the international exhibition in Milan ‘Salone Internazionale del Mobile’,
showcasing Australian furniture designers.
Priya’s Master of Philosophy dissertation, ‘A Geography of
Colour: the Expression of Social Relations in Western Australian Domestic Architecture 1890-1914’ relates to issues of
Cultural Heritage.
Sarah Beeck
BAppSc (Architectural Science), Curtin University; BAppSc (Interior
Design), Curtin University
Sarah is a Lecturer in Interior Architecture at Curtin University
with over 10 years’ professional practice in interior design, having
worked previously as an Associate at Geyer. Her interests are in
sustainable design, which aims to transform domestic consumption of scarce resources and facilitate sustainable interi
ABOUT THE AUTHORS
or renovations. As a practitioner and academic she attended the
Regional Sustainable Building Conference in Madrid, and was
a winner of Innovative Design in Housing Industry Awards for
the Green Smart Category. Sarah is interested in the interface
between interiors and architecture, and the associated seamlessness of space, as well as the integration of arts processes into
design studios and creative production as research.
Kelley Beaverford
IDT, Lakeland College Alberta; BID, University of Manitoba; MArch,
University of Calgary
Kelley has over 10 years experience as a design educator in
Canada, Sri Lanka and Qatar, and is currently is an Associate
Professor with the Department of Interior Design, Faculty of
Architecture, University of Manitoba, Canada. Her passion
for community-based non-proit design has led her to numerous projects in Uganda, Ghana, Tanzania, Turkey, Sri Lanka,
Indonesia, Cambodia, Nepal and India. She is a recipient of a
University of Manitoba Outreach Award, a YWCA Woman of
Distinction Award, and a Canadian Bureau for International
Education Award for her work with Service Learning in the
Global Community. Kelley is also the Executive Director of
Architects Without Borders, Canada.
Angela Buckland
MA, University of Central England, Birmingham
Angela taught for many years in the Fine Arts Department at
Durban University of Technology. She currently runs her own
private photography school and works as a freelance photographer in Durban, South Africa. Through her photographic work
she explores deeply personal themes and is held in private and
public collections. She has exhibited nationally and internationally. In 2006, she published Zip Zip My Brain Harts, and
illustrated Light on a Hill: Building The Constitutional Court
of South Africa. Her practice focuses on private stories of
seemingly ordinary people and ‘their lived experience’, how we
interact with friends, lovers, our families and even strangers;
how we desire connectedness and a sense of belonging.
Marianne Frandsen
Dip (Interior Architecture & Design), Danish Design School
Marianne has worked on assignments in Denmark and the
other Scandinavian countries, and the Middle East, including Iraq and Kuwait. She volunteered in organisational work
deining the emerging profession of interior architecture in
Denmark as well as internationally. In the early 1990s she was
appointed Head of Interior and Furniture Design at DKDS, The
Danish Design School. In September 2010, she was one of 12
designers invited by The National Art Foundation to give her
design visions to the White Paper regarding the future design of
hospitals. Marianne is an Honorary Member of Danish Designers, and Honorary Fellow of the Design Institute of Australia
(FDIA), Past President of the International Federation of
Interior Architects/Designers (IFI), and a board member of
Design for the World.
Rodney Harber
BArch, KwaZulu Natal; MScURP, KwaZulu Natal
Rodney is a retired Professor from University of KwaZulu
Natal, School of Architecture, Planning and Housing. He is
the Principal of Harber & Associates, Architects, Urban &
Regional Planners, and teaches part-time at Durban University
of Technology.
He is Council Member of the Africa Union of Architects, and
member of UNESCO/UIA Validation Council, with the role of
upgrading architecture education throughout Africa. He was
awarded the UIA (International Union of Architects) Vassilis
Sgoutas Prize & SAIA Medal of Distinction for ‘work for the poor
in projects with community participation’. He was a participant
in Global Studio. His award-winning practice has worked mainly
in rural, developmental projects along the eastern seaboard of
ABOUT THE AUTHORS
South Africa, concerning sustainable settlements, impact of
HIV/AIDS, poverty alleviation and community buildings. He
has lectured widely, from Norway to Australia. His projects have
been exhibited in London, Rotterdam and Turin.
Paul Memmott
BArch, University of Queensland; PhD, University of Queensland
Professor Memmott is an anthropologist and architect. He
is Director of the Aboriginal Environments Research Centre
(AERC) at the University of Queensland (School of Architecture and Institute of Social Science Research). From 1980 to
2008, he was the principal of a research consultancy practice
in Aboriginal projects, which provided specialised services
to Aboriginal organisations and government departments
throughout Australia. Current research in the AERC addresses
social problems of housing design, crowding, homelessness and
family violence in both metropolitan and remote parts of Indigenous Australia. The AERC maintains research linkages with
other scholars in New Zealand and the Paciic Rim who are also
addressing indigenous issues.
Jill Pable
BSc, Appalachian State UniversitY; MFA, Florida State
University; PhD, University of South Florida
Jill is an Associate Professor in the Department of Interior
Design at Florida State University, USA. Jill served as national
president of the Interior Design Educators Council (IDEC)
from 2009–2010 and is the author and co-author of two design
textbooks: Sketching Interiors at the Speed of Thought (Fairchild Books, 2004) and Interior Design: Practical Strategies for
Teaching and Learning, (Fairchild Books, 2008). Her service
and research focuses on design for the underprivileged, and
her papers, presentations and creative works have garnered top
honours seven times at educational conferences and competitions. Through her guidance, two of her students are the holders
of a US patent for the design of a cradle for use by families in
homeless shelters.
Penny Sparke
BA, Sussex University; PhD, Brighton Polytechnic
Penny is Pro Vice-Chancellor (Research and Enterprise) and
Professor of Design History at Kingston University, London.
She oversees three Faculties — Art, Design and Architecture;
Business and Law; and Arts and Social Sciences — and chairs
the Research Committee, the Campus Development Board and
the Cultural Strategy Group. She has published over a dozen
books and numerous articles and book chapters over the last
twenty-ive years. They include As Long as It’s Pink: The Sexual
Politics of Taste (Pandora, London, 1995), Elsie de Wolfe: The
Birth of Modern Interior Decoration (Acanthus Press, New
York, 2005), and The Modern Interior (Reaktion, London 2008).
She is a member of the Royal Institute of British Architects’
Research and Development group, an Honorary Senior Fellow
of the Royal College of Art and a Fellow of the Royal Society of
Arts.
Lisa Waxman
BSc, Florida State University; MSc, Oregon State University; PhD,
Florida State University
Lisa’s qualiications are in Interior Design and Art Education.
She is the Professor and Director of the graduate program in the
Interior Design department at Florida State University, USA.
Her current research includes the design of third places and
spaces that foster community, as well as housing for special
populations. She is a National Council for Interior Design
Qualiication (NCIDQ) certiicate holder, an accredited professional in Leadership in Energy and Environmental Design
(LEED), and a licensed interior designer in Florida. She is
currently the President-Elect of the Interior Design Educators Council (IDEC). She teaches environment and behaviour,
research methods, computer-aided design, sustainability, and
graduate studio.
ABOUT THE AUTHORS
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LIFE FROM THE INSIDE
Perspectives on
Social Sustainability
& Interior Architecture
Dianne Smith, Marina Lommerse
& Priya Metcalfe, eds,
Curtin University Interior Architecture
Publication Series,
Paper and Pencil Press, vol 1, 2011.
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