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Münchener Abhandlungen zum Alten Orient
Band 1
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Münchener Abhandlungen zum Alten Orient
herausgegeben von
Adelheid Otto
unter Mitarbeit von
Ursula Calmeyer-Seidl
Berthold Einwag
Michael Herles
Kai Kaniuth
Simone Mühl
Michael Roaf
Elisa Roßberger
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From Pottery to Chronology: The Middle
Euphrates Region in Late Bronze Age Syria
Proceedings of the International Workshop in Mainz (Germany), May 5-7, 2012
edited by
Adelheid Otto
PeWe-Verlag
2018
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Bibliografische Information der Deutschen Nationalbibliothek
Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie;
detaillierte bibliografische Daten sind im Internet über http://dnb.dnb.de abrufbar.
© PeWe-Verlag – Gladbeck 2018
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vorbehalten. Kein Teil des Werkes darf in irgendeiner Form durch Fotokopie, Mikrofilm usw. ohne
schriftliche Genehmigung des Verlages reproduziert oder unter Verwendung elektronischer Systeme
verarbeitet, vervielfältigt oder verbreitet werden.
Layout und Prepress: PeWe-Verlag, Gladbeck
Umschlaggestaltung: PeWe-Verlag, Gladbeck
Umschlagabbildungen: Spätbronzezeitliches Terrakottarelief eines Lautenspielers aus Tall Bazi (Zeichnung: C. Wolff); Blick ins Euphrattal vom modernen Dorf Tall Banat aus (Foto: A. Otto); Keramikinventar aus Haus 29, Raum 34 der Weststadt von Tall Bazi (Foto: B. Einwag) © Bazi-Archiv
Gedruckt auf alterungsbeständigem Papier
Printed in Germany
ISBN: 978-3-935012-29-4
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Table of Contents
Preface ......................................................................................................................
7
Chapter 1 — Adelheid Otto
Introduction to the Chronology, History and Main Challenges of the
Syrian Late Bronze Age .................................................................................
9
Chapter 2 — Glenn M. Schwartz
Late Bronze Chronology at Umm el-Marra: Problems and Possibilities
19
Chapter 3 — Annie Caubet
La céramique du complexe palatial d’Emar (fouilles françaises
1972-1976) ............................................................................................................
47
Chapter 4 — Ferhan Sakal
LBA Emar Revisited: The stratified LBA pottery from the
Syrian-German excavations .........................................................................
61
Chapter 5 — Felix Blocher & Peter Werner
Absolute Chronology of Late Bronze Age Tall Munbāqa/Ekalte ........
89
Chapter 6 — Thomas L. McClellan
Cracking the Chronological Code of Qitar ...............................................
111
Chapter 7 — Berthold Einwag & Adelheid Otto
The Late Bronze Age at Tall Bazi: The evidence of the pottery
and the challenges of radiocarbon dating ................................................
149
Chapter 8 — Costanza Coppini
Tall Bazi: the Middle and Late Bronze age pottery from
the Citadel’s Nordhang ..................................................................................
177
Chapter 9 — Anne Porter
The Tell Banat Settlement Complex during the Third and
Second Millennia BCE ....................................................................................
195
Chapter 10 — Adelheid Otto
Summing up the Late Bronze Age of the
Upper Syrian Euphrates Region ..................................................................
225
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Chapter 8
Tall Bazi: the Middle and Late Bronze age pottery
from the Citadel’s Nordhang
Costanza Coppini
1. Introduction
The Nordhang trench is located on the northern slope of
the citadel of Tall Bazi, more precisely on its lower half
(see Einwag – Otto this volume, Fig. 1). The citadel lies
on a natural hill, which is 60 m high, and the fortification surrounding it, consists of a system of circular walls
(Otto 2006: 8). Thanks to the excavations conducted on
the hill slopes, it has been possible to gain a coherent
picture of the walls system’s function. It worked both as
a defensive system and as a terracing system1. Results
from the excavations on the northern slopes permitted to
clarify the presence of such defensive system and of the
buildings related to it.
Works on the Nordhang took place during the 1994
campaign and resumption occurred during the 2001
working season. Digging and documentation works
were supervised by Mohammed Miftaḥ, to whom I will
be eternally grateful for the inspiring talks and suggestions about the elaborate stratigraphy of the excavated
area.
Before the beginning of excavations, it was possible to
observe on the slope the presence of outcropping stones,
which were well visible on the ground. Their presence
opened questions about their possible connection to parts
1 The terracing system worked as a sort of artificial ground, which
was supposed to facilitate the construction of buildings on the tell
slopes.
of a circuit defensive wall already found on the eastern
slope of the citadel (Einwag et al. 1995: 109). Moreover,
it was possible to recognize on the terrain a sloping line,
which was visible depending on light and vegetation lying on the surface (Einwag & Otto 1996: 22). The presence of such a line was a hint for the possible existence
of the main way up the hill under the surface. These
elements made investigations on the northern slope as
quite compelling, in order to add new information about
a defensive system of Tall Bazi (see §2. Stratigraphy).
The present contribution in the frame of the International Workshop about the Late Bronze Age aims to illustrate the stratigraphic sequence and related ceramic
assemblages from the Nordhang2. This aim is related to
the main goals of the workshop, thus dealing with the
establishment of a relative and absolute chronology for
the Late Bronze Age Euphrates Valley. In this sense, the
northern slope sequence contributes to add a new plug
in the picture of Late Bronze Age Tall Bazi. The ceramic
material has been analyzed both in its techno-morphological, i.e. ware, fabric, surface treatment, manufac-
2 I am grateful to Adelheid Otto for the opportunity of taking part
to the very stimulating and interesting workshop, and to the other
participants for their suggestions and the exchange of ideas. I furthermore owe my warmest thank to Adelheid Otto and Berthold
Einwag for entrusting me with the study of the Nordhang ceramic,
which is half the core of my PhD thesis (Coppini in preparation),
and for their support during the course of my research.
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turing technique, and in its formal aspects, i.e. vessel’s
shape, rim, base, decoration. Both techno-morphological
and formal aspects have been evaluated with the help
of a quantitative statistic method (Sinopoli 1991: 172).
The ceramic assemblage has been then compared to other ceramic assemblages from sites in the Upper Syrian
Euphrates Valley, in order to get the determination of a
relative chronology.
2. Stratigraphy
It was quite difficult to investigate this part of the tell
because of its position on this steep side of the hill. In
order to explore the area in an accurate way, five adjacent squares, each measuring 5×5 m, were opened, namely 54/32, 54/33, 55/32, 55/33, 56/33. The stratigraphic sequence is subdivided into four levels: level 4 is the lowest
one, level 1 is lying directly below the surface. Since it
was not possible to remove later walls, earlier levels were
excavated only where the upper level was eroded, or in
the areas between the walls.
Level 4 (Fig. 1; Fig. 2.1-2) is centered around two small
rooms facing on a narrow alley, which measures 2.70
m width and is paved with small stones (Szelag 2012:
135). The alley slopes eastwards and runs east-west with
a slight curve to the north-west. It was covered by debris consisting of ashes and collapsed mud-bricks. The
two rooms are next to each other and are located on
the alley’s northern side. They are both built with the
same technique: a sub-structure made of stones and the
proper wall built with grey mud-bricks that are coated
with clay. Both rooms have handicraft characteristics,
with installations that determine their function (Szelag
2012: 136). The best-preserved room, named Room 2, is
located in the southwestern part of square 56/34. The entrance from the street side is well preserved, consisting
of two stones with step function: the door was probably made by charred wood panels, since traces of them
were found on the room’s floor, just north of the door.
The floor is paved with smooth stone slabs, which was
covered by a huge quantity of pottery sherds pertaining
to bottles and jars. The room was provided with three
installations: a small wall running parallel of the room’s
southern wall; a small staircase, to which the preceding wall was connected; a bench made of stones and clay
with an integrated rectangular terracotta basin (Szelag
2012: 140-142, figs. 7, 8). Room 1 is provided with more
significant installations. As we have seen about Room 2,
it has an access from the street as well, although better
preserved than in Room 2. The passage consists of two
slabs flanking it and a smooth stone working as curtail
step to the room entrance (Fig. 1; Fig. 2.2). The floor has
been recovered on the whole surface and slopes southnorth: it consists of smooth stones and coated with two
layers of clay and on it a small quantity of pottery has
been found. The installations here recovered confirm its
handicraft character (Fig. 1; Fig. 2.1): a working platform
made of stones and mud-bricks, in which an oval stone
basin is integrated, is located near a kiln, which is small
and has a unique hole3. As observed by Dariusz Szelag
in his recent contribution (Szelag 2012), this level can be
subdivided into two phases, i.e. phase 4a and 4b. In Room
1 the subdivision is based on the presence of a door socket, which was then partly covered by a wall in phase 4b
(Szelag 2012: 137)4. Room 2 was built in phase 4b, when
the larger Room 1 was divided by a wall, the same that
partly covered the door socket of Room 1 (Szelag 2012:
140). Consequently, in phase 4b Room 2 was provided
with a door and a western wall (Szelag 2012: 140).
Level 3 (Fig. 1) was excavated in square 55/34. In this
square, part of a limestone building has been found: the
stones are dressed and huge, and they constitute the
outer part of the building’s walls, while the inner part
is filled with small and medium limestone blocks. The
building was traced on a length of 9 m, a width of 2.70 m
and a height of 2.50 m, but it was certainly much larger. It
has been interpreted as a huge platform, intended for the
building of a terrace or an edifice5. On the platform stood
a mud-brick wall, which is 1.60 m wide and consisted of
grey mud-bricks. To the wall a floor was connected, but
just a small part of it was traced6. In square 55/34 a huge
wall has been recovered as well, probably connected to
the wall in square 55/34: its grey mud-bricks are coated
with a colored plaster. This level has a younger phase,
named level 3A and investigated in square 55/34. In this
level, a room was built: three walls have been excavated
and its floor, which is paved and has some traces of fire.
In the room rubbing stones have been found, and in its
southern part there was a ceramic container decorated
with an incised bull. To the east of this room, another
room was found, the floor of which was paved with small
stones.
Level 2 (Fig. 1) has been more extensively investigated: its surface covers squares 56/33, 54/33 and 54/34. The
3 It has been interpreted by the excavators as a metal kiln.
4 In this second phase, a second door socket was added to the door
(Szelag 2012: 137).
5 It is hypothesized by the excavators that the platform was in use in
level 3a and 2 as well.
6 The excavators suppose that the wall belonged to a large building,
possibly a templum in antis.
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Fig. 1: Plan of the Nordhang excavation.
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Fig. 2.1: Level 4: Room 1, from N.
Fig. 2.2: Level 4: entrance to Room 1, with a view on the street. From N.
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layer is articulated around the three rooms excavated
in the northern and in the southern part of the trench.
Rooms 1 and 2 have the same shape and size, i.e. quadrangular and 4×4 m. No communication way between
them has been found, but possibly it was covered by the
trench baulk. Their walls are 1-1.20 m wide and are preserved for 0.90-1.20 m height. They are built with a stone
substructure and a proper wall made of mud-bricks7.
In Room 1 a unique installation has been found: it consists of four standing mud-bricks on which lay a square
made of stone interpreted as a seat or a vase stand. In its
northern wall there is an opening, interpreted as a door.
Room 2 is located to the east of Room 1 and contiguous
to it. In this case, the floor has been traced: laying on it
where found pottery sherds and granite pestles. Room 3,
located to the south of the two preceding rooms, is larger
than then: it covers almost the whole square 54/33. Only
three of its four walls are preserved: they are built with
medium- and large-size stones. A possible entrance to
the room has been found in the southern wall, where
small stones are located in a step-fashion, indicating the
presence of a threshold. On the room’s floor, which is
not well-prepared, a small quantity of pottery has been
found. The room borders a street, which is situated south
of the room, paved with stones and earth, and is leading
up the citadel slope. East of Room 3 there is a circular
structure, built with stones and filled with them. It has
been interpreted as a small tower, apparently controlling
the way up to the citadel’s tip, and connected to the defensive system of the citadel.
Level 1 has been traced only in square 56/34. It lies
directly under the surface. Due to erosion, it was possible to identify just two walls forming a corner, probably
pertaining to a room.
3. Pottery assemblage
It is necessary to present a brief overview of the wares
concerned with the ceramic material that is going to be
presented here. Wares with chaff inclusions are the most
attested in all levels: they can be differentiated by a compact or grainy texture. The most occurring are compact
texture fabrics. Among them we register a high presence
of wares 73, 79 and 74. Ware 73 is characterized by a reddish/brownish core; it is rich in vegetal inclusions (chaff)
and calcite inclusions, the consistence is middle compact.
Ware 79 is reddish/brownish and presents few chaff in-
7 As we have already seen about level 4 walls.
clusions, together with calcite inclusions; like ware 73,
it is also compact. Ware 74 is characterized by a light
brown colour, with the presence of chaff and few calcite
inclusions; in contrast to wares 73 and 79, this ware is
porous. Among grainy texture wares, ware 9 is the most
attested: a coarse, slightly porous ware with black and
grey inclusions. Most cooking pots consist of ware 10, a
coarse kitchen ware.
3.1 Level 4
Pottery from this level has been recently published by
Dariusz Szelag (2012: 144-150). It has been found in Room
1 and Room 2: closed shapes are the most attested (Szelag
2012: 144). They were found on the clay floor of Room 1
and on the plastered floor of Room 2 (Szelag 2012: 144).
Thanks to the destruction to which this part of the settlement underwent, a relatively rich inventory has been
found in the two rooms. As described by Szelag, we find
small and medium pots, cooking pots, bottles and jugs,
and a small number of bowls (Szelag 2012: 144). Among
open shapes, we observe a large variety of bowls, mainly
with convex or straight wall; rims are inside thickened,
above flat and squared or rounded (Fig. 3.2). Plates occur
in low percentages and present in most cases a straight
wall and a big diameter: they have an inside thickened
rim, triangular shape, or with ridges (Fig. 3.1-2). Deep
bowls are represented by exemplars with high-convex
wall, which rim is simple and flat above (Fig. 3.3).
Closed shapes occur in a large variety of shapes: pots,
cooking pots, jars, large jars and bottles. Jars are the
most attested, in the shape high-neck jar with vertical
neck: the rim is usually outside thickened, rounded, or
flat above and outside squared or rounded (Fig. 4.1-3).
The rest is represented by short-neck jars. Large jars are
the second most attested sub-category, especially in the
shape with neck and conical body (Fig. 4.4-6). Pots are
barely attested: only two shapes are represented, namely
without neck, with conical (Fig. 3.4) or hyperboloid body
(Fig. 3.5).
3.2 Level 3
In this level, we observe that the presence of closed
shapes is higher than that of open and intermediate
shapes, as in level 4 as well (54 %). Open shapes are mostly represented by bowls, which can have a straight wall,
convex wall, or an externally-carinated wall. Bowls with
straight wall are the most attested. They show many inside thickened rims, either rounded or sharp8 (Fig. 5.3-4),
8 A small percentage of rolled rims occur.
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Fig. 3: Level 4 ceramic assemblage: open and closed shapes.
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Fig. 4: Level 4 ceramic assemblage: closed shapes.
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Fig. 5: Level 3 ceramic assemblage: open and intermediate shapes.
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thus differing from the same shape in level 4 (see §3.1). In
this phase bowls with rolled rims occur as well. A smaller part of the bowls assemblage is represented by those
with convex wall, which present the same rim types as
the preceding shape, but also outside thickened rims. In
this level a new bowl shape is present, i.e. bowl with externally carinated wall. Plates are less attested than in
the previous level: the only present shape is plate with
straight wall (Fig. 5.1-2). On the contrary, deep bowls
are more present, in the shape with straight wall and
high-convex wall, convex wall (Fig. 5.5): we notice the
emergence of new shapes in comparison with those from
level 4.
Intermediate shapes increase their presence and their
variety. If in level 4 we see the occurrence of one shape,
here we notice that the assemblage is differentiated into
three different shapes, i.e. large and deep bowl with
high-convex wall and convex wall (Fig. 5.6-7), or with ellipsoidal wall (Fig. 5.8), or with high-convex and strongly
carinated wall (Fig. 5.9-10) and convex or straight wall
(Fig. 6.1). The shape with ellipsoidal body is the most attested, constituting the half of the intermediate shapes
assemblage.
Closed shapes are more attested than in level 4. This
is probably due to the type of context, as pinpointed in
§2. Among them, the majority is represented by jars,
which occur in higher percentage than in the previous
level: pots, large jars and bottles are in this level’s assemblage poorly present. Jars are attested in a large variety
of shapes: the generic shape, jars with continuous neck
and ellipsoid body, with continuous neck and ovoid body,
and jars with small neck9 are the most attested (Fig. 6.78), and can occur with a spherical body. It is associated to a straight or to a concave neck. New elements are
constituted by continuous neck jars and short neck jars,
together with the already cited small neck jars. A new
rim shape emerges as well: instead of the simply outside thickened rim, we register here the occurrence of
the elongated rim, which can be rounded or squared outside10 (Fig. 7.1). Large jars occur in many different shapes,
despite their low presence: the shape with continuous
neck is the most attested and present an outside thickened rim, squared or rounded and above slightly rounded. It is noteworthy that this (Fig. 7.1) is a new shape,
which is not represented in level 4. Pots register a large
variety as well, meaning that significant changes in this
part of the assemblage occur: it is nevertheless very important that the most attested shape is the same as in
level 4, i.e. neck-less pot with conical body, large size (Fig.
6.2). The new shapes are those with continuous neck and
with high neck (Fig. 6.3-5). Pots, although few present,
have three different rims: everted, squared or sharp below; outside thickened and elongated, with a groove on
the external elongated part11. Bottles are represented by
very few specimens and are attested in the shape with
hyperboloid or with concave neck.
9 This is another difference from level 4, where the most attested
were jars with high neck.
10 The presence of an outside slightly sharp rim occurs, especially on
jars with continuous neck.
11 The elongated rim is the same type already mentioned concerning
jars.
12 One beaker’s sherd occurs: it has a simple rim, cut on the upper
part and inside slightly sharp.
3.3 Level 2
In this level, we register the usual majority of closed
shapes (Fig. 7-9): they are here more attested than in
levels 3 and 4 (62 %). The presence of intermediate shapes
decrease. All bowl types (Fig. 7.4-10) share a common
trait, i.e. the inside thickened rim, which continues the
tradition already occurring in level 3. The type to which
it is mostly associated is the bowl with straight wall (Fig.
7.8-10). Bowls with convex wall present an inside thickened rim, which can be elongated or squared. Carinated
bowls are not widely represented, although we find the
type with externally carinated wall: it usually occurs
with an outside thickened rim, flat on top. In this level,
we register the emergence of two new carinated shapes:
bowls with vertical-carinated wall, or with high-convex
carinated wall (Fig. 8.1-2): they both have an outside
thickened rim, long and flat on top. Level 2 is characterized by a new feature, i.e. the presence of plates, which
are more attested in this level than in level 4 and 3. They
occur with a convex or a straight wall, all with inside
thickened rim (Fig. 7.3, 5, 6): the rim can be inside long
and flat on top, or elongated and rounded on top. Deep
bowls occur in a larger variety, with the presence of examples with convex wall, or slightly convex wall (Fig.
8.3): they generally have a simple rounded rim.
Intermediate shapes are represented by large and
deep bowls, as attested in the preceding levels12. The
shape with cylindrical body (Fig. 8.4-5) is the most attested, as in level 4. In this level, the variety already attested
in level 3 persists: the presence of shapes with high-convex wall and with high-convex strongly carinated wall
is attested. The shape with ellipsoidal body disappears:
instead of it, we find that with high-convex carinated
wall (Fig. 8.8).
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Fig. 6: Level 3 ceramic assemblage: closed shapes.
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Fig. 7: Level 2 ceramic assemblage: open shapes.
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Fig. 8: Level 2 ceramic assemblage: open, intermediate and closed shapes.
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In the spectrum of closed shapes, jars are the most
attested, as usually. Nevertheless, the presence of large
jars, cooking pots and pots increase. Concerning jars, we
notice that they are attested in almost all shapes. Among
jars types, that with continuous neck increases, especially in the shape with ellipsoidal body and straight rim
(Fig. 9.2): it is characterized by an externally thickened
rim. Jar with small neck, concave, and spherical body,
is the second most attested shape, then confirming the
presence of this shape from level 3 (Fig. 9.4): the rim
is generally externally thickened and rolled, rounded.
Other types with small neck present a straight or concave neck: rims are externally thickened and elongated.
Among jars with short neck, the most attested type is
that with hyperboloid neck, and a long, externally thickened rim (Fig. 9.8). Some exemplars present a long neck,
which is generally concave and the rim is externally
thickened and rounded (Fig. 9.7-9). Among large jars, we
find a quite good presence of those without neck and
with continuous neck: the rim is externally and internally thickened, more externally and squared. In the pots
assemblage, we notice a large variety of shapes, i.e. the
emergence of new shapes: they are one variant without
neck and hyperboloid body, with short neck, with high
neck (Fig. 8.9-10). The most attested shapes are neck-less
pots with conical body, small size (Fig. 8.4); neck-less
pots with hyperboloid body (Fig. 8.8). The first shape presents mostly an externally thickened rim, elongated and
slightly squared. The second shape presents two different
rim types: they are both externally and internally thickened, more internally, among them one type is rounded; the other is slightly elongated and slightly rounded
on the upper part. In this level bottles are more attested
than in level 3 and 4: most of them have a cylindrical
neck, with externally thickened rim, generally rounded
(Fig. 9.11). Cooking pots are more attested as well: they
usually present a small concave neck, with externally
thickened rim (Fig. 9.4).
3.4 Level 1
The occurrence of closed, open and intermediate shapes
does not change in this level: that is to say, closed shapes
prevail consistently over the others. The assemblage of
level 1 is small; the recovered sherds are in small quantities. Plates, bowls and deep bowls are present, although
bowls remain the most attested sub-category. Bowls with
straight wall are in this phase totally absent, while they
are replaced by bowls with convex wall and carinated
with upright wall (Fig. 9.14), or convex wall. Plates are
attested in the shape with straight wall and inside thickened rim (Fig. 9.13), as already stated for layers 2 and
3. Deep bowls are represented by the shape with thick
wall and straight wall: the rim is outside thickened and
rounded.
Intermediate shapes are only represented by the large
and deep bowl with ellipsoidal body.
Among closed shapes, we find jars, large jars and
cooking pots: pots13 are totally absent. Jars are attested
in shapes with continuous or small neck, with outside
thickened rim, rounded (Fig. 9.15). Concerning large jars,
the trend of those with continuous neck is confirmed in
this level: they are the most attested shape; they usually
present a spherical body (Fig. 9.17). Cooking pots have
ovoidal body and everted, outside thickened and elongated rim.
4. Chronological evaluation of the
Nordhang ceramic assemblage
4.1 Nordhang: chronological markers
The common trait of the whole assemblage’s sequence
is the constant majority of closed shapes in comparison
with open and intermediate shapes: it can be ascribed
to the nature of excavated contexts. As we have already
stated in §2 –Stratigraphy, the contexts of level 4 are defined as handicraft; the same cannot be exactly asserted
about the contexts of level 3 and 2, since any handicraft
installation has been found. We can however hypothesize their storage function and almost certainly exclude
a domestic function, since any domestic installation has
not been found. Back to the attested categories, the large
presence of closed shapes can be traced back to the storage and preservation character of those spaces. Therefore, we rely mostly on closed shapes for the chronological evaluation of the assemblage. The low occurrence of
closed and intermediate shapes can help in such process,
especially the open shapes sub-categories, which have a
potential chronological value.
Proceeding with a typological order, i.e. moving from
open to closed shapes, we must analyze the sub-category plates first. Among their shapes attested in the Nordhang assemblage, we notice that they are barely attested
but in certain levels more than in others: in level 4 they
can have an outside thickened rim, while since level 3
they present an inside thickened rim. It follows that the
shape plate with conical body and inside thickened rim
can be taken into account as marker.
13 Pot is defined as a vessel with restricted shape, which rim diameter
is smaller than the vessel height. Jar is defined as a vessel with restricted shape, which rim diameter is smaller than the maximum
body diameter.
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Fig. 9: Level 2 ceramic assemblage: closed shapes. Level 1 ceramic assemblage: open and closed shapes.
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Analyzing the bowls’ corpus14 it emerges that the
bowl with outside thickened rim of level 4 is replaced
by the bowl with conical body and inside thickened rim,
either rounded or sharp15; since level 3 the occurrence of
carinated bowls, whether externally carinated or with
upright wall, is corroborated: the carinated variants
present an outside thickened rim, which can be elongated since level 2. In level 1 bowls with conically body are
totally absent and they are replaced by the strong presence of those with spherical body, while the carinated
continue. Thus, the marker for bowls can be assigned to
i) bowls with conical body; ii) bowls with carinated wall;
iii) the combination of conical body and inside thickened
rim; iii) the combination of carinated wall and elongated
rim.
Then we come to closed shapes, the most attested category. Concerning jars, we notice changes in their presence, i.e. in the most attested shapes: in level 4 we find
high-neck jars that decrease in level 3. They are replaced
by small-neck jars. Together with them, a new element
is the presence of continuous neck jars, before totally absent. A new rim shape emerges, i.e. the elongated rim,
outside thickened. In level 2 continuous jars increase,
while small-neck jars are widely attested as well, with
the new trait of externally thickened rim, rolled. They
continue into level 1. It follows that chronological markers are: i) high-neck jars; ii) small-neck jars; iii) continuous neck jars; iv) elongated rim; v) rolled rim. Even if
pots are not widely represented as jars, we can anyway
isolate chronological indicators. From the sequence it
emerges that pots without neck occur continuously in
levels 4, 3 and 216; pots with continuous neck are first attested in level 3, together with the high-neck exemplars.
Large jars cannot be taken into account as chronological
markers, since they seem to maintain the same shape
without neck17.
4.2 Upper Syrian Euphrates Valley sites
As it is already well known, the great advantage of this
region is obviously the presence of the river and, consequently, the origin and development of settlements on
the river’s right and left bank. Thus, Tall Bazi is part of a
“settlements belt”, which existed during the second part
14 They constitute the most attested sub-category among open shapes
category in the whole sequence.
15 Bowls with spherical body decrease.
16 We remind that pots are absent in level 1.
17 Such continuity in the shape is probably due to the function of
large jars: they are storage vessels and it can be assumed that their
function goes beyond the fashion.
of the Middle Bronze Age and during the first part of the
Late Bronze Age.
The settlement of El-Qitar, ancient Till-Abnu, is located very near to Tall Bazi and presents similar characteristics: here the presence of a defensive wall that surrounds the artificial hill resembles the situation found on
the slopes of the citadel of Bazi (Iamoni 2012: 50). Middle
and Late Bronze Age assemblages have been recovered
in the Orthostat Building 14 and in Building 15, and in
the fills of the western walls. In the Upper Settlement
(Area Y) the pottery recovered indicates changes in the
assemblage (McClellan 2007: 54). Pottery has been subdivided into eight groups and we notice, in these groups,
the resemblance with vessels from the Nordhang level 4:
bowls with inverted rim (A10/11), slightly carinated bowls
(A14/16), large heavy jar/krater (E3), carinated cups (C9),
neck-less jars (D24/25), tall-necked storage jars (D26).
To the successive phases we notice the resemblance of
bowls with inverted rims (A10/11 late), lip inverted-rim
bowls (A3/4, 12/13), lightly carinated bowls (A14/16; McClellan 2007: 56).
Tell Hadidi, ancient Azu, is located to the south of Qitar and it was a large and important settlement, especially during the Late Bronze Age: according to Dornemann,
during the Middle Bronze Age the settlement contracted
to the upper part of the tell and expanded once more
to the lower part (Dornemann 2007: 43). Observing the
Bazi Level 4 ceramic assemblage, we notice similarities
to the assemblages from Area and F, while the assemblages from Level 3, 2 and 1 resemble the assemblage from the
Tablet Building. As for the Bazi assemblage, here prevail
closed shapes on open shapes. The large presence of jars
without neck and with small neck resembles the assemblage of levels 3-1. Although comparisons between the
Hadidi ceramic assemblages and the Bazi ceramic assemblages are striking, this has not been helpful for the
absolute dating of the assemblages, since the Hadidi C14
dating is no more up-to-date (but see this volume).
Another important settlement is located in Tall Munbaqa, identified with ancient Ekalte. Middle Bronze Age
settlement is located in the Kuppe-Nord, in the area of
the Mud-brick Building: pottery has been recovered from
rooms 10, 15, 9. Another assemblage has been found in
House AD, Rooms 21-24. Other stratified pottery comes
from the areas Nordtor and Osttor (Czichon 2008: 99.) It
is noteworthy that bowls with short, inward bent rim
are considered as indices of the transition Middle – Late
Bronze Age: they resemble those of level 4 at Tell Bazi
The vessels defined as small pots are indicated as MBA
II indicators: they remind the small jars of level 4. Examples of jars and large jars are similar to those from
level 4. Pottery from Late Bronze Age contexts belongs to
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Costanza Coppini
phase II-Mbq, which is subdivided into two sub-phases,
or settlements periods: the first period comprises phases
II-Mbq-6 to II-Mbq-4; the second period comprises phases II-Mbq-3 to II-Mbq-0 (Werner 2008: 140). The phase IIMbq-5/4 is recognizable in pottery from Houses A, B, K, L
and O excavated in the trench Ibrahims Garten; Houses
M, AK (Innenstadt); Houses G and T (Außenstadt); Houses P (Kuppe; Werner 2008: 140). The presence of bowls
with in-turned rim confirms the LBA date of levels from
3 to 1 at Tell Bazi, as well as the presence of deep bowls
with spherical body. Similar are pots and jars, although
the most similarities occur with the open shapes assemblage.
Meskene, ancient Emar, is situated further south on
the Euphrates west bank. Middle Bronze Age levels have
been excavated in the Upper Town, levels 6 to 4, and in
the Town Wall area, while Late Bronze Age levels have
been excavated in the Upper Town, level 2: according to
Sakal (this volume), there are no levels dated to the early
Late Bronze Age. The Middle Bronze Age pottery from
UT 6-4 fits with that from the Nordhang, since the presence of bowls with in-turned rims and jars with a small
neck is the same as in level 4 (Finkbeiner 2001: 83). The
assemblage dated to Late Bronze Age from UT 2 resembles that from levels 3 and 2 of the Nordhang; especially
in the shapes of plates and bowls, jars without neck or
with small neck, pots (Finkbeiner 2001: 66-73; Eixler
2003: 29).
Tell Umm el-Marra, ancient Dub or Tuba, is the only
site located outside the proper Euphrates valley: it is in
the Jabbul Plain, halfway between Aleppo and ancient
Emar (Curvers et al. 1997: 204). Periods III a-c are dated
to the Middle Bronze Age, while Period II b is dated to
the Late Bronze Age I: both were recovered on the Acropolis West, Middle Bronze Age levels were recovered on
Acropolis East and Acropolis North, Late Bronze Age
levels in the Southeast Area, Acropolis Center, Acropolis
East and West Area A. Middle Bronze Age II pottery presents bowls with in-turned rim, large jars without neck
(Schwartz, this volume). Late Bronze Age assemblage is
well recognizable through pots with continuous neck,
jars with high-neck, and plates or shallow bowls with
in-turned or cut rims (Schwartz, this volume).
5. Conclusions
Tall Bazi is part of a cluster of settlements that existed
along the nowadays Syrian Upper Euphrates Valley in
the 2ⁿᵈ millennium BC, and had a continuity in their
occupation in the Middle and Late Bronze Age (Otto
2011: 173). The wall system, part of which was found on
the northern slope, was probably in use when the settlement limits were set to the proper mound. As the population grew and there was necessity of more space for
the inhabitants, the settled area on the Nordhang was
abandoned. The characteristics of the settlement in this
part of the tell offer very convincing similarities to other
settlements in the area, as those examined in §4.2. Such
similarities are confirmed also by the ceramic assemblage recovered in the Nordhang contexts, in which the
occurrence of bowls with conical body and inside thickened rim, bowls with carinated wall and inside thickened or elongated rim, high-neck jars, small-neck jars,
and continuous neck jars provide evidence for a dating
of the Tell Bazi Nordhang Levels 3 and 2 to the Late
Bronze Age I. Level 4, on the base of comparisons, has
to be placed in an earlier phase, since presence of Middle
Bronze Age ceramic types is attested. Although we do
not have absolute dates, i.e. from C14 samples, evidences
from comparisons, both concerning pottery and settlements architecture and layout, tend to the dating of Levels 3 to 1 of the North slope (Nordhang) of Tall Bazi to the
first part of the Late Bronze Age (16ᵗʰ – 15ᵗʰ century BC),
while Level 4 dates to the Middle Bronze Age II, namely to its last part (17ᵗʰ century BC), thus evidencing the
value of this level as the transitional phase from Middle
Bronze to Late Bronze Age.
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Tall Bazi: the Middle and Late Bronze age pottery from the Citadel’s Nordhang
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