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2018, arablit.org
https://arablit.org/2018/01/18/three-poems-by-riyad-al-saleh-al-hussein-simple-like-water-clear-like-a-bullet/ Decades after the death of Syrian poet Riyad al-Saleh al-Hussein, his words remain alive among readers.
2020 •
Throughout the twentieth century, poetry dominated Syria’s cultural and intellectual landscape. Indeed, poetry and the lyrical are a generalized and deep feature of Syrian life, and, for decades, poets have been seen as belonging among the country’s most significant intellectuals. Revisiting the first two decades of the 20th century, when Syria was founded as a modern nation-state after the Ottoman occupation, we find a country emerging from a nascent rurality. This place had endured centuries of occupation, famines, wars, and corrupt ruling classes. These afflictions lent the very existence of culture a connotation of luxury.
Ygdrasil, A Journal of the Poetic Arts
Ygdrasil - May 2012 - Contemporary Iraqi Poetry Edited and Translated by Khaloud Al-MouttalibiIn order for the English reader to understand, enjoy and appreciate contemporary Iraqi poetry, light must be shed on its past. The reader will find that the translated poetry reflects the experiences of theIraqi people, dictatorship, social problems and the horrors of war and terrorism that the country still endures. The article that accompanies the poems, written by Professor Malik AlMuttalibi (College of Fine Art, Baghdad University) aims to paint a picture of the historical background of contemporary Iraqi poetry and the stages through which it went. Khaloud Al-Muttalibi
“Some Observations on Arabic Poetry,” Journal of Near Eastern Studies, 26 (1967), pp. 1-12.
Asian Journal of Humanities and Social Studies
Arab Spring Revolutions throughout Modern Arabic Poetry2020 •
One of the core dominant events, in the Middle East in 21th century, was Arab Spring revolutions in 2010-2011. These revolutions aimed to achieve democracy and get rid of the dictator regimes in the Arab countries. No doubt that Arab Spring had political social and economic reasonable and significant impacts. This paper will examine various reflections on the Arab revolutions of the Arab Spring (2010-2011) through modern Arab poetry, focusing on four selected poems as cases of study. In addition to the aimed historical reading, this paper attempts to analyse the selected poems focusing literary and poetic methods, as well as language and diction, comparing between them. For diversity, while all the selected poems are modern Arabic poetry, one of the selected poems is the neo-classic Arabic poetry of Ibrāhīm Obaydī, and the three others are free verse poetry from Ahmed Matar, Musʿab al-Mūrādī, and Ahmad Msāʿdih. Methodologically, this study is analytic, comparative and inductive, rel...
Narrating the Six-Day War in the Poetry of Nizar Qabbani The defeat of the Arab armies in the 1967 war i and its catastrophic ramifications introduced into the study of Arabic literature an awareness of the impact of mass trauma on the collective memory of the nation, an awareness minimally confronted in the Arab world even during the era of colonization ii. Experiencing war and its traumatic memories, the great Syrian poet , Nizar Qabbani iii was transformed from a poet of love and erotica into a revolutionary activist , from a belief in the end of ideology to a new politicized awareness. His growing sense of despair after the defeat and his feelings of exile in his homeland led to his interrogation of Arab cultural traditions based on destructive images that justify a history of false heroism and empty rhetoric. Qabbani's war poetry is a reflection of the frustrated aspirations of Arab intellectuals, and an epitome of the sense of alienation of a nation deceived by the political slogans of the Arab regimes in the aftermath of WW II. Therefore, Qabbani's poetry is an assault on contemporary Arab policies with regard to the Arab-Israeli conflict condemning the Arab rulers who turned their backs on the plight of the Palestinian refugees. Dedicated to a revolutionary aesthetic, Qabbani's poetry aims to expose the brutalities of the regimes and the backwardness of the Arab society. In his war poetry , Qabbani does not condemn the Israeli army or elevate the sacrifices of Arab soldiers or attempt to sentimentalize the relationship between the Arab people and their defeated regimes. As a literary figure who has a great impact on generations of Arab readers since the 1950's , Qabbani introduced a counter-poetics , a personal elegy lamenting a nation plagued by tyrannical regimes and battered by endless defeats. As a representative of the rebellious spirit of a generation traumatized by oppressive governments, Qabbani disparagingly castigates the Arab regimes responsible for the defeat of the 1967 war iv. Unlike official discourse which simplifies the representation of war imposing an illusion of collectivity within a dictatorial system based on hypocrisy and corruption, Qabbani's poetry rewrites the 1967 war narrative denouncing the culture machine which paves the way for the
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