Significant Moments, 2018
Significant Moments is a historical novel written entirely in quotations. The themes include opera and psychoanalysis: Wagner and Freud.
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2019, KNOW THYSELF DOC NUMBER 2
HOPING TO INSPIRE THE QUESTION : HOW WOULD NIETZSCHE DEFINE FAIR AND EQUITABLE? https://www.goodreads.com/author/quotes/1938.Friedrich_Nietzsche AND IS THE REASON WHY MANY HUMANS DO NOT SEEK TO KNOW THEMSELVES THE EXISTING FEAR THEY MIGHT NOT LIKE THE RESULTS OF THE EXAMINATION. https://www.academia.edu/38368832/Pedrini2018_Article_UnconceptualizedInternalPrompt.pdf?email_work_card=view-paper
Significant Moments, 2018
Significant Moments is a historical novel written entirely in quotations. The themes include opera and psychoanalysis: Wagner and Freud.
Journal of Techniques
يعّد مرض سرطان الثدي من أكثر الامراض السرطانية شيوعا التي تصيب النساء على مستوى العالم ككل وتختلف معدلات الاصابة بين منطقة واخرى، يمكن دراسة هذه الظاهرة اعتمادا على تأثير المكان بدل السنوات وتتأثر البيانات المكانية بصورة مباشـرة بمجموعـة مـن العوامـل المـؤثرة (العمر، الموقع الجغرافي، الحالة الاجتماعية والاقتصادية والإنجابية، تناول الهرمونات، عوامل الخطر المتعلقة بنمط الحياة (التدخين، النظام الغذائي، السمنة والنشاط البدني)، والتاريخ العائلي التي تساهم بإظهار هذ المرض. في هذا البحث استخدم نماذج الانحدار المكاني ( spatial regressive model ) لتحليـل البيانـات المكانية لمرض سرطان الثدي ومن خـلال المقارنة التقدير بين نماذج الانحدار المكاني بواسطة محاكاة مونت كارلو لاختيار افصل مقدر بين النموذجي الانحدار المكاني الاول نموذج الانحدار الذاتي المكاني (spatial autoregressive mode ) والثاني نموذج الخطأ المكاني( spatial error model) وتطبيق طريقتي التقدير طريقة المربعات الصغرى الاعتيادية وطريقة الامكان الاعظم على نماذج الانحدار ولغرض المقارنة استخدام معيار المقارنة متوسط مربع الخطأ (Mean S...
The PhotoHistorian: The Journal of the Royal Photographic Society Historical Group, 2024
In a recent paper investigating an unsigned early view of Port Said, originally published by the Francis Frith Co., we identified the photographer as being Frank Mason Good (1839-1928). By succeeding in dating independently this view to early 1872, we have shown that it belongs to a set of photographs from the Suez Canal taken during Good’s ‘third’ journey of 1871/1872. Good travelled several times to the Near East, and the dates of his journeys were intrinsically worked out by Bertrand Lazard some thirty years ago. Lazard’s pioneering research concluded upon four journeys: the first in 1866/1867; the second in 1868/1869; the third in 1871/72; and the fourth in 1875. We wish to re-examine here the photographs attributed to these journeys, and particularly those of the so-called ‘third’ journey. We believe (as we have already hinted at in our previous paper) that some of them (twenty-two in Frith’s catalogue) actually belong to another, so far undetected, journey, which took place between Lazard’s ‘second’ and ‘third’ in late 1869. We therefore propose that Good made five professional journeys – part of Lazard’s ‘third’ is to become fourth, and his ‘fourth’ is to become fifth in our revision. Other undetected journeys, preceding all five, one to the Near East in 1862, will not be counted here as such (avoiding further complication), since Good was then only a young man and no surviving photographs can be attributed to them.
Prismas, 2011
En su Historia crítica de la historiografía argentina Omar Acha se propone trazar un mapa del campo historiográfico en el que se articulen las diferentes zonas, o diferentes maneras de interpretar el pasado, que han dado forma a la imaginación histórica argentina. Las ...
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