Against the Grain
Volume 19 | Issue 6
Article 25
11-4-2013
Biz of Acq -- Sample Magazine Display at the Prat
Institute Library: 2003-2006
Susan E. homas
Borough of Manhatan Community College/CUNY, sthomas@bmcc.cuny.edu
Follow this and additional works at: htp://docs.lib.purdue.edu/atg
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Recommended Citation
homas, Susan E. (2007) "Biz of Acq -- Sample Magazine Display at the Prat Institute Library: 2003-2006," Against the Grain: Vol. 19:
Iss. 6, Article 25.
Available at: htp://docs.lib.purdue.edu/atg/vol19/iss6/25
his document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact epubs@purdue.edu for
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Biz of Acq — Sample Magazine Display at the Pratt
Institute Library: 2003-2006
by Susan E. Thomas (Evening/Weekend Librarian, Assistant Professor, Borough of Manhattan Community College/CUNY,
199 Chambers St., S-434, New York, New York 10007; Phone: 212-220-8000 x7112; Fax: 212-748-7466)
<sthomas@bmcc.cuny.edu>
Column Editor: Michelle Flinchbaugh (Acquisitions Librarian, Albin O. Kuhn Library, University of Maryland Baltimore
County, 1000 Hilltop Circle, Baltimore, MD 21250; Phone: 410-455-6754; Fax: 410-455-1598) <linchba@umbc.edu>
Column Editor’s Note: Finding effective
means of including patrons in the collection
development process can be dificult. Pratt
Institute’s Library successfully gathered
patron feedback via a sample journal display
and incorporated their results into their collection management decisions. I am greatly
pleased to present with this article author
Susan Thomas’s Poem “‘Relax’ Art Library,”
assembled entirely from patrons’ comments
written into sample magazines. — MF
“Relax” Art Library
Assembled from Pratt Institute Library
patrons’ comments written in the back of
sample magazines.
I thought personally
I’m digging this big time
I have been waiting around
with substance and meaning
Why haven’t you already?
architecture eye candy
don’t listen to him
too many ads and corporate nah
Less hipster crap would be great too!
would love to frequent this magazine
if you know what’s good
seriously, from different countries
More ire, blaze it up!!
the best Japanese magazines
today’s anarchists
smash layout
so “relax” art library
Upstairs. fabulous
the word strange is a helpful reference
and great all in one breath
yes, I say I have always loved this one.
Background
The Pratt Institute in Brooklyn, New York,
offers undergraduate and graduate degrees in
several design ields, ine arts, art history, and
other disciplines. The library’s expansive, rich,
unusual periodicals collection is popular with
the Pratt community and is frequently used by
individual students, staff, and faculty as well as
classes. Librarians have taught library instruction sessions on the periodicals collections,
including current, bound, and special collections. The collection includes periodicals about
ine arts, art history, design, literature, current
events, hard sciences, social sciences, library
science (at Pratt Manhattan), and more. The
Periodicals Committee consisted of all the librarians responsible for selecting materials for
the library. Librarians contributed in their areas
of specialty or research, with some librarians
more deeply involved than others. As the chair,
I worked closely with the Technical Services
librarian and clerical staff on quotidian work
like processing unusual issues, establishing
binding schedules, and the like. Through 2003,
the PIL periodicals collection was in two parts:
Art & Architecture and Reference. In 2004,
both collections were merged together.
Special Periodicals include historical titles
like Avalanche, Avant Garde, Creative Art,
and The American Magazine of Art as well
as more contemporary titles like
Émigré, McSweeney’s, and Gum.
Probably due to different perspectives
on cataloging and processing over the
years, some historical periodicals, like
Cahiers d’art, have been classed as
books and live in the Special Collection (books) or Rare Books collection.
Most, however, have no call number
and live in the Special Periodicals section of the Special Collection. Pratt
Institute Library has an inchoate Zine
collection, too.
As with many open periodicals stacks and
current displays, no hard statistics have been
collected other than those related to the inhouse use and occasional circulation of bound
journals, which have barcodes. The librarians
on the Periodicals Committee closely observed
the use of the periodicals collections over the
last several years; it is clear that the collections,
especially the current periodicals, are heavily
used. Pratt community members use the periodicals collections for many reasons:
• For academic research
• For creative research
• To teach classes (faculty bring in classes
to study periodicals, with or without
librarian presence)
• To stay current in their ields by regularly reading seminal journals and magazines
• To ind periodicals to which creative
work may be submitted and to which
students may apply for internships
76 Against the Grain / December 2007-January 2008
• For general interest and inspiration
• To examine design specimens
• To read about emerging artists, designers,
and writers
• To be informed about current trends in
and the avant-garde of creative ields
• To be informed about current affairs
• To become exposed to independent periodicals publishing, including magazines
as well as zines.
The Sample Magazine Display
One of the goals of the Periodicals Committee was to create more opportunities for patrons
to contribute to collection development. Several years ago, many of the subscriptions beyond art, architecture, and design were straight
out of the print Reader’s Guide to Periodical
Literature, Social Sciences Index, and Humanities Index. They were not necessarily the best
periodicals for the PIL community in the 21st
Century. Thus, a
great deal of work was
done to select more relevant, important, and
unique titles. The committee came up with
a plan to acquire sample periodicals, display
them, and ask patrons to write comments about
why the library should (or should not) subscribe or regularly purchase a magazine. The
committee read the comments and considered
them during the course of its selection process.
The committee thought long and hard about the
collection and decided early on that a title need
not be indexed or available via subscription to
be selected for regular acquisition.
When we became aware of a new or established magazine of potential interest to the
library community and curricula, we attempted
to acquire a sample from the publisher or purchased an issue from a bookstore. Sometimes
patrons would bring sample issues of favorite
magazines, and those would be added to the
display. In addition, a notebook was kept on
display. In it patrons wrote the names of publications they thought the library should subcontinued on page 77
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Biz of Acq — Sample Magazine
from page 76
scribe to or otherwise acquire. Acquisition as
well as subscription is mentioned because the
library had to purchase several titles regularly
from bookstores because subscriptions did not
exist (Gum, a design magazine), a credit card
was required for subscription (Tate, etc., a UK
art magazine), or EBSCO could not provide
or could no longer provide (Arquine, a Spanish
architecture magazine). In some cases the Library made bookstore purchases until EBSCO
was inally able to provide a subscription.
Examples included Marmalade (UK design
magazine), 032c (German art magazine), and
Bidoun (U.S. published magazine about art and
culture in the Middle East).
In 2001 and 2002, the Dean of Libraries
approved a budget of a few hundred dollars
so that librarians could purchase sample periodicals. The money came from petty cash in
increments of no more than $25. Librarians
visited bookstores, made purchases, and were
reimbursed. During those years, samples were
not displayed but were studied by librarians
only. Beginning in 2003, samples were put
on display. Later, the budget was $400 — later
increased to $600 — and was expanded to
officially include sample magazines and
bookstore purchases of regularly acquired
magazines that did not offer subscriptions,
including zines. Most purchases were made
at St. Mark’s Bookshop and Spoonbill &
Sugartown Bookstore in New York. If unavailable at a bookstore where the PIL had
an account, materials were purchased with
petty cash. Without such a budget and such
lexibility, the project would have been much
weaker since the library would have had to rely
on free samples (usually available only from
well-established journals, not independent art
and design publishers) and donations.
The magazines were typically displayed
face out, next to the New Book Display. Another library could choose to display sample
magazines with subscription and regularly
acquired magazines, depending on the library’s
layout and other factors. One reason we put
the display with the New Books was to avoid
the sample magazines getting mixed up with
the regular magazines. A sticker was placed
on each sample magazine’s cover, identifying
the magazine as a sample and requesting the
reader/browser to write comments in the back.
“Why (not) should the Library subscribe to this
magazine?” Patrons wrote on a piece of paper
taped in the back. Samples were kept on
display for sev-
eral months — usually
for about a semester.
The Outcome
I found comments
written in most of the
magazines. The comments in general were
rather thoughtful, with
the occasional, marginally useful “This sux!”
or “this is great! Subscribe!” Useful comments included: “There
is too much advertising
in this magazine.” “architecture eye candy,
blah.” “all style but no
substance.” Writers often responded to each
other’s comments, as
well: “don’t listen to
him.” “I agree, there
aren’t enough Japanese magazines in the
library.” Writers would
often compare the periodical to the rest of the
collection, noting that it
was “unique,” “popular,” etc. One patron
wrote that she gained
an internship at one of
the sample magazines.
Someone else wrote
that a part-time faculty
member at Pratt was
involved in the production of the magazine.
Another said that she loved the new magazine so much that she ordered a subscription
for herself and friends. Such comments
were quite pleasant to read.
After a magazine was removed from
display, I word processed all the comments and shared the results with the
Periodicals Committee. Magazines
that were clear “winners” were usually
selected for subscription. A great example is Gastronomica: the journal of
food and culture. Everyone loved that
journal! Sometimes the committee selected
a magazine for subscription even if the patron
comments were not so enthusiastic (or were
just lacking). Overall, the committee read the
comments with great interest and used them as
one tool in its selection process.
Then stickers were put on the cover and the
magazines were returned to display for a short
time. The stickers indicated that the Library
would subscribe, thank you very much for your
input; or the Library would not subscribe, thank
you very much for your input. In some cases,
the sticker said that the magazine was still
under consideration. (Since adjustments to the
EBSCO order were usually made during the
summer, the committee sometimes had to wait
before deciding. The library couldn’t add
anything unless something else was canceled
or became defunct). There was a “good
faith” agreement with the library administration that the total budget for new subscriptions would not exceed the amount of
Against the Grain / December 2007-January 2008
money
freed up by cancellations and defunct titles. Even so, the serials budget did increase every year because
EBSCO increased prices. The “good faith”
agreement was based on the popularity and
heavy use of the periodicals collection. Good
support from the college administration was
key, as well.
Deselection was part of the process. The
committee was not afraid to cancel titles infrequently used (based mostly on observation) or
used but (now) available in a full-text database.
Heavily illustrated magazines were never
canceled; more likely to be canceled were
seldom-used academic journals. The librarians
attempted to include the discipline faculty in
some of the selection and deselection; but, as
most librarians will not be surprised to hear,
many faculty members simply said that the
library should not cancel anything in their
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77
Biz of Acq — The Wiki of Acq
from page 78
work a lot,” one said it had helped somewhat, and one
said it had had no effect. This consensus is remarkable
because the common opinion is that library staff tends to
be resistant to change, making a 2.0 tool like a wiki hard
to implement successfully. Only a few months after the
move to the wiki, our staff unanimously preferred it to
the former documentation.
As part of the survey, I also asked the ordering staff
to write in their opinions of the advantages and disadvantages of the wiki. Interactivity, such as the ability to
add comments and suggestions, was frequently listed as
an advantage. The other beneit cited by several staff
members is the clear linking within the wiki to other
departments’ Websites. One respondent wrote the best
thing about the Consul procedures is “having other units’
procedures ‘up front’ and available.”
The main disadvantage mentioned by respondents
was searching. Staff members wrote they wanted to be
able to search by keyword. This is possible in Conluence, but not immediately obvious. There is a search
box that searches across all “spaces” within Stanford’s
installation. After an initial search, you can limit results
to a particular space. The labeling I have done to link
documents within the ordering space is another option
for searching. The staff response on this subject shows
a need for more training in Consul searching.
The Future
The consensus of the ordering staff was that a wiki
platform for the unit’s procedures was beneicial to acquisitions work. Procedures are kept current and we save
managerial time with a tool that allows quick and easy
Web updating. Since the creation of the ordering space,
I have trained the managers of the other units within our
Acquisitions Department to create and populate Consul
spaces. At this point, every Acquisitions unit is in the
process of transitioning to the wiki, and many other groups
in the Stanford Libraries are creating spaces as well. Ultimately, as we standardize the tools we use for documenting
procedures across the libraries, we will enable better crosslinking between units and as a consequence, a better and
broader understanding of library processes.
Biz of Acq — Sample Magazine
from page 77
discipline. The committee was caught between trying
to do the right thing — which included explaining why
a title was being canceled and conveying thoughtfulness,
regret, and offers to ind other libraries that subscribe
— and simply conducting its business in a vacuum, inside
the library and outside of the Pratt Institute community.
The acquisition of full-text, multidisciplinary databases
seriously improved the availability of journal articles in
subjects like history, cultural studies, and literature.
At the time of the author’s departure from the PIL, the
committee had nearly exhausted potential cancellations.
The process of selecting new titles will become more dificult now that the collection of currently received titles
has been so well tuned and shaped. It is inevitable, however, that numerous titles — even popular ones — will
become defunct. Money may be freed up as a result. It
is also possible that the budget will be increased due to
patron satisfaction and interest in the periodicals, many of
which are available exclusively in the print format.
Against the Grain / December 2007-January 2008
Standards Column — Electronic
Resources: Challenges
and Opportunities
by Todd Carpenter (Managing Director,
NISO, 1 North Charles St., Ste. 1905,
Baltimore, MD 21201) <tcarpenter@niso.org> www.niso.org
T
he management of digital resources
has never been an easy process.
The rapid expansion of digital
resources compounded with changing
formats and sales models in the short life
of Web-based delivery systems has particularly made the management process
more complex. Further, from the very
beginning, details relating to purchasing,
licenses, access, and usage have been kept
in ad hoc systems built by in-house teams
or by the individual librarian needing to
organize her worklow. It is hard to recall
the days when digital resources played
only a minor role in library management
discussions.
It is from these very humble beginnings that a fairly robust community
of vendors and librarians developed an
entirely new type of library system
— the E-Resource Management System
(ERMS). There are now several vendors
providing more or less integrated ERMS
services. The most dominant vendors of
these systems are Ex Libris, Innovative
Interfaces Inc., and Serials Solutions.
There are also community-developed
projects such as Colorado Alliance’s
Gold Rush systems as well as open
source systems, such as HERMES at
Johns Hopkins University. In addition,
there are likely dozens (or more) homegrown systems that librarians are using
to address complex management details.
Even without a formal system in place,
however, nearly every library is dealing in
its own way with the acquisition, license,
title, integration, and usage data information that accompany digital content.
NISO held a two-day seminar in Denver during September to bring together
systems vendors and a diverse crosssection of librarians who are at different
stages in the process of implementing a
formal ERMS. It became apparent that
these systems are relatively early in their
development and deployment, despite
some successes. Approximately one-third
of the attendees had an ERMS in production, while the balance of the participants
were either just implementing one, in the
process of acquiring one, or still considering whether to purchase an ERMS. During this event we also learned that only
about 400 institutions have functioning
systems in development or production
nationwide. Among the issues that were
discussed at this forum were the role of
ERM systems in the library; the ERMS
relationship to and interoperability with
the standard ILS; which functionalities
were most critical for adoption and use;
and some of the barriers to implementation that have been experienced by the
attendees.
When considering the amount of
funds invested in electronic resources,
the anecdotal indication from the group
that gathered in Denver is that not
nearly enough staff resources are being
dedicated to the ERM acquisition and
content-management lifecycle. Among
ARL libraries, the average percentage of
materials budget spending on electronic
resources in 2005-06 is 42%, or nearly
$3.6 million, with the highest percentage
being 73%. This expense amount is up
20% from the year before. The median
percentage is up 5%. Despite this growing
trend, we learned that even at some of the
largest institutions, where annual acquisitions investment for electronic content is
in the millions of dollars, fewer than ive
full-time staff are responsible for the full
management of electronic resources and
their acquisition lifecycle. Compared to
the staff resources dedicated to managing
the print material acquisition and management process, the e-resource HR investments seem modest. Obviously, every
institution could use more staff, but the
relative investment in print compared with
the growing investment in digital content
will necessitate changes in staff allocation
that go well beyond the scope of having a
system that manages these resources.
Perhaps the lack of staff resources
is part of the reason that a relatively
small number of the ERMS that have
been purchased are up and running, or
producing the anticipated results. To effectively populate, manage, and use these
systems a signiicant time investment and
signiicant shifts in organizational culture
are required, steps that many institutions
have yet to make.
One barrier to adoption that was
discussed was the complexity of the
problems that ERMS are trying to address, compounding the difficulty of
rolling out such a system. Larger issues
such as adapting worklows, restructuring
staff resources to manage digital content,
and systems interoperability with existing
management tools were also pointed out
as causes of delayed implementation.
The sheer scale of the volume of data
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