MUSEUMS AND THEIR PRECURSORS: A BRIEF WORLD SURVEY
1992, Manual of Curatorship: a guide to museum practice, [Second edition]
Related papers
MUSEUMS AND MUSEOLOGIES
Art History and Visual Studies in Europe : Transnational Discourses and National Frameworks
Reflection on the history and practice of art history has long been a major topic of research and scholarship, and this volume builds on this tradition by offering a critical survey of many of the major developments in the contemporary discipline, such as the impact of digital technologies, the rise of visual studies or new initiatives in conservation theory and practice. Alongside these methodological issues this book addresses the mostly neglected question of the impact of national contexts on the development of the discipline. Taking a wide range of case studies, this book examines the impact of the specific national political, institutional and ideological demands on the practice of art history. The result is an account that both draws out common features and also highlights the differences and the plurality of practices that together constitute art history as a discipline.
Pettersson, Susanna and Hagedorn-Saupe, Monika, Jyrkkiö, Weij, Astrid (eds.), Encouraging Collections Mobility. A Way Forward for Museums in Europe.
2010
Encouraging Collections Mobility - A Way Forward for Museums in Europe provides information about the history of collections and suggests different ways to approach museum collections and collecting related activities. It proposes that museums should rather be encouraged to build collection strategies of the 21st century than repeating the old pattern that is based on the idea of eternal growth. Whereas most of the articles provide a philosophical context for the collections and their use, the book also addresses the practical issues concerning collections mobility, such as immunity from seizure, insurances, non-insurances, and state indemnities, long term loans, loan fees, and digitisation. It as also pointed out that standards, trust and good networking form the basis for all co-operation. The book pulls together current good practice in developing loans procedures and sets it out in a clear format.
"AHR Conversation: Museums, History, and the Public in a Global Age"
The American Historical Review, 2019
At the suggestion of Steven Conn (Miami University) and Denise Y. Ho (Yale University), the 2019 Conversation examines the role played by museums and the act of display in the formation of historical narratives in diverse national contexts. Conn and Ho are joined here by Ana Lucia Araujo (Howard University), Alice L. Conklin (Ohio State University), Barbara Kirshenblatt-Gimblett (New York University), and Samuel J. Redman (University of Massachusetts, Amherst), to discuss both scholarship on the history of museums and the contested politics of museum display. Most broadly, as historians and/or curators, they wrestle with a deceptively simple question: What, exactly, are museums for? Who should the museum “speak”—and answer—to? What responsibility do museum professionals have when it comes to displaying—or smoothing over—a traumatic past? As readers will see, this is not a question only of architecture, display, curation, or even historical accuracy. Instead, these matters can cut to the heart of the underlying role of museums in collecting and organizing items that necessarily reflect the power relations embedded in their very acquisition. As Steven Conn asks, what can provenance tell us, and how much obligation do curators have to reveal it to museumgoers?
Conservation in Context: The Examination and Treatment of Medieval Polychrome Wood Sculpture in the United States
Whereas the history of collecting medieval European polychrome sculpture in the United States has been discussed in art-historical literature to some extent, scant attention has been paid to the historical development of examination and treatment techniques. This article suggests a parallel and interdependent relationship between these two histories. In the early twentieth century, American museums acquired increasing numbers of medieval painted and gilded sculptures that were initially displayed in settings evocative of the Middle Ages. These sculptures were usually treated by paintings conservators with methods adapted from easel paintings, with a major focus on halting the ongoing deterioration of polychromy in uncontrolled environments. It is only later, thanks in large part to curators such as James Rorimer and the European-trained restorers who worked with them, that a more scholarly and scientific approach to the acquisition, examination, restoration, and display of medieval sculpture was adopted. These developments and others are explored using archival and biographical research and visual examination of sculptures from a number of important American museum collections.
Más museos digital journal: Projecting museum studies and university museums to the world / The museological terminology of the museums of UNAM, Mexico: Towards the implementation of new forms of documentation in university museums
University Museums and Collections Journal, 2019
http://umac.icom.museum/resources/umac-publications/conference-proceedings/
Rethinking early modern museum in China in the context of the contemporary Chinese museum boom
The recent museum boom in China has drawn much attention in the West, but few have paid attention to the first museum boom in China in the early modern period, from 1911-1937. During this period, museums in China developed in a fast and vibrant manner, and aspects of these museums have shaped museums in China today. I investigate early modern museums on a micro scale, and provide a detailed account of historical information about the pioneering private museums like the Zikawei Museum, Shanghai Museum, Nantong Museum, as well as the significant national museums like the National History Museum, Institute of Antiquity Exhibition, and Palace Museum. Then, I examine the development of contemporary museums on a macro scale, with an analysis of regulations and laws, notable museums and exhibitions, in order to explain the basis of the Chinese museum boom today. I also discuss the international loan exhibition, a device that ran though the history of Chinese museums and serves the diplomatic needs of the Chinese government. Lastly, I shed light on the rising demand for foreign exhibitions in China, and point out how important it is for the West to understand the history of Chinese museums in order to facilitate successful cooperative traveling exhibitions.
MUSEUMS A D THEIR PRECURSORS: A BRIEF WORLD SURVEY
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