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The conference explored the remains, revenants and legacies of Soviet Constructivism through the 1940-1970s – both in the USSR and beyond. We are interested in historically grounded and theoretically informed papers that map out the post-utopian and disenchanted period of “the Constructivist method.” No longer “a Communist expression of material constructions” (to use Gan’s formulation), these belated Constructivisms made themselves known mostly indirectly: for example, in the heated debates about the role and importance of aesthetics under socialism, in the functionalist idiom of mass housing, in the visual organization of museum space, or in the reception and development of constructivist concepts in architectural deconstruction.
KnE Social Sciences, 2018
This chapter deals with temporary Soviet architecture— exposition pavilions and set design for films during the interwar period. It will be viewed through the lens of the concept of life-building (zhiznestroenie), which can be traced to Russian writers and philosophers of the 19th century. Having started in a Positivist mode, by the end of the 19th century the concept acquired strong religious connotations. After the October revolution of 1917, the idea was picked up by Marxist theoreticians and Constructivists and understood as building a new society and a new human being. During the Stalin epoch, the concept morphed into vague images of Communism, whose arrival was placed into an undefined distant future. In a sense, the idea went back to its Symbolist and quasi-religious form. I will trace the transformations of the idea of life-building as it was going back and forth between practical and symbolic forms. I will also attempt to analyze how the idea of life-building was used in a dialog (and confrontation) with the West.
The Oxford Handbook of Communist Visual Cultures , 2020
Soviet Constructivism is a central reference for the American art journal October (founded in 1976 and still in print today). This article discusses the ways in which October refers to that historical art movement, while overlooking some of its key political aspirations. Especially during the journal’s founding years, the discursive association with Soviet Constructivism served to bestow criticality, urgency, and sociopolitical relevance on the American art journal. Furthermore, with the reference to Sergei Eisenstein and Dziga Vertov, in particular, the October protagonists have positioned themselves in a specific manner within mid-1970s art critical discourse in the United States. In addition to framing and positioning, the article examines how Soviet Constructivism (alongside Dadaism and Surrealism) becomes for October a key reference for rooting and evaluating the expanded, cross-genre art production post-1945 historically.
In the 1950s, Soviet decorative artists, under the influence of the incipient industrial design profession, chose utility, modesty and the ability for mass reproduction as the chief criteria for their work. Some critics envisioned a confluence of decorative art and industrial design. However, from the 1960s the two professional activities gradually diverged, as decorative artists started reconsidering their role in industry, emphasizing decorative aspects of their work and proposing the notion of ‘spiritual utility’. Believing that mass production had become the responsibility of industrial designers, these artists turned to experimenting with techniques, forms and colours. The resulting artworks were unique or of limited edition, intended for exhibitions, where they appeared as conceptual objects, inviting the viewers to rethink their notions of design and decoration. This article contributes to the study of Soviet design by identifying a specific phenomenon of the 1960s, for which I offer the term ‘neodecorativism’. It traces the Soviet decorative art’s turn from ‘honest objects’ to provocative objects that transcended the logic of mass production and questioned the principles of post-war Soviet aesthetics.
Journal of the Royal Anthropological Institute, 2005
Zeitgeschichte der Dinge, 2019
Politikatudományi szemle, 2003
Język. Religia. Tożsamość.
Topics in Language Disorders, 2000
ACEITAÇÃO DOS LIMITES DO CORPO DURANTE A PRÁTICA DE ASANAS NO HATHA YOGA: UMA ABORDAGEM A PARTIR DOS YOGA SUTRAS DE PATANJALI, 2022
Acta Scientiarum Lundensia, 2024
IJFAES, Vol (3), No (5), May 2024, 2024
Memoria y formación profesional: Aprendizajes, lecciones y desafíos. , 2024
International Journal of Biological Macromolecules, 2024
Journal of Critical Care, 2015
Annals of Animal Science
BMC Health Services Research, 2010