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Magistra: A Journal of Women's Spirituality in History, 2024
This article is an expansion of the conference paper of the same name given at the 59th Internation Congress of Medieval Studies (ICMS) at Western Michigan University, Kalamazoo, MI.
Abstract: Female Mysticism: Cecilia del Nacimiento and María de San Alberto In the period 1599-1600 Cecilia del Nacimiento and María de San Alberto each wrote a verse contemplation on San Juan de la Cruz’s “Noche oscura.” This study compares their poems with “Noche oscura” in order to determine how these religious sisters employ it as the basis for their own mystical experience and expression. Briefly tracing the reception of San Juan’s source, the Song of Songs, and the reconciliation of its literal and allegorical levels, from the 12th century to the 16th, the sister’s poems appear to indicate that they responded to San Juan’s “tropologically,” not in the sense of tropes, but in the sense of translatio: the transfer of the Song’s meaning to the personal experience of the reader/auditor; in other words, “What does the Song mean to me and how should I respond.” “Noche oscura,” and their gloss of it, as they appropriate San Juan’s ‘I’ as their own, at once serves as a springboard to mystic consciousness, as well as a form of mystical didacticism. Their glosses serve for the spiritual well-being of ther religious community, teaching their hermanas how to interpret and interact with “Noche oscura,” engaging them tropologically.
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