You Don't Love Me may refer to:
"You Don't Love Me" is a blues standard recorded by American blues musician Willie Cobbs in 1960. It is Cobbs' best-known song and features a guitar figure and melody that has appealed to musicians in several genres. Although it became a regional hit when it was released in Memphis, Tennessee, copyright issues prevented its further promotion and national chart success. Derived from an earlier song by Bo Diddley, it has inspired many popular adaptations, including "Shimmy Shimmy Walk" by the Megatons and "You Don't Love Me (No, No, No)" by Jamaican singer Dawn Penn.
Willie Cobbs, an Arkansas native, moved to Chicago in 1947, where he began exploring the burgeoning blues scene centered around Maxwell Street. While in Chicago, he learned the blues harp from Little Walter and began an association with pianist Eddie Boyd. In 1958, Cobbs recorded an unsuccessful single for Ruler Records and auditioned for James Bracken and Vee-Jay Records, who felt that he sounded too similar to their biggest artist, Jimmy Reed. Cobbs and Boyd eventually returned to Arkansas and began performing in the local clubs. Cobbs claims that he heard a field hand singing "Uh, uh, uh, you don't love me, yes I know" to a haunting melody one morning and that inspired him to write a song. However, similar verses (along with the melody and guitar figure) are found in "She's Fine She's Mine", a song recorded by Bo Diddley in 1955 for Checker Records, a Chess subsidiary. Cobbs began performing "You Don't Love Me" to enthusiastic audiences and approached a record label in Memphis, Tennessee, with the hope of recording it. The owner of the Home of the Blues record company turned him down—"He said, 'It's a damn good song but you can't sing'", Cobbs recalled. However, two other producers, Billy Lee Riley and Stan Kessler, overheard the audition and offered to record him.
"You Don't Love Me" is the fourth digital single released by South Korean pop band Spica. It was released on January 27, 2014 under B2M Entertainment with distribution through CJ E&M Music and Live.
The single followed their August 2013 "Tonight", as well as their feature as the subject of the reality television show "Lee Hyori X Unnie". The song is a continuation of that relationship between artist and company colleague Lee Hyori. The song's lyrics were co-written with Lee Hyori and member, Kim Boa, with the original composition being completed by Lee Hyori. It marked the first single in which Lee Hyori compose, write and produce a song for Spica. The song is arranged by Kim Do-Hyun.
Although a December 2013 release was scheduled, many lyrics were edited and re-recorded due to potential censorship.
On January 23, 2014, B2M released a statement announcing the digital single to be released on the 27th. with a video teaser uploaded the same day.
The Allman Brothers Band was an American rock band formed in Jacksonville, Florida in 1969 by brothers Duane Allman (slide guitar and lead guitar) and Gregg Allman (vocals, keyboards, songwriting), as well as Dickey Betts (lead guitar, vocals, songwriting), Berry Oakley (bass guitar), Butch Trucks (drums), and Jai Johanny "Jaimoe" Johanson (drums). While the band has been called the principal architects of southern rock, they also incorporate elements of blues, jazz, and country music, and their live shows have jam band-style improvisation and instrumentals.
The group's first two studio releases stalled commercially, but their 1971 live release, At Fillmore East, represented an artistic and commercial breakthrough. The album features extended renderings of their songs "In Memory of Elizabeth Reed" and "Whipping Post", and is often considered among the best live albums ever made. Group leader Duane Allman was killed in a motorcycle accident later that year, and the band dedicated Eat a Peach (1972) in his memory, a dual studio/live album that cemented the band's popularity. Following the motorcycle death of bassist Berry Oakley later that year, the group recruited keyboardist Chuck Leavell and bassist Lamar Williams for 1973's Brothers and Sisters, which, combined with the hit single, "Ramblin' Man", placed the group at the forefront of 1970s rock music. Internal turmoil overtook the band soon after; the group dissolved in 1976, re-formed briefly at the end of the decade with additional personnel changes, and dissolved again in 1982.
The Allman Brothers Band is the debut studio album by American rock band the Allman Brothers Band. It was released in the United States by Atco Records and Capricorn Records on November 4, 1969 and produced by Adrian Barber. Formed in 1969, the Allman Brothers Band came together following various musical pursuits by each individual member. Following his session work in Muscle Shoals, Alabama, Duane Allman moved to Jacksonville, Florida where he led large jam sessions with his new band, one he had envisioned as having two guitarists and two drummers. After rounding out the lineup with the addition of his brother, Gregg Allman, the band played free shows in public parks and moved to Macon, Georgia, where they were to be one of the premiere acts on Capricorn.
The album was recorded and mixed in two weeks at Atlantic Studios in New York City. Much of the material presented was premiered live over the preceding months and combines blues, jazz and country music to varying degrees. It includes re-workings of "Trouble No More" and "Don't Want You No More," as well as notable originals such as "Dreams", which highlighted the band's jazz influence, and "Whipping Post", which soon became a crowd favorite. Although the group was arranged to work with producer Tom Dowd (whose credits included Cream and John Coltrane), he was unavailable, and they instead recorded with house engineer Adrian Barber. The album's artwork was photographed at various places in Macon and surrounding areas.
The words are the thunder
The thought is the lightning
The telling of the tale is the storm
The defendant must be guilty
As he waits impatiently
As the wooden stake is driven
And the angel sounds the horn
The cornered Lion is not within the realm of reason
Fear is like the cracking of the lash
You want to run, you want to fight
Lightning flashes in the night
You finally turn away to hide your face
As the judges file in to take their places
You got to hold your ground
Hold your ground like a man
Sometimes you've just got to hold your ground
When the truth has finally been tasted
You can tell them all their time has not been wasted
You got to hold your ground
Hold your ground like a man
Sometimes you've just got to hold your ground
When the truth has finally been tasted
You can tell them all their time has not been wasted