Those Were the Days may refer to:
"Those Were the Days" (produced by Lukasz "Dr. Luke" Gottwald) is the seventh single from UK hip-hop artist Lady Sovereign, and the fifth from her debut album, Public Warning. The single was confirmed for release on her official website and was released to UK download services on 9 April, followed by the physical release on 16 April. The music video for "Those Were the Days" has also been released to various websites on 9 April. The song features Ya Kid K on backup vocals.
Pink Floyd bootleg recordings are the collections of audio and video recordings of musical performances by the British rock band Pink Floyd, which were never officially released by the band. The recordings consist of both live performances and outtakes from studio sessions unavailable in official releases. In some cases, certain bootleg recordings may be highly prized among collectors, as at least 40 songs composed by Pink Floyd have never been officially released.
During the 1970s, bands such as Pink Floyd created a lucrative market for the mass production of unofficial recordings with large followings of fans willing to purchase them. In addition, the huge crowds that turned up to these concerts made the effective policing of the audience for the presence of recording equipment virtually impossible. Vast numbers of recordings were issued for profit by bootleg labels.
Some Pink Floyd bootlegs exist in several variations with differing sound quality and length because sometimes listeners have recorded different versions of the same performance at the same time. Pink Floyd was a group that protected its sonic performance, making recording with amateur recording devices difficult. In their career, Pink Floyd played over 1,300 concerts, of which more than 350 were released as bootlegged recordings (sometimes in various versions). Few concerts have ever been broadcast (or repeated once they were broadcast on television), especially during 'the golden age' of the group from 1966 to 1981.
The Clancy Brothers were an influential Irish folk group, which initially developed as a part of the American folk music revival. Most popular in the 1960s, they were famed for their trademark Aran Jumpers and are widely credited with popularising Irish traditional music in the United States and revitalising it in Ireland, paving the way for an Irish folk boom with groups like The Dubliners and The Wolfe Tones.
The Clancy Brothers, Patrick "Paddy" Clancy, Tom Clancy, and Liam Clancy, are best known for their work with Tommy Makem, recording almost two dozen albums together as The Clancy Brothers and Tommy Makem. Makem left in 1969, the first of many changes in the group's membership. The most notable subsequent member to join was the fourth Clancy brother, Bobby Clancy. The group continued in various formations until Paddy Clancy's death in 1998.
The Clancy Brothers and Tommy Makem significantly influenced the young Bob Dylan and other emerging artists, including Christy Moore and Paul Brady. The group was famous for its often lively arrangements of old Irish ballads, rebel and drinking songs, sea shanties, and other traditional music.
Biddy Mulligan, The Pride of the Coombe
cho:
You may travel from Clare to the county Kildare
From Francis Street back to the Coombe;
But where would you see a fine widow like me?
Biddy Mulligan the pride of the Coombe, me boys,
Biddy Mulligan the pride of the Coombe.
I'm a buxom fine widow, I live in a spot
In Dublin, they call it the Coombe.
Me shops and me stalls are laid out on the street,
And me palace consists of one room.
I sell apples and oranges, nuts and sweet peas,
Bananas and sugar stick sweet.
On a Saturday night I sell second-hand clothes,
From the floor of me stall in the street.
cho:
I sell fish on a Friday, spread out on a board;
The finest you'll find in the sea.
But the best is my herrings, fine Dublin Bay herrings,
There's herrings for dinner and tea.
I have a son, Mick, he's great on the flute,
He plays in the Longford Street band;
It would do your heart good for to see him march out
On a Sunday for Dollymount Strand.
cho:
In the park, on a Sunday, I make quite a dash;
The neighbors look on in surprise.
With my Aberdeen shawlie thrown over my head,
I dazzle the sight of their eyes.
At Patrick Street corner, for sixty-four years,
I've stood, and no one can deny
That while I stood there, nobody could dare
To say black was the white of my eye.
cho:
recorded Clancys (I think) RG
filename[ BIDDYMUL
play.exe BIDDYMUL