In physics, sound is a vibration that propagates as a typically audible mechanical wave of pressure and displacement, through a medium such as air or water. In physiology and psychology, sound is the reception of such waves and their perception by the brain.
Acoustics is the interdisciplinary science that deals with the study of mechanical waves in gases, liquids, and solids including vibration, sound, ultrasound, and infrasound. A scientist who works in the field of acoustics is an acoustician, while someone working in the field of acoustical engineering may be called an acoustical engineer. An audio engineer, on the other hand is concerned with the recording, manipulation, mixing, and reproduction of sound.
Applications of acoustics are found in almost all aspects of modern society, subdisciplines include aeroacoustics, audio signal processing, architectural acoustics, bioacoustics, electro-acoustics, environmental noise, musical acoustics, noise control, psychoacoustics, speech, ultrasound, underwater acoustics, and vibration.
"Sound" was the first single taken from Seven, the fourth studio album by the Manchester band James.
Released in November 1991, it reached #9 in the UK Singles Chart, the second of the group's three top 10 hits to date. Apart from "Sit Down", "Sound" is the band's only entry into the top 30 of the Irish singles chart.
Clocking in at over six and a half minutes on the album, the song was shortened considerably for the single version.
The CD release featured both the album and the single version, along with a dub remix of "Come Home" and an original song called "All My Sons".
Sound is an independent Filipino jazz band composed of Dru Ubaldo (drums), Erwin Fajardo (keyboards), Sach Castillo (vocals/guitars), and Francis Magat (bass).
In 1996, Paolo Lim, Chino Yuson, and Sach Castillo formed the band Third Stone, an allusion to a Hendrix grind. Later, the trio collaborated with percussionist David Esteban and keyboardist James Bitanga. Originally, the band intended to be a reggae outfit, but several compositions later, the group went into a different direction. In 1999, the band met Erwin Fajardo, to become the new keyboardist. Together with Castillo, the two started writing songs. By 2001, the band had enough material for an album, and eventually settled for the band name Sound.
Sound's live shows are Manila-themed, influenced by groups ranging from The Beatles, Corduroy, Jamiroquai, Stevie Wonder, and Steely Dan, all flavored with a love for original Filipino music. Sound are regular performers at Café Saguijo (Makati), Magnet, Bonifacio High Street (Fort Bonifacio) and Big Sky Mind (New Manila).
Control may refer to:
The null character (also null terminator), abbreviated NUL, is a control character with the value zero. It is present in many character sets, including ISO/IEC 646 (or ASCII), the C0 control code, the Universal Character Set (or Unicode), and EBCDIC. It is available in nearly all mainstream programming languages.
The original meaning of this character was like NOP—when sent to a printer or a terminal, it does nothing (some terminals, however, incorrectly display it as space). When electromechanical teleprinters were used as computer output devices, one or more null characters were sent at the end of each printed line to allow time for the mechanism to return to the first printing position on the next line. On punched tape, the character is represented with no holes at all, so a new unpunched tape is initially filled with null characters, and often text could be "inserted" at a reserved space of null characters by punching the new characters into the tape over the nulls.
Today the character has much more significance in C and its derivatives and in many data formats, where it serves as a reserved character used to signify the end of a string, often called a null-terminated string. This allows the string to be any length with only the overhead of one byte; the alternative of storing a count requires either a string length limit of 255 or an overhead of more than one byte (there are other advantages/disadvantages described under null-terminated string).
"Control" is the second North American single released from alternative rock band Garbage's fifth studio album, Not Your Kind of People, and was sent to radio stations across United States in October 2012. The band mastered a radio version of the song for airplay featuring a third chorus in place of the breakdown that marks the album version of the song. Garbage later pressed a limited edition 7" vinyl single for "Control" and released it through their website. It was backed with a remix of the lead single "Blood for Poppies".
On June 26, 2012, "Control" became the soundtrack to the trailer for The Amazing Spider-Man.
"Control" is about giving up any control in your life, surrendering yourself to whatever is going on," explained Shirley Manson, "...and committing yourself to it in that moment." The band were inspired by the song "When the Levee Breaks" by Led Zeppelin and used it as a reference point to bring guitars into the mix and seeing how far they could push their sound and channel the groove. "Control" features a harmonica part performed by Butch Vig.
Remix is a Danish 2008 feature film directed by Martin Hagbjer starring Micky Skeel Hansen as a 16-year-old pop singer Ruben. Remix is inspired by the true story of Danish pop idol Jon Gade Nørgaard known by the mononym Jon. Jon was also the subject of the documentary feature film Solo released in 2007. The film was released on January 25, 2008.
Ruben (played by Micky Skeel Hansen), an aspiring young man is offered a record contract by the music executive Tanya (portrayed by Camilla Bendix). The film, which co-stars Jakob Cedergren, Sofie Lassen-Kahlke, Henrik Prip and Anette Støvelbæk, follows Ruben's fall from grace in the hands of the music industry.
[Verse 1]
I ain't even gotta give this too much thought
Joell Ortiz won every war that he ever fought
This ain't no different, I'm listening, you the king of New York?
Lil homie you ain't the king of New York, you the next thing on my fork
The messenger with all them rings on that horse
Carrying king's heads 'til I kick you in the chest
And you cough and fall into a bottomless pit
Homie, you know how many bodies that fit?
When we met you said ”it's an honor, man, the YAOWA man can spit”
Maybe that's why you left me out of that shit
Maybe that's why the Slaughterhouse ain't get dissed
Or maybe I'm not on your radar
You feel you ain't gotta acknowledge my clique
Either way, I personal train this beat, it gotta get ripped
You rich rappers can't respond with all the dollars you get
Gangsta rappers can't retaliate with hollows and clips
And you fashion rappers wear the kind of jeans that hardly get zipped
So zip it, I got this shit, real hip hop in this bitch
The apocalypse has fell upon us, watch the zombies I split
The walking dead, I've been a monster, shorty, I can get bit
And never turn, I'm immune to these rappers y'all calling sick
I stomped the red carpet holding my dick
And throw tomatoes at the podium
For whack awards that y'all niggas get
Then stand up and scream YAOWA then dip
And smack a legend on the way out of that bitch
Cause I don't big up the elite
The elite can get it too, you all fit under my feet
You all victims, all chitlins when a nigga trying to eat
I'll see to it, y'all missing like a whino nigga teeth
Anybody can get it
Old nigga, new nigga, him nigga, you nigga
One nigga, two nigga, a few niggas
I do niggas harm with these bars
It was brave, you took a chance like a Monopoly card
Put that telly you trying to check in, that property is ours
Can't get a W on Broadway, I'm New York all day
Yeah, that's where the boss stay
You no hear that?
A hundred Ricans running at you chief like a...
Last time in Compton I was kicking it with Jorge
I rocked with some cons out west like the...
But I don't claim king even though my name ring
And I had China in the Bay, we call Beijing
Rodeo... they telling you the same thing
Chico be in Sacramento so much he can claim king
But that's the west coast, I'm from this coast
I'll leave the king of LA to Dre, I was this close
To stay at Aftermath, but lamped out like a Genie
But Dre you such a gangster and... you're such a sweetie
And guess what, I'm a free agent again if y'all never need me
But back to these bars, I'm hungry, this beat is gon' feed the needy
Y'all looking like grannys ziti, zucchini out in Tahiti
With Erykah Badu's booty in a bikini
Your main chick is a Precious, my side chick is a RiRi
I fuck her and take her out for fries in the panini
I ain't a rap nigga, I'm a nigga that rap
Before this — y'all saw the cypher, I ain't bringing that back
Why should I recycle bars when my mind is a flight to Mars?
And any force I came across was like rhyming inside a star
With the Universe on my back, your human version is wack
I grab my extraterrestrial testicles when I rap
And tell Earth suck it, tell the planet try it
I turn this bitch into the Independence Day
Without the lucky drunk pilot
I love competition, constructing a composition
Of destruction, put a... composition
I'm Optimus Prime trucking your boulevard, just wishin'
That a star screams so I can go on a bombing mission
You set the bar high, I raised the bar higher