Euphoria is the seventh studio album by English hard rock band Def Leppard, released in 1999. The album aimed to return to their signature sound made famous by the band in the 1980s. It was produced by the band with Pete Woodroffe. The album charted at No. 11 on The Billboard 200 and No. 11 on the UK Albums Chart. The album is also known for including the song "Promises", which hit the number one spot on Billboard's Mainstream Rock chart. The pop metal tune has been performed on numerous tours since, with 440 plays according to Setlist.fm publicly.

Overview

Following Slang, the band was initially unsure of which direction to take for their next release, upon reconvening in April 1998.

The band would enlist the aid of former producer Robert John "Mutt" Lange for four days in a more limited role. Three songs were co-written with Lange, who lent background vocals (as he had on other albums): "It's Only Love", "All Night" and "Promises".

A song first recorded by Vivian Campbell's side band Clock, "To Be Alive", received a Leppard makeover. For the first time since 1981's High 'n' Dry, an instrumental was included (Phil Collen's "Disintegrate"). This instrumental was known before as "Spanish Sky", a ballad that evolved into this track.

Demolition Man is a Williams pinball machine released in February 1994. It is based on the motion picture of the same name. It is part of WMS' SuperPin line of widebody games.

Sylvester Stallone (John Spartan) and Wesley Snipes (Simon Phoenix) provided custom speech for this game during ADR sessions at Warner Brothers Studios in Los Angeles under the direction of Jon Hey. Hey scored the music of the pinball game in part based upon the movie score by Academy Award winner Elliot Goldenthal, but including new music.

Multiball modes

This game is centered on multiball modes. The player has to shoot the left ramp when the "freeze" light is lit (lit by the right inlane) to "lock" a ball. When the required amount of locks are made, the player has to shoot the left loop to start multiball.

The Wall is the eleventh studio album by the English progressive rock band Pink Floyd. It is the last studio album released with the classic lineup of guitarist David Gilmour, bassist/lyricist Roger Waters, keyboardist Richard Wright and drummer Nick Mason before Wright left the band. Released as a double album on 30 November 1979, it was supported by a tour with elaborate theatrical effects, and adapted into a 1982 feature film, Pink Floyd – The Wall. The album features the band's only number one single; "Another Brick in the Wall Part 2".

As with Pink Floyd's previous three albums, The Wall is a concept album and explores themes of abandonment and personal isolation. The album is a rock opera that follows Pink, a character whom Waters modelled after himself and the band's original leader, Syd Barrett. Pink's life begins with the loss of his father during the Second World War and continues with abuse from his schoolteachers, an overprotective mother, and the breakdown of his marriage; all contribute to his eventual self-imposed isolation from society, represented by a metaphorical wall. Waters conceived the album during Pink Floyd's 1977 In the Flesh Tour, when his frustration with the audience became so acute that he imagined a wall between the audience and the stage.

In 2012 a documentary film made by Sophie Robert about autism was the subject of a court case in France. The name of the film was "The Wall", the alternative full name of the film is "The Wall or psychoanalysis put to the test for autism". The film considers the question of is psychoanalysis a suitable treatment for autism.

Several of the people interviewed in the film sued Ms Roberts. The three plaintiffs (Eric Laurent, Esthela Solano, and Alexandre Stevens) expressed the view that they hold intellectual property rights to the footage filmed by Ms Roberts and that she edited it without their consent and thus distorted their comments.

The court (Lille Regional Court) found against Ms Roberts thus banning the film.

References

The Wall (German: Die Wand) is a 1963 novel by Austrian writer Marlen Haushofer. Considered the author's finest work, The Wall received the Arthur Schnitzler Prize in 1963 and is an example of dystopian fiction. The English translation by Shaun Whiteside was published by Cleis Press in 1990.

The novel's main character is a forty-something woman whose name the reader never learns. She tries to survive a cataclysmic event: while vacationing in a hunting lodge in the Austrian mountains, a transparent wall has been placed that closes her off from the outside world; all life outside the wall appears to have died, possibly in a nuclear event. With a dog, a cow, and a cat as her sole companions, she struggles to survive and to come to terms with the situation. Facing fear and loneliness, she writes an account of her isolation, without knowing whether anyone will ever read it.

Composition

The novel was composed four times over in longhand between 1960 and 1963, but had to wait until 1968, two years before Haushofer's death, to be printed. In a letter written to a friend in 1961, Marlen describes the difficulty with its composition: