Strange Case of Dr Jekyll and Mr Hyde is the original title of a novella written by the Scottish author Robert Louis Stevenson first published in 1886. The work is commonly known today as The Strange Case of Dr. Jekyll and Mr. Hyde, Dr. Jekyll and Mr. Hyde, or simply Jekyll & Hyde. It is about a London lawyer named Gabriel John Utterson who investigates strange occurrences between his old friend, Dr. Henry Jekyll, and the evil Edward Hyde. The novella's impact is such that it has become a part of the language, with the very phrase "Jekyll and Hyde" coming to mean a person who is vastly different in moral character from one situation to the next.
There have been many audio recordings of the novella, with some of the more famous readers including Tom Baker, Roger Rees, Christopher Lee, Anthony Quayle, Martin Jarvis, Tim Pigott-Smith, John Hurt, Ian Holm and Gene Lockhart.
Stevenson had long been intrigued by the idea of how personalities can affect a human and how to incorporate the interplay of good and evil into a story. While still a teenager, he developed a script for a play about Deacon Brodie, which he later reworked with the help of W. E. Henley and was produced for the first time in 1882. In early 1884 he wrote the short story "Markheim", which he revised in 1884 for publication in a Christmas annual. One night in late September or early October 1885, possibly while he was still revising "Markheim," Stevenson had a dream, and upon wakening had the intuition for two or three scenes that would appear in the story. Biographer Graham Balfour quoted Stevenson's wife Fanny Stevenson:
Dr. Henry Jekyll and his alternative personality, Mr Edward Hyde, is a fictional character in Robert Louis Stevenson's 1886 novella Strange Case of Dr Jekyll and Mr Hyde.
Dr. Henry Jekyll is a "large, well-made, smooth-faced man of fifty with something of a slyish cast", who occasionally feels he is battling between the good and evil within himself, thus leading to the struggle between his dual personalities of Jekyll and Edward Hyde. He has spent a great part of his life trying to repress evil urges that were not fitting for a man of his stature. He creates a serum, or potion, in an attempt to mask this hidden evil within his personality. However, in doing so, Jekyll transforms into Mr. Hyde, a hideous, evil creature without compassion or remorse. Jekyll has many friends and has a friendly personality, but as Hyde, he becomes mysterious and violent. As time goes by, Hyde grows in power. After taking the potion repetitively, he no longer relies upon it to unleash his inner demon i.e., his alter ego. Eventually, Hyde grows to be stronger than Jekyll.
Mister Hyde (Calvin Zabo) is a fictional character, a supervillain appearing in American comic books published by Marvel Comics.
Mister Hyde first appeared in Journey into Mystery #99 and was created by Stan Lee and Don Heck. Mister Hyde based upon the literary character by Robert Louis Stevenson.
He has appeared as a regular character in Thunderbolts since issue #157, and remained with the team after the title transitioned into Dark Avengers beginning with issue #175.
The Byrds /ˈbɜːrdz/ were an American rock band, formed in Los Angeles, California in 1964. The band underwent multiple line-up changes throughout its existence, with frontman Roger McGuinn (known as Jim McGuinn until mid-1967) remaining the sole consistent member, until the group disbanded in 1973. Although they only managed to attain the huge commercial success of contemporaries like the Beatles, the Beach Boys, and the Rolling Stones for a short period (1965–66), the Byrds are today considered by critics to be one of the most influential bands of the 1960s. Initially, they pioneered the musical genre of folk rock, melding the influence of the Beatles and other British Invasion bands with contemporary and traditional folk music. As the 1960s progressed, the band was also influential in originating psychedelic rock, raga rock, and country rock.
The band's signature blend of clear harmony singing and McGuinn's jangly twelve-string Rickenbacker guitar has continued to be influential on popular music up to the present day. Among the band's most enduring songs are their cover versions of Bob Dylan's "Mr. Tambourine Man" and Pete Seeger's "Turn! Turn! Turn! (to Everything There Is a Season)", along with the self-penned originals, "I'll Feel a Whole Lot Better", "Eight Miles High", "So You Want to Be a Rock 'n' Roll Star", "Ballad of Easy Rider" and "Chestnut Mare".
The Byrds is a four-CD box set by the American rock band The Byrds that was released on October 19, 1990 by Columbia/Legacy. The compilation comprises 90 tracks and covers the band's career from 1965 to 1971 (a period when they were signed to Columbia Records) in roughly chronological order, but excludes material from their 1973 reunion album Byrds, which was released on Asylum Records. The box set also includes six songs performed by a reunited line-up of The Byrds, featuring original members Roger McGuinn, David Crosby, and Chris Hillman. Of these six songs, two were recorded live at the Roy Orbison Tribute Concert on February 24, 1990 and four are new studio recordings dating from August 1990. The two other original members of The Byrds, Gene Clark and Michael Clarke, who were both still living in 1990, did not participate in the reunion.
At the time of its release, The Byrds was the first box set by a defunct rock act to be issued by Columbia Records. The compilation includes a number of rare and previously unreleased songs, many of which were later included as bonus tracks on the remastered editions of the band's individual albums. Of special interest to fans of both The Byrds and country rock pioneer Gram Parsons, was the inclusion of six previously unreleased tracks from the recording sessions of The Byrds' 1968 album, Sweetheart of the Rodeo. Of these unreleased tracks, the versions of "The Christian Life", "You Don't Miss Your Water", and "One Hundred Years from Now" featured their original Parsons' lead vocals, which had been removed and replaced by McGuinn and Hillman prior to the release of the album. In the years since Sweetheart of the Rodeo was issued, these "lost" Parsons' vocals had become near-legendary among fans of the band and their inclusion on The Byrds provided a major selling point for the box set.
The Byrds were an American rock band, formed in Los Angeles, California in 1964. The term was also the name of several eponymous albums:
The Crazies, live in the subways
Completely control the underground
They're Night Raiders
[Mr. Hyde]
Don't be concerned about what you heard about me word of mouth
Facts I'll take the burner out and blow your fucking sternum out
I'll keep the fragments, little pieces of your clavicle
In my cabinets to prove you 'aint shatter proof
Put the four fifth to you, let all four clips in you
Pain experience is like a Pitch George grip to you
Now you scarecrow dead, watch me tear whole heads
Off at their shoulders I cough as you smolder
Fresh ash particles contaminate the sky
From your flesh barbeque, inhale it to get high
Or pull the tool in your bless, leave you laying on the deck
fuck your bullet proof vest son, I'm aiming for your neck
Now your beautiful jugular is soaking up my rug
'Aint no crews rugged'er, I'll prove it with a slug
See, we psycho+logical your team's methodical
We back slap fag rappers like bitch prostitutes
Scream, and pray its only a nightmare
And hope your gaping throats really only a slight tear
In truth you slice right with the nice nine inch knife
Every trife rhyme I write ignite twenty-five alike
[Goretex]
Barn of the naked dead
Garnish your flesh, carving your head
Me and the Covent starve women till there orange and red
Take creep pictures, renounced, I'm the young Keith Richards
I'll turn a MILF evil, feed her some speed with killer mixtures
Riding Bibles like a man tongue
We slime buckets, where sluts get gutted, fucked and punched
With there tampons, a blood fetish
A monstrous grimace like Al Fish
A moment of silence the count is about to affix
Playing God is such a thrill for me
My young ministry with six women become un-inhibited they kill for me
The God of love, I leave scars and misery
See letting these women go don't make sense, it's a sin to me
The night surgeon, I flip it like a Christ diversion
Welcome to Hell, selling souls right in person
The gore merchant, murder for pigs is always worth it
Expressed male, set my panties and bloody curtains
[Ill Bill]
Call me the sad wings of destiny
Spread across the planet like leprosy
Destroying your entire life's legacy
Nuclear priest, fire storm, human defeat
My goons are elite, murdering you with the tools of the street
The morbid sorcerer, forty four magnum officer slaughterer
Calling your coroner, crash street at the corner of Lauberman
Jumping the L, between cars puffing the L
Robbing you on the way to Carnarsie for something to sell
And I will strike down upon the with great vengeance and furious anger
Burying you with illirious bangers
A total nightmare, chrome nines appear
Walking with no sign of fear
Designed to tear you with this piece of these vagina scare
Pussy clot, ill guerilla pimp make the pussy pop
Another rookie cop got shot another pussy drop
Either we mad men or mysterious villains
Or billionaires, sociopaths, or serial killers
[Necro]
Murder rappers with a shooting titanium microphone
Bullets in your brain rip threw cranium like Styrofoam
Four thugs who step to me who catch belly slugs
Now your four faggits dead laid out in a row covered in smelly rugs
Dieing to meet ya, slice up each feature
Your grill's a bloody mess, your face looks like a piet pizza
Like bleeding pimples, we hold katanas
The scientist analyst, I'm breeding pit bulls and piranhas
The messiah, I 'aint nothing but a creep in a trench
They found Jesus downtown Brooklyn sleeping on a bench
Lobotomy class, we experiment cut and stitch
Open your brain up and analyze it to find out why your such a bitch
Put gats to you
Throw you in a lake naked with a block of cement attached to you
I don't sweat to shoot you (uhn uh)
Rather cut your spleen on screen like a Tom Savini scene