Maya is a 2001 Hindi film directed by Digvijay Singh with Nitya Shetty, Mita Vashisht, Anant Nag and Nikhil Yadav in lead roles.

Plot

12-year-old Maya lives with her aunt Lakshmi, uncle Arun and cousin Sanjay, a typical middle-class family in rural India. The cousins enjoy a playful summer indulging in mischiefs and youthful pranks. But then the young girl has her first period that proves to be a turning point in her life. Maya's family begins making plans for a celebratory feast that involves a ritual rape.

Cast

Reception

The Film won international acclaim at the major film festivals it participated in. The music score by the America based duo of Manesh Judge and Noor Lodhi won Critics Mention at the Flanders Film Festival in Belgium. The music also received an award in England and came in third behind John Williams' score for Star Wars Episode III: Revenge of the Sith, and Leonardo DiCaprio's Catch me if you Can. The movie was first runners-up in People's Choice Award at the Toronto Film Festival, one spot ahead of Mira Nair's well known hit, Monsoon Wedding.

Maaya is a 1972 Malayalam-language Indian feature film directed by Ramu Kariat for Jaya Maruthi starring Thikkurissi Sukumaran Nair in the lead role.Prem Nazir and Sharada also plays pivotal roles, supported by Vijayasree, Sujatha, Sankaradi and T. R. Omana playing other important roles. The film was based on an award winning 1963 novel with the same name by popular novelist K Surendran

Plot

Sankarappillai (Thikkurissi Sukumaran Nair) is the local business man who runs grocery shop in the village center. He also owns the little textile shop of the village which his son Raghuvaran Pillai (Adoor Bhasi) operates. Sankarappillai's family also includes his second wife Eeswari (T. R. Omana) and daughter Gomathy (Sharada). Sankarappillai is separated from his first wife Kalyani (Adoor Bhavani) but visits and supports his daughter Omana in the first marriage.

Gomathy is in love with Madhavankutty (Prem Nazir) an educated but unemployed young man. Sankarappillai and Eeswary also encourages their relation. Madhavankutty takes up job in a news paper in the town. Raghu wishes to expand the textile business, Madhavankutty introduces Raghu and Sankarappillai to his old class mate Vasukkutty (K. P. Ummer). Vasukkutty's uncle Pankippillai(GK Pillai) run a bigger textile shop in the town. Though two head-strong men clashes at first Pankippillai agrees to loan textiles worth Rs 30,000 to Sankarappillai. Vasukkutty meets Gomathy during a business visit to Sankarappillai's home and falls head over heals for the beautiful girl. Seeking business advantage Sankarappillai decides to arrange Gomathy's wedding with Vasukkutty leaving a heart broken Madhavankutty resort to writing.

Māyā (Sanskrit; Tibetan wyl.: sgyu) is a Buddhist term translated as "pretense" or "deceit" that is identified as one of the twenty subsidiary unwholesome mental factors within the Mahayana Abhidharma teachings. In this context, it is defined as pretending to exhibit or claiming to have a good quality that one lacks.

Definitions

The Abhidharma-samuccaya states:

Alexander Berzin explains:

See also

References

Sources

External links

Rhythm (from Greek ῥυθμός, rhythmos, "any regular recurring motion, symmetry" (Liddell and Scott 1996)) generally means a "movement marked by the regulated succession of strong and weak elements, or of opposite or different conditions" (Anon. 1971, 2537). This general meaning of regular recurrence or pattern in time can apply to a wide variety of cyclical natural phenomena having a periodicity or frequency of anything from microseconds to millions of years.

In the performance arts rhythm is the timing of events on a human scale; of musical sounds and silences, of the steps of a dance, or the meter of spoken language and poetry. Rhythm may also refer to visual presentation, as "timed movement through space" (Jirousek 1995, ) and a common language of pattern unites rhythm with geometry. In recent years, rhythm and meter have become an important area of research among music scholars. Recent work in these areas includes books by Maury Yeston (Yeston 1976), Fred Lerdahl and Ray Jackendoff, Jonathan Kramer, Christopher Hasty (Hasty 1997), Godfried Toussaint (Toussaint 2005), William Rothstein, and Joel Lester (Lester 1986).

Isochrony is the postulated rhythmic division of time into equal portions by a language. Rhythm is an aspect of prosody, others being intonation, stress and tempo of speech.

Three alternative ways in which a language can divide time are postulated:

The idea as such was first expressed by Kenneth L. Pike in 1945, though the concept of language naturally occurring in chronologically and rhythmically equal measures is found at least as early as 1775 (in Prosodia Rationalis). This has implications for language typology: D. Abercrombie claimed "As far as is known, every language in the world is spoken with one kind of rhythm or with the other ... French, Telugu and Yoruba ... are syllable-timed languages, ... English, Russian and Arabic ... are stress-timed languages'. While many linguists find the idea of different rhythm types appealing, empirical studies have not been able to find acoustic correlates of the postulated types, calling into question the validity of these types.

Rhythm is the fourth full-length album by Swedish husband and wife duo Wildbirds & Peacedrums, released on The Leaf Label on 3rd November 2014.

Background

Rhythm was written, recorded and produced by Mariam Wallentin and Andreas Werliin in their Stockholm studio and focuses almost exclusively on Wallentin's vocals and Werliin's percussion. “Sound-wise we wanted it to feel like a live experience,” Werliin explained in an interview. “Almost every song is one take. We recorded standing in the same room, no screens or isolation, looking each other in the eyes." The band described how after several busy years of touring they wanted to make a "going back to our roots" album, recorded in their own space with no time limits or external pressures.

Critical reception

On the Metacritic website, which aggregates reviews from critics and assigns a normalised rating out of 100, Rhythm received a score of 81, based on 2 mixed and 9 positive reviews.All About Jazz wrote that "Rhythm has rhythm, but it's also brimming over with melody, harmony and drama" and also praised Wallentin and Werliin's production, saying that it "gives the sound such richness and strength that its energy is almost palpable".