Imperial Bedroom is a 1982 album by Elvis Costello and the Attractions. It was the second Costello album, after Almost Blue, not produced by Nick Lowe. Production duties were handled by Beatles engineer Geoff Emerick. "I wanted to try a few things in the studio that I suspected would quickly exhaust Nick's patience," as Costello put it in the liner notes to the 1994 Rykodisc reissue.

It was voted as the best album of the year in The Village Voice Pazz & Jop critics poll. In 1998 readers of Q magazine named it the 96th greatest album ever. In 1989, it was ranked No. 38 on Rolling Stone magazine's list of The 100 Greatest Albums of the 80s. In 2003, the album was ranked number 166 on Rolling Stone magazine's list of the 500 greatest albums of all time. In 2012, Slant Magazine listed the album at No. 59 on its list of "Best Albums of the 1980s". The album reached number 6 in the UK charts and number 30 in the USA but the singles were less successful. "You Little Fool" and "Man Out of Time" each briefly appeared in the UK Singles Chart, but neither charted in the USA.

"Run!" is the fifteenth episode of the first season of the NBC science fiction drama series Heroes. Regular cast members Milo Ventimiglia (Peter Petrelli) and Santiago Cabrera (Isaac Mendez) do not appear in this episode.

Plot

Meredith calls and informs Nathan that their daughter Claire is still alive. Aware that the scandal could ruin his political future, Nathan gives Meredith $100,000 for her silence. Elsewhere, Mrs. Bennet's health deteriorates, causing the rift between Claire and Mr. Bennet, since she blames him for her mother's condition. He grounds her after learning she skipped school, prompting Claire to be more outraged. Claire later shows up at Meredith's trailer, hoping that her biological father could help Mrs. Bennet. Meredith tells Claire that he will only disappoint her, and Meredith herself is going back to Mexico. She takes a picture of Claire as remembrance, which she later shows to a visiting Nathan. Meredith offers to introduce them, but Nathan refuses - this crushes an eavesdropping Claire. Visibly upset, Nathan gets inside his limo and leaves. Claire hurls a stone at his rear window in anger.

"Run" is the fifth single to be released from Amy Macdonald's debut album, This Is the Life. The single was released in the UK on 3 March 2008 and peaked at #75 in the United Kingdom for 1 week. Macdonald stated on stage at T in the Park 2008 that the song was inspired by a gig by The Killers in her hometown of Glasgow.

Track listing

2-Track

Maxi (Germany)

Music video

The music video for "Run" features Macdonald walking through a forest at night.

Charts

Macdonald's single "Run" was released on 3 March and jumped in the top 75 at number 75,next week it was knocked out of the top 75. Run charted at #36 in Germany.

References

External links

"Run 2" was New Order's third and final single from their 1989 album Technique. The album version was listed as simply "Run".

Overview

"Run 2" was remixed by Scott Litt from the version on Technique, hence the appendage of "2" to the title. The main difference is that the song has been made more radio-friendly by editing down most of the long instrumental run-out and appending it with a final repeat of the chorus. Litt's mix strips back much of the echo and layers of synthesizers, and in place centres the mix on Sumner's vocal and the bass guitar of Peter Hook. Despite the effort taken to produce a radio single, only 20,000 of the Factory 12" release were ever pressed. 500 7-inch records were also pressed, for promotional use. The single was only released in the UK.

John Denver's publishing company filed a lawsuit, alleging that the guitar break in "Run" too closely resembled Denver's "Leaving on a Jet Plane". The case was settled out of court. The song has since been credited to New Order and John Denver.

There are several distinct, although overlapping categories of fool as a stock character in creative works (literature, film, etc.) and folklore: simpleton fool, clever fool, and serendipitous fool.

Silly fool

A silly, stupid, simpleton, luckless fool is a butt of numerous jokes and tales all over the world.

Sometimes the foolishness is ascribed to a whole place, as exemplified by the Wise Men of Gotham. The localizing of fools is common to most countries, and there are many other reputed imbecile centres in England besides Gotham. Thus there are the people of Coggeshall, Essex, the "carles" of Austwick, Yorkshire, the "gowks" of Gordon, Berwickshire, and for many centuries the charge of folly has been made against silly Suffolk and Norfolk (Descriptio Norfolciensium about twelfth century, printed in Wright's Early Mysteries and other Latin Poems).

In Germany there are the "Schildburgers", from the fictitious town of "Schilda"; in the Netherlands, the people of Kampen; in Bohemia, the people of Kocourkov; and in Moravia the people of Šimperk. There are also the Swedish Täljetokar from Södertälje and Kälkborgare from Kälkestad, and the Danish tell tales of the foolish inhabitants of the Molboland. In Latin America, the people of Galicia are the butt of many jokes. In Spain, the people of Lepe, a town in Andalusia, follow a similar fate. Among the ancient Greeks, Boeotia was the home of fools; among the Thracians, Abdera; among the ancient Jews, Nazareth; among modern Jews, Chełm; among the ancient Asiatics, Phrygia.

"Fool (If You Think It's Over)" is the title of a popular song from 1978 by the British singer-songwriter Chris Rea. Rea also wrote the song, which appears on his 1978 debut album, Whatever Happened to Benny Santini?

Background

"Fool (If You Think It's Over)" was the lead single from Rea's debut album Whatever Happened to Benny Santini? which was recorded at producer Gus Dudgeon's Thames Valley recording studio The Mill. Rea, who wrote the song as an advisement to his teenage sister who professed herself devastated at losing her first boyfriend, would say of "Fool...": "I’d always seen it as a Memphis [soul] song [but] I never had the chance to voice my opinion about what I thought about the production": Rea has also stated that "Fool..." is the only track he ever recorded that he did not play guitar on (he did play keyboards). The background vocals on the track are by Rea and the album's assistant engineer Stuart Epps.

Unsuccessful in its initial UK single release in March 1978, "Fool..." was afforded a June 1978 release in the US where it entered the Top 40 of the Hot 100 singles chart in Billboard magazine in July 1978 to reach a #12 peak on the Hot 100 dated 16 September 1978, then being in the second week of a three-week tenure at #1 on the Billboard Easy Listening chart. On the strength its US success Rea was invited to perform "Fool..." on the 28 September 1978 TOTP broadcast which evidently facilitated a belated UK chart run for the single with an 28 October 1978 peak of #30.

The Fool is a 1964 Gibson SG guitar, painted for Eric Clapton by the Dutch design collective of the same name. One of the world's best-known guitars, it symbolizes the psychedelic era. Clapton used the guitar extensively while playing with Cream and it was an important element of his famed "woman tone".

History

The Fool, a "psychedelic fantasy", according to Clapton, was the brainchild of Marijke Koger who, along with Simon Postuma, was a founding member of The Fool collective. In early 1967, the collective were contacted by Robert Stigwood, then manager of Cream, to work on instruments and costumes for the band, which was about to leave London for a tour of the United States. Koger and Postuma painted Clapton's Gibson SG, a drum kit for Ginger Baker, and a Fender Bass VI for Jack Bruce, which he did not like very much and played only on TV performances.

The guitar made its debut as Cream played their first show in the United States on 25 March 1967 at the RKO theater on 58th Street, Manhattan, where Cream and The Who played a series of shows headlined by Mitch Ryder and promoted by Murray the K. Clapton used the guitar for most of Cream's recordings after Fresh Cream, particularly on Disraeli Gears, until the band broke up in 1968. After Clapton it passed to Jackie Lomax, who may have acquired it from George Harrison. It then passed to Todd Rundgren, who had seen Clapton play it during Cream's show at the RKO Theater and was "mesmerized" by it. Rundgren reportedly paid $500 for the guitar and had various repairs done to it. He had the guitar finished anew and retouched in places, and a portion of the neck and headstock was replaced. Rundgren sold the guitar in 2000 at auction for around $150,000 to pay off a tax debt, donating 10% to Clapton's Crossroads Centre. The Fool was resold to a private collector a few years later for around $500,000.