"Remix (I Like The)" is a song by American pop group New Kids on the Block from their sixth studio album, 10. The song was released as the album's lead single on January 28, 2013. "Remix (I Like The)" was written by Lars Halvor Jensen, Johannes Jørgensen, and Lemar, and it was produced by Deekay. The song features Donnie Wahlberg and Joey McIntyre on lead vocals.
"Remix (I Like The)" did not enter the Billboard Hot 100 in the United States, becoming their first lead single to fail charting since "Be My Girl" (1986). Instead, the song peaked at number 38 on the Adult Pop Songs chart.
Critical reception
PopCrush gave the song 3.5 stars out of five. In her review Jessica Sager wrote, "The song sounds like an adult contemporary answer to The Wanted mixed with Bruno Mars‘ ‘Locked Out of Heaven.’ It has a danceable beat like many of the British bad boys’ tracks, but is stripped down and raw enough to pass for Mars’ latest radio smash as well." Carl Williott of Idolator commended the song's chorus, but criticized its "liberal use of Auto-Tune" and compared Donnie Wahlberg's vocals to Chad Kroeger.
The first Remix album released by Mushroomhead in 1997. All tracks are remixes except for "Everyone's Got One" (hence the subtitle "Only Mix"). The last portion of "Episode 29 (Hardcore Mix)" was used on the XX album as "Episode 29". The original release of the "Multimedia Remix" also included recordings of Mushroomhead performing "Born of Desire" and "Chancre Sore" at Nautica in Cleveland (now known as The Scene Pavilion) as well as a video for "Simpleton".
Track listing
Remix: Making Art and Commerce Thrive in the Hybrid Economy is Lawrence Lessig's fifth book. It is available as a free download under a Creative Commons license. It details a hypothesis about the societal effect of the Internet, and how this will affect production and consumption of popular culture.
Summary
In Remix Lawrence Lessig, a Harvard law professor and a respected voice in what he deems the "copyright wars", describes the disjuncture between the availability and relative simplicity of remix technologies and copyright law. Lessig insists that copyright law as it stands now is antiquated for digital media since every "time you use a creative work in a digital context, the technology is making a copy" (98). Thus, amateur use and appropriation of digital technology is under unprecedented control that previously extended only to professional use.
Lessig insists that knowledge and manipulation of multi-media technologies is the current generation's form of "literacy"- what reading and writing was to the previous. It is the vernacular of today. The children growing up in a world where these technologies permeate their daily life are unable to comprehend why "remixing" is illegal. Lessig insists that amateur appropriation in the digital age cannot be stopped but only 'criminalized'. Thus most corrosive outcome of this tension is that generations of children are growing up doing what they know is "illegal" and that notion has societal implications that extend far beyond copyright wars. The book is now available as a free download under one of the Creative Commons' licenses.
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Gabrielle Aplin (born 10 October 1992) is an English singer-songwriter. Aplin came to public attention after she gained a large online following by posting acoustic covers of songs on her YouTube channel.
In February 2012, Aplin signed a recording deal with Parlophone and began recording her début album. She gained mainstream attention the following November when she was selected to record the soundtrack for John Lewis television commercial with a cover of Frankie Goes to Hollywood's "The Power of Love", which charted at number 1 on the UK Singles Chart in December 2012. Her début album English Rain was released in May 2013 to positive reviews. It debuted and peaked at number two on the UK album chart and led to several more singles: "Please Don't Say You Love Me", "Panic Cord", "Home" and "Salvation". English Rain has since been certified Gold in the UK, selling over 100,000 copies.
Aplin's second album, "Light Up The Dark,", featuring the singles 'Light Up The Dark' and 'Sweet Nothing,' was released on 18 September 2015.
Reverse 911 is a public safety communications system developed by Cassidian Communications, formerly PlantCML, a unit of Airbus Group, Inc. It is used by public safety organizations in Canada and the United States to communicate with groups of people in a defined geographic area. The system uses a database of telephone numbers and associated addresses, which, when tied into geographic information systems (GIS), can be used to deliver recorded emergency notifications to a selected set of telephone service subscribers.
Case studies
The system is used to notify residents in emergency situations. During the 2010 Boston water emergency, government agencies used the system to notify a large number of Boston-area residents in particular neighborhoods to boil water before drinking. During the much more contained 2004 bulldozer rampage in Granby, Colorado, authorities used Reverse 911 to notify the approximately 1,500 residents of the town to evacuate from the bulldozer's path. During the 2011 Tōhoku earthquake and tsunami, Seaside and Astoria, Oregon, residents were notified by Reverse 911 and sirens to evacuate low-lying areas. When the improvised explosive devices in the Aurora, Colorado, apartment of 2012 Aurora shooting gunman James Holmes were detonated by police, Reverse 911 was used to notify nearby residents of the evacuation order. On December 14, 2012, Reverse 911 was used to notify parents in the Sandy Hook community of Newtown, Connecticut, of the Sandy Hook Elementary School shooting incident. During the manhunt for suspects involved in the Boston Marathon bombings, Reverse 911 was used to notify residents of Watertown, Massachusetts, to remain in their homes. In October 2014, some Dallas, Texas, residents were notified of the city's second Ebola infection case by a Reverse 911 call.
REVERSE is an art space located in Williamsburg, Brooklyn, that serves as a platform for new and experimental forms of expression. Established in 2012, REVERSE provides emerging, mid-career, local and international artists with opportunities to create and exhibit new work. Open to the public year-round and free-of-charge, REVERSE presents a program of exhibitions, projects, talks, screenings, and events.
REVERSE hosts an ongoing open call for curatorial proposals. Andrea Wolf, artist and Director of REVERSE, described the space: “[REVERSE] is a place where young curators will have an opportunity to take risks that wouldn't be accepted in more conservative galleries.” Since its inception, REVERSE has worked collaboratively with outside curators, including AD Projects and Christian Berman, to produce numerous exhibitions and programs, including The Impossible Project (curated by NY based artist Renzo Ortega) and REVERSE Open Lab. Through its Artist Community, REVERSE supports a select group of artists who feature regularly in its exhibitions and projects. Members include: CHi KA, Melissa F. Clarke, Brandon Friend & Jason Douglas Griffin, Daria Irincheeva and Alexsey Yudzon. Work by these artists will be featured in Uncharted Waters: REVERSE 2013, which opens on April 12, 2013.
The child archetype is a Jungian archetype, first suggested by psychologist Carl Jung. In more recent years, author Caroline Myss has suggested that the child, out of the four survival archetypes (victim, prostitute, and saboteur), is present in all humans. According to Myss, its presence ranges from "childish to childlike longing for the innocent, regardless of age" and comprises sub-archetypes: "wounded child", "abandoned or orphan child", "dependent child", "magical/innocent child", "nature child", "divine child", and "eternal child".
Jungians
Jung placed the "child" (including the child hero) in a list of archetypes that represent milestones in individuation. Jungians exploring the hero myth have noted that "it represents our efforts to deal with the problem of growing up, aided by the illusion of an eternal fiction". Thus for Jung, "the child is potential future", and the child archetype is a symbol of the developing personality.
Others have warned, however, of the dangers posed to the parents drawn in by the "divine child" archetype – the belief of extraordinary potential in a child. The child, idealized by parents, eventually nurtures a feeling of superiority.