"Rapture" is a song by the American pop rock band Blondie from their fifth studio album, Autoamerican (1980).

In January 1981, "Rapture" was released as the second and final single from the album. The song reached No. 1 on the U.S. Billboard Hot 100 chart, where it stayed for two weeks. It was the first No. 1 song in the U.S. to feature rap. The song peaked at No. 4 in Australia and No. 5 in the United Kingdom.

History

"Rapture" is a combination of disco, funk, and hip hop with the rap section forming an extended coda. The song title "Rapture" served to indicate this element. While it was not the first single featuring rapping to be commercially successful, it was the first to top the charts. Its lyrics were especially notable for namechecking hip-hop pioneers Fab Five Freddy and Grandmaster Flash.

Music video

The music video made its U.S. television debut on Solid Gold on January 31, 1981, and became the first rap video ever broadcast on MTV. Set in the East Village section of Manhattan, the "Man from Mars" or "voodoo god" (dancer William Barnes in the white suit and top hat) is the introductory and central figure. Barnes also choreographed the piece. The final shot is a one-take scene of Debbie Harry dancing along the street, passing by graffiti artists, Uncle Sam, a Native American and a goat. Fab Five Freddy and graffiti artists Lee Quinones and Jean-Michel Basquiat make cameo appearances. Basquiat was hired when Grandmaster Flash did not show for the filming. The UK 7" version of the song is used in the video.

Final Fantasy XIV (ファイナルファンタジーXIV, Fainaru Fantajī Fōtīn), also known as Final Fantasy XIV Online, is a massively multiplayer online role-playing game for Microsoft Windows personal computers, developed and published by Square Enix in 2010. It is the fourteenth entry in the main Final Fantasy series and the second MMORPG in the series after Final Fantasy XI. Set in the fantasy realm of Eorzea, players take control of a customized avatar as they explore the land and are caught up in both an invasion by the hostile Garlean Empire and the threat of the Primals, the deities of the land's Beastmen tribes. Eventually, they are embroiled in a plot by a Garlean Legatus to destroy the Primals by bringing one of the planet's moons down on Eorzea.

The game had been in development since 2005 under the codename "Rapture", and was announced in 2009 for Windows and PlayStation 3 video game consoles. It ran on Square Enix's Crystal Tools middleware engine, which was adjusted to suit the game's specifications. During development, the team carried over multiple aesthetic elements from XI while creating something that stood on its own. Due to several factors, the development was beset by problems that would later have drastic effects on the game. Attempts to bring the game to Xbox 360 consoles fell through due to disagreements with Microsoft about the use of Xbox Live.

Rapture is an orchestral composition in one movement by the American composer Christopher Rouse. The work was commissioned by the Pittsburgh Symphony Orchestra and was completed January 9, 2000. It is dedicated to then Pittsburgh Symphony Orchestra music director Mariss Jansons and premiered in May 2000.

Composition

Rapture is markedly more tonal than Rouse's earlier compositions. In the program notes to the score, Rouse commented, "With the exception of my Christmas work, Karolju, this is the most unabashedly tonal music I have composed. I wished to depict a progression to an ever more blinding ecstasy, but the entire work inhabits a world devoid of darkness -- hence the almost complete lack of sustained dissonance." The piece is also built around "gradually increasing tempi" gains speed over the course of its roughly 11 minutes.

Despite the religious title of the work, Rouse did not intend Rapture to be sacred music. He further commented, "...the piece is not connected to any specific religious source. Rather, I used the word 'rapture' to convey a sense of spiritual bliss, religious or otherwise."

Heatwave! is an American disaster movie that was broadcast on the ABC television network on January 26, 1974. It was an ABC Movie of the Week. Its running time was 90 minutes. The film was directed by Jerry Jameson, produced by Herbert F. Solow and Harve Bennett.

The plot focuses upon the effect an intense and prolonged heat wave and water shortage has on Frank Taylor and his pregnant wife Laura Taylor, both while they are in the city where they live and after they decide to relocate.

Plot

When the heat wave eventually causes a total blackout that shuts down the brokerage firm where Frank works, he and Laura decide to relocate to a mountain cabin in a remote small town—which is also affected by the heat, blackout, and water shortage.

On the way to the cabin, the Taylors' car is taken from them; and they are forced to walk eight miles to the town. When the Taylors reach the town, they go to see Dr. Grayson, who appears to be Laura's old family physician. Dr. Grayson advises Laura that it is important for her to rest given the stress she has been under in the hot, dry conditions.

Kill the Lights is the second full-length album by the synthpop rock band The New Cities. Released on September 27, 2011, it includes the single, "Heatwave", that was released to radio on June 16, 2011. Written by The New Cities and The Matrix, "Heatwave" has reached No. 38 on the Canadian Hot 100.Heatwave also features a melody from the song Tarzan Boy, popularized in 1985 by Baltimora.

The album debuted at #52 in Canada.

Track listing

Singles

Personnel

Heatwave is an international funk/disco band formed in 1975. Its most popular lineup featured Americans Johnnie Wilder, Jr. and Keith Wilder (vocals) of Dayton, Ohio, Englishman Rod Temperton (keyboards), Swiss Mario Mantese (bass), Czechoslovak Ernest "Bilbo" Berger (drums), Jamaican Eric Johns (guitar) and Briton Roy Carter (guitar).

They were known for their successful songs "Boogie Nights", "Always and Forever", and "The Groove Line".

Heatwave's mainstream years

Founding member Johnnie Wilder was an American serviceman based in West Germany when he first began performing; upon his discharge from the U.S. Army, he stayed in Germany. He sang in nightclubs and taverns with an assortment of bands while still enlisted. By mid-year, he decided to relocate to the United Kingdom and through an ad placed in a local paper he linked up with songwriter/keyboardist Rod Temperton.

Touring the London nightclub circuit billed as Chicago's Heatwave during the mid-1970s allowed them to refine their sound, adding a funk groove to disco beats. In search of a fuller sound vocally, Johnnie Wilder called upon his brother Keith Wilder (who was performing in a local band in Dayton, Ohio) to join the band on vocals. The group signed to GTO Records in 1976 (Epic Records would handle GTO's releases in the states). They were paired in the studio with GTO house producer/session guitarist Barry Blue and rhythm guitarist Jesse Whitten. Rhythm guitarist Roy Carter replaced Whitten after Whitten was killed in a stabbing incident. They began creating their first album Too Hot to Handle in the fall of 1976.