Polarity may refer to:
In science:
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Polarity is the second release from American punk rock band, The Wedding. Polarity was released on April 17, 2007. The new album showed a drastic change, vocally and musically, from the band's debut album. Polarity features guest appearances by Davy Baysinger from Bleach, duet vocals; Dan Spencer Supertones with a trumpet line; and Josh Robieson (Flatfoot 56), bagpipe riff. This is the last album to include Lead Vocalist/Pianist Kevin Kiehn.
"Say Your Prayers" is the first single from the record. It was released to radio airwaves February 17, 2007. In the first week of release, "Say Your Prayers" tied for the number 1 spot in radio station adds on Radio and Records national Christian Rock charts (February 23, 2007). Within the second week, the song hit the top 30 (March 2, 2007). On March 30, 2007, it entered the ranks of the top 10.
The band gave away a free song, "It's Time To Rock, OK?", off the album through the website My Free Music Friday.
In physics, polarity is an attribute with two possible values. Polarity is a basic feature of the universe.
Pulsar is a fictional character in the Marvel Universe, a member of the Shi'ar Imperial Guard.
The character first appeared as Impulse in X-Men #107 (October 1977-February 1978), and was created by Chris Claremont and Dave Cockrum.
The character subsequently appears in X-Men: Spotlight on Starjammers #2 (June 1990), Quasar #32 (March 1992), Inhumans Vol. 4 #4 (September 2000), JLA/Avengers #1 (September 2003), and Uncanny X-Men #477 (October 2006) and #480 (January 2007).
Impulse appeared as part of the "Imperial Guard" entry in the Official Handbook of the Marvel Universe Deluxe Edition #6.
Pulsar is a long-time member of the Shi'ar Imperial Guard, also known as Impulse. He is made of pure energy, and his form is only contained by his costume. He can release blasts of energy from his visor.
He was with the Imperial Guard the first time they fought the X-Men.
He was seemingly killed by Vulcan, who breached Impulse's suit. Pulsar later reappeared alive, battling alongside the rest of the Imperial Guard in an assault on the Kree, where Pulsar gravely wounded the Inhuman elite warrior, Gorgon.
Pulsar is a brand of watch and a division of Seiko Watch Corporation of America (SCA). While Pulsar was the world's first electronic digital watch, today Pulsar watches are usually analog. They generally use the same movements as the lower-end Seikos such as the 7T62 quartz chronograph movement.
The first Pulsar was a brand of The Hamilton Watch Company which announced that it was making the watch in early 1970. It was developed jointly by Hamilton and Electro/Data, Inc. In the spring of 1972, the first Pulsar watch was marketed by The Hamilton Watch Co. (the parent company, not the Hamilton Watch Division). With an 18-carat gold case, the world's first all-electronic digital watch was also the first to use a digital display — created with light-emitting diodes (LEDs). A button was pressed to display the time. The first Pulsar initially sold for $2100 ($12,300 in 2016 dollars).
The Potpourri segment in the October 1972 issue of Playboy mentions the first Pulsar - and carries a photo.
Creamware Audio GmbH (typically styled as creamw@re) was a manufacturer of DSP-based sound cards and synthesizers. These cards are used to create synthesized sounds for audio production in music and other audio environments. The company was founded in 1992 and operated until 2006. In 2007, the company 'Sonic Core' purchased certain Creamware assets and intellectual property.
Creamware also developed several digital audio software/hardware combination systems that became very popular with radio broadcasters throughout the late 1990s. These systems included 'TripleDAT' and a scaled-down version called 'CutMaster'. Both versions were widely used by German commercial radio as well as government owned state controlled radio in China.
The software made by Creamware offered better visual handling than other products, of audio 'samples', sometimes called 'clips' or 'items' in similar software. A user could easily drag samples up and down virtual digital multi-tracks in a window called the 'arranger'. Zooming functions allowed users to zoom in to fine detail of wave forms, then easily return to a position where the user could gain a complete overview of their work.