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Soul is the sixth studio album released by American country rock & southern rock band The Kentucky Headhunters. It was released in 2003 on Audium Entertainment. No singles were released from the album, although one of the tracks, "Have You Ever Loved a Woman?", was first a single for Freddie King in 1960.

Track listing

All songs written and composed by The Kentucky Headhunters except where noted. 

Personnel

The Kentucky Headhunters

Guest musicians

The Jīva or Atman (/ˈɑːtmən/; Sanskrit: आत्मन्) is a philosophical term used within Jainism to identify the soul. It is one's true self (hence generally translated into English as 'Self') beyond identification with the phenomenal reality of worldly existence. As per the Jain cosmology, jīva or soul is also the principle of sentience and is one of the tattvas or one of the fundamental substances forming part of the universe. According to The Theosophist, "some religionists hold that Atman (Spirit) and Paramatman (God) are one, while others assert that they are distinct ; but a Jain will say that Atman and Paramatman are one as well as distinct." In Jainism, spiritual disciplines, such as abstinence, aid in freeing the jīva "from the body by diminishing and finally extinguishing the functions of the body." Jain philosophy is essentially dualistic. It differentiates two substances, the self and the non-self.

Real Self

According to the Jain text, Samayasāra (The Nature of the Self):-

On the Soul (Greek Περὶ Ψυχῆς, Perì Psūchês; Latin De Anima) is a major treatise by Aristotle on the nature of living things. His discussion centres on the kinds of souls possessed by different kinds of living things, distinguished by their different operations. Thus plants have the capacity for nourishment and reproduction, the minimum that must be possessed by any kind of living organism. Lower animals have, in addition, the powers of sense-perception and self-motion (action). Humans have all these as well as intellect.

Aristotle holds that the soul (psyche, ψυχή) is the form, or essence of any living thing; that it is not a distinct substance from the body that it is in. That it is the possession of soul (of a specific kind) that makes an organism an organism at all, and thus that the notion of a body without a soul, or of a soul in the wrong kind of body, is simply unintelligible. (He argues that some parts of the soul—the intellect—can exist without the body, but most cannot.) It is difficult to reconcile these points with the popular picture of a soul as a sort of spiritual substance "inhabiting" a body. Some commentators have suggested that Aristotle's term soul is better translated as lifeforce.

Prayer is an important activity in Christianity, and there are several different forms of Christian prayer.

Christian prayers are diverse: they can be completely spontaneous, or read entirely from a text, like the Anglican Book of Common Prayer. The most common prayer among Christians is the "Lord's Prayer", which according to the gospel accounts (e.g. Matthew 6:9-13) is how Jesus taught his disciples to pray. "The Lord's Prayer" is a model for prayers of adoration, confession and petition in Christianity.

A broad, three stage characterization of prayer begins with vocal prayer, then moves on to a more structured form in terms of meditation, then reaches the multiple layers of contemplation, or intercession.

There are two basic settings for Christian prayer: corporate (or public) and private. Corporate prayer includes prayer shared within the worship setting or other public places. These prayers can be formal written prayers or informal extemporaneous prayers. Private prayer occurs with the individual praying either silently or aloud within a private setting. Prayer exists within multiple different worship contexts and may be structured differently. These types of contexts may include:

Prayer is the active effort to communicate with a deity or higher being.

Prayer or Prayers may also refer to:

In music:

Other uses:

Coppélia is a comic ballet originally choreographed by Arthur Saint-Léon to the music of Léo Delibes, with libretto by Charles-Louis-Étienne Nuitter. Nuitter's libretto and mise-en-scène was based upon two stories by E. T. A. Hoffmann: Der Sandmann (The Sandman) and Die Puppe (The Doll). In Greek, κοπελιά means girl, young lady. Coppélia premiered on 25 May 1870 at the Théâtre Impérial l'Opéra, with the 16-year-old Giuseppina Bozzacchi in the principal role of Swanhilde. Its first flush of success was interrupted by the Franco-Prussian War and the Siege of Paris (which also led to the early death of Giuseppina Bozzacchi, on her 17th birthday), but eventually it became the most-performed ballet at the Opéra.

Modern-day productions are traditionally derived from the revivals staged by Marius Petipa for the Imperial Ballet of St. Petersburg in the late 19th century. Petipa's choreography was documented in the Stepanov method of choreographic notation at the turn of the 20th century. These notations were later used to stage the St. Petersburg version for such companies as the Vic-Wells Ballet (precursor of today's Royal Ballet).