"We Are" is a rock song recorded by the Swedish rock singer Ana Johnsson for her worldwide debut album The Way I Am. The song was released as her first worldwide single and her first from the album too. It is also known as the official soundtrack song of Spider-Man 2. "We Are" remains Ana's best-selling single to date. It currently stands at number 64 in Sweden's 'Best Alltime Singles' chart with 1253 points, a chart based on performance on the Swedish singles chart (as of May 7, 2007).
CD single (Scandinavia)
CD single (Germany PockIt! single)
Worldwide CD single 1 (Has Ana's face on the cover)
Worldwide CD single 2 (with miniposter) (Has Spider-Man on the cover)
Misfits II is the companion album to The Misfits' Collection I. Both compilations collect all the early singles and the entire Earth A.D./Wolfs Blood album, and are meant to complement Walk Among Us (not represented because Warner Bros. owns the rights) and Legacy of Brutality with little overlap. All the early singles are supposed to be represented, although alternative versions of some songs are used instead of the original releases.
Misfits II is controversial among fans because six of the tracks are not songs the Misfits recorded as a functioning band. They were recorded in 1986, several years after the Misfits broke up, by Glenn Danzig and Samhain bassist Eerie Von for a sequel to Walk Among Us.
"Cough/Cool" uses the drum track of the original Misfits version, but Danzig overdubbed guitar and drum machine tracks and new vocals. The song originally had no guitar at all, and was recorded when the Misfits were a three-piece of keyboards, bass and drums. The four Walk Among Us-era tracks ("Hate Breeders", "Braineaters", "Nike-A-Go-Go", and "Devil's Whorehouse") included on Collection II were also recorded at the same session, and featured no participation by any other Misfits. Jerry Only is adamant that "Braineaters" was recorded only once by the Misfits. "Mephisto Waltz" was rehearsed by the Misfits but never recorded by the band.
A slipstream is a region behind a moving object in which a wake of fluid (typically air or water) is moving at velocities comparable to the moving object, relative to the ambient fluid through which the object is moving. The term slipstream also applies to the similar region adjacent to an object with a fluid moving around it. "Slipstreaming" or "drafting" works because of the relative motion of the fluid in the slipstream.
A slipstream created by turbulent flow has a slightly lower pressure than the ambient fluid around the object. When the flow is laminar, the pressure behind the object is higher than the surrounding fluid.
The shape of an object determines how strong the effect is. In general, the more aerodynamic an object is, the smaller and weaker its slipstream will be. For example, a box-like front (relative to the object's motion) will collide with the medium's particles at a high rate, transferring more momentum from the object to the fluid than a more aerodynamic object. A bullet-like profile will cause less turbulence and create a more laminar flow.
Slipstream is a 2005 science fiction film, written by Louis Morneau and Phillip Badger and directed by David van Eyssen. The film stars Sean Astin, Vinnie Jones, and Ivana Miličević. It was first shown at the London Sci-Fi and Fantasy Film Festival on February 3, 2005. The film concerns the efforts of a socially inept scientist (Sean Astin) and a female FBI agent (Ivana Miličević) to recover a time travel device (called "Slipstream") that was stolen by a group of bank robbers commanded by Vinnie Jones. The film was imagined as part science fiction, part action and part buddy comedy.
Stuart Conway (Sean Astin) has developed a hand-held, cellphone-like time travel device called 'Slipstream' that allows the user to travel back in time 10 minutes by interfacing with a cellphone system regional antenna. At first, he uses the device primarily to try, albeit unsuccessfully, to arrange a date with a female bank clerk.
The final time he tries to use the device, a group of bank robbers commanded by Winston Briggs (Vinnie Jones) rush into the bank and demand the money from the vault. At the time, FBI agent Sarah Tanner (Ivana Miličević) and her male partner Jake (Kevin Otto) are in the bank tracking Stuart. Tanner initiates a gunfight against Jake's advice. Both agents are armed with pistols, while the criminals are wielding automatic weapons. By the end of the fight, Jake is shot and killed because he chased the criminals outside the bank.
Slipstream is a kind of fantastic or non-realistic fiction that crosses conventional genre boundaries between science fiction, fantasy, and literary fiction.
The term slipstream was coined by cyberpunk author Bruce Sterling in an article originally published in SF Eye #5, in July 1989. He wrote: "...this is a kind of writing which simply makes you feel very strange; the way that living in the twentieth century makes you feel, if you are a person of a certain sensibility." Slipstream fiction has consequently been described as "the fiction of strangeness," which is as clear a definition as any of the others in wide use. Science fiction authors James Patrick Kelly and John Kessel, editors of Feeling Very Strange: The Slipstream Anthology, argue that cognitive dissonance is at the heart of slipstream, and that it is not so much a genre as a literary effect, like horror or comedy.
Slipstream falls between speculative fiction and mainstream fiction. While some slipstream novels employ elements of science fiction or fantasy, not all do. The common unifying factor of these pieces of literature is some degree of the surreal, the not-entirely-real, or the markedly anti-real.
Echoes of despair
Ride along these
Ripples of air
Subatomic music
Eternally weaved
Into our presence
Those of us that abide
By the laws of harmony
Vibrate at the rate of nature
We are harmony, harmony
The hidden messages they hide
Resonate so deep inside
Apollo's legacy remains
In wordless tounges
Words of silence
Echo through the space
Subatomic music
Eternally weaved
Into our presence
Those of us that abide
By the laws of harmony
Vibrate at the rate of nature
We are harmony, harmony
The lines on your face
Are just the linear code
To a life that's been lived
Through your eyes
And bodies of lead
Were never meant to float
The voiceless rise unified
Through dissonant cries
Echoes resonate unified
From deafening
To nothing
Subatomic music
Eternally weaved
Into our presence
Those of us that abide
By the laws of harmony
Vibrate at the rate of nature
We are harmony, harmony